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Act 2, Scene 1 — A hall in Leonato’s house.
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The argument At a masked ball, Don John plants false jealousy in Claudio's heart while Beatrice savages Benedick to his hidden face; Don Pedro then delivers Hero to Claudio and hatches a plot to match Beatrice with Benedick.
Enter Leonato, Antonio, Hero, Beatrice and
others.
LEONATO [mildly noting his absence]

Was not Count John here at supper?

Wasn't Count John here for dinner?

Did Count John show up for dinner?

where's count john? wasn't he at dinner?

ANTONIO [simply confirming he didn't see him]

I saw him not.

I didn't see him.

Nope, didn't see him.

didn't see him

BEATRICE ≋ verse [wittily dismissing Don John's sourness]

How tartly that gentleman looks! I never can see him but I am

heart-burned an hour after.

How sour that gentleman looks! I can never see him without feeling heartburn for an hour afterward.

That guy's always got such a sour face on him. Seriously, every time I see him, I feel sick for like an hour.

ugh this guy's face always makes me feel sick ever seen him for an hour after? not happening

"heart-burned an hour after" Heartburn as a metaphor for the bitterness someone leaves behind — Beatrice uses a physical sensation to describe an emotional reaction, which is very much her style.
HERO [mildly, diplomatically explaining him]

He is of a very melancholy disposition.

He has a very depressed temperament.

He's just naturally depressed all the time.

he's always in a bad mood

BEATRICE [wryly comparing two flawed extremes]

He were an excellent man that were made just in the mid-way

between him and Benedick: the one is too like an image, and says nothing;

and the other too like my lady’s eldest son, evermore tattling.

He would be an excellent man if he were made just halfway between him and Benedick: the one is too much like a statue and says nothing, while the other is too much like my uncle's oldest son, constantly talking.

You know what? He'd be perfect if you could split the difference between him and Benedick. John's like a statue—doesn't say a word—but Benedick just talks, talks, talks all the time like my uncle's oldest kid.

if u mixed him w benedick midway = perfect guy one's a statue. other won't shut up

LEONATO ≋ verse [amused, extending her comparison]

Then half Signior Benedick’s tongue in Count John’s

mouth, and half Count John’s melancholy in Signior Benedick’s

face—

Then give half of Signior Benedick's tongue to Count John's mouth, and half of Count John's melancholy to Signior Benedick's face—

So take half of Benedick's chattiness and give it to John, and take half of John's sadness and give it to Benedick—

give john half of benedick's talkativeness / give benedick half of john's sadness

BEATRICE [playfully listing the ideal husband's traits]

With a good leg and a good foot, uncle, and money enough in his

purse, such a man would win any woman in the world if a’ could get

her good will.

With a good figure and a good foot, uncle, and enough money in his pocket, such a man would win any woman in the world if he could gain her consent.

With the right body, uncle, good dancing feet, and enough money in his wallet, any guy like that could get literally any woman to say yes.

good looks good money good feet any guy can get any girl then

LEONATO [fondly warning about her sharp tongue]

By my troth, niece, thou wilt never get thee a husband, if thou

be so shrewd of thy tongue.

By my honor, niece, you will never get yourself a husband if you're so sharp-tongued.

Honestly, if you keep being this sharp and sarcastic, you're never going to find a husband.

u'll never get married if u stay this mean

ANTONIO [chiming in with mock disapproval]

In faith, she’s too curst.

In truth, she's too cursed, too sharp.

She's way too hard to deal with, honestly.

yeah she's too much

BEATRICE [wittily turning the proverb on itself]

Too curst is more than curst: I shall lessen God’s sending

that way; for it is said, ‘God sends a curst cow short horns;’

but to a cow too curst he sends none.

Being excessively bad-tempered is worse than just being bad-tempered. I'll reduce God's blessings in that direction. There's a saying: 'God gives a difficult cow short horns,' but to a cow that's too difficult, he gives no horns at all.

Being way too mean is more of a problem than just being mean. I'm going to end up with fewer blessings that way. You know the saying—God gives a difficult cow short horns, but if the cow's too difficult, he doesn't give her any horns at all.

being too mean is worse than mean ill get less blessings they say god gives difficult cows short horns but too difficult cows get none

"God sends a curst cow short horns" A folk proverb: difficult cattle get stunted horns so they can't gore anyone. Beatrice turns it into an argument that extreme sharpness means no husband at all — which she presents as a blessing, not a curse.
LEONATO [teasing her with her own logic]

So, by being too curst, God will send you no horns?

So by being too sharp, Heaven won't send you horns—meaning you won't get married?

So you're saying by being too sharp-tongued, you won't get a husband?

so god won't marry u off bc ur mean?

"send you no horns" Horns were the symbol of a cuckolded husband — a man whose wife was unfaithful. No husband means no horns; Beatrice is making the spinster life sound like a protection from humiliation.
BEATRICE [merrily declaring her aversion to marriage]

Just, if he send me no husband; for the which blessing I am at

him upon my knees every morning and evening. Lord! I could not endure a

husband with a beard on his face: I had rather lie in the woollen.

Exactly, if Heaven doesn't send me a husband; and for that blessing I'm grateful to Heaven on my knees every morning and evening. Heaven! I could never accept a husband with a beard on his face: I'd rather sleep alone.

Right, if God doesn't send me a husband—and honestly, I'm on my knees thanking God for that every morning and night. I could never deal with a guy who has a beard. I'd much rather sleep alone.

yup if god doesn't send me a guy i'm literally thanking him tho beard? absolutely not would rather be alone

LEONATO [playfully offering a loophole]

You may light on a husband that hath no beard.

You might find a husband who has no beard.

Well, you could always marry a guy without a beard.

what about a guy w no beard tho

BEATRICE [comically dismissing every kind of husband]

What should I do with him? dress him in my apparel and make him

my waiting gentlewoman? He that hath a beard is more than a youth, and he

that hath no beard is less than a man; and he that is more than a youth is

not for me; and he that is less than a man, I am not for him: therefore I

will even take sixpence in earnest of the bear-ward, and lead his apes

into hell.

What would I do with him? Dress him in my clothes and make him my lady's maid? A man with a beard is more than a boy, and a man without a beard is less than a man; and a man who's more than a boy isn't for me; and a man who's less than a man, I'm not for him: so I'll accept sixpence from the bear-keeper and lead his apes into hell instead.

What am I supposed to do with him, dress him up as my lady's maid? Here's the thing: a guy with a beard is past being a boy, and a guy without a beard isn't fully a man yet. A man who's past being a boy isn't what I want, and a guy who's not really a man, I'm not what he wants either. So instead, I'll just take some money, keep apes like an old woman, and head straight to hell.

dress him as a maid?? bearded guy = past boyhood no beard = not quite a man neither works for me i'll just take the money & go 2 hell

"lead his apes into hell" The proverbial punishment for women who refused marriage: in the afterlife, they would lead apes (symbols of foolishness) to hell instead of children to heaven. Beatrice adopts this fate with relish — reframing shame as freedom.
LEONATO [amused, pushing the joke further]

Well then, go you into hell?

So you're going straight to hell?

So you're saying you're going to hell?

u rly going 2 hell?

BEATRICE [delightedly spinning a comic fantasy]

No; but to the gate; and there will the Devil meet me, like an

old cuckold, with horns on his head, and say, ‘Get you to heaven,

Beatrice, get you to heaven; here’s no place for you maids.’ So

deliver I up my apes, and away to Saint Peter for the heavens: he shows me

where the bachelors sit, and there live we as merry as the day is long.

Not to hell itself, just to the gate; and there the Devil will meet me, like an old cuckold with horns on his head, and say, 'Get out of here, Beatrice, get to heaven; there's no place here for unmarried women.' So I'll turn over my apes to him, and off I go to Saint Peter and heaven: he shows me where all the single men sit, and there we live as happy as the day is long.

Not all the way to hell, just to the gate. The Devil will meet me there—like some old guy with horns on his head—and say, 'Get out of here, Beatrice, go to heaven; there's no room for single women here.' So I'll just hand over my apes to him and head to heaven with Saint Peter. He'll show me where all the single guys are, and we'll just have the time of our lives up there.

just to the gate devil's like 'not for u beatrice go 2 heaven' i give him the apes go to heaven where all the single guys are live it up

"the Devil meet me, like an old cuckold, with horns on his head" The Devil was traditionally depicted with horns — Beatrice repurposes this as the Devil being a cuckolded husband, which makes him as ridiculous as any mortal man whose wife cheated on him. The joke is that even Hell's master is just another hapless husband.
ANTONIO [gently advising, fatherly concern]

[To Hero.] Well, niece, I trust you will be ruled by your father.

Well, niece, I trust you will obey your father.

So, niece, I'm sure you'll do what your father wants.

listen to ur dad ok

BEATRICE [slyly coaching Hero to please herself]

Yes, faith; it is my cousin’s duty to make curtsy,

and say, ‘Father, as it please you:’— but yet for all

that, cousin, let him be a handsome fellow, or else make another

curtsy, and say, ‘Father, as it please me.’

Yes, really; it's my cousin's duty to bow and say, 'Father, as you wish'—but still, cousin, if he's a handsome man, she should, otherwise she should bow again and say, 'Father, as I wish instead.'

Yeah, a woman's supposed to bow and say, 'Father, whatever you want.' But honestly, cousin, if the guy's good-looking, sure, go ahead. Otherwise, do it again and say, 'Father, I'm choosing for myself instead.'

girl's supposed to say yes to dad but if guy's ugly? she should say 'nope i pick myself'

LEONATO [hopeful, gently persistent]

Well, niece, I hope to see you one day fitted with a husband.

Well, niece, I hope to see you eventually matched with a husband.

Well, niece, I hope someday you'll find someone to marry.

hope u find a guy someday

BEATRICE [firmly rejecting marriage with a jest]

Not till God make men of some other metal than earth. Would it

not grieve a woman to be over-mastered with a piece of valiant dust? to

make an account of her life to a clod of wayward marl? No, uncle, I’ll

none: Adam’s sons are my brethren; and truly, I hold it a sin to

match in my kindred.

Not until Heaven makes men out of something other than earth. Would it not upset a woman to be overpowered by a piece of bravely-acting dust? To make an account of her life to a lump of stubborn clay? No, uncle, I won't: Adam's sons are my brothers; and truly, I consider it a sin to marry within my own family.

Not until Heaven makes men out of something better than dirt. Wouldn't any woman be upset to have some pretentious pile of dust boss her around? To spend her whole life answering to some stubborn clod? No way, uncle, not me. All men are my brothers—they're descended from Adam—and honestly, it feels like a sin to marry one.

not till god makes better men than dirt why marry some pretentious loser men r my brothers anyway would be like incest

"over-mastered with a piece of valiant dust" A reference to Genesis — God made man from earth/dust. Beatrice turns the creation myth into a critique: why should a woman submit to someone who is, at his core, just dirt that thinks well of itself?
LEONATO [quietly instructing Hero beforehand]

Daughter, remember what I told you: if the Prince do solicit you

in that kind, you know your answer.

Daughter, remember what I told you: if the Prince tries to court you in that manner, you know what your answer should be.

Daughter, remember what I told you earlier: if the Prince comes on to you romantically, you know what to say.

remember: if prince tries 2 flirt u know what to say

BEATRICE [playfully advising Hero on courtship]

The fault will be in the music, cousin, if you be not wooed in

good time: if the Prince be too important, tell him there is measure in

everything, and so dance out the answer. For, hear me, Hero: wooing,

wedding, and repenting is as a Scotch jig, a measure, and a cinquepace:

the first suit is hot and hasty, like a Scotch jig, and full as

fantastical; the wedding, mannerly modest, as a measure, full of state and

ancientry; and then comes Repentance, and with his bad legs, falls into

the cinquepace faster and faster, till he sink into his grave.

The mistake will be in the music, cousin, if you're not courted at the right time: if the Prince is too aggressive, tell him there's measure in everything, and so dance your way through the answer. Listen, Hero: courting, marriage, and regret follows as a Scottish jig, a formal dance, and a fast cinquepace: the first courtship is hot and rushed like a Scottish jig, and just as wild; the wedding is polite and modest as a formal dance, full of ceremony and tradition; and then comes Regret, and with his weak legs, he falls into the fast cinquepace faster and faster, until he sinks into his grave.

It's the music's fault, cousin, if you don't get asked at the right moment. If the Prince pushes too hard, tell him there's a right pace for everything—and just dance your way through it. Listen, Hero: courtship, marriage, and regret is like a Scottish jig, a stately formal dance, then a fast cinquepace: courtship is hot and crazy like a Scottish jig; then marriage is elegant and formal like that stately dance with all its rules; but then regret shows up and he's falling all over himself, moving faster and faster until he literally dies.

if prince's too pushy say everything needs balance courtship = wild jig marriage = formal dance regret = falling apart til death

"wooing, wedding, and repenting is as a Scotch jig, a measure, and a cinquepace" One of the sharpest aphorisms in the play: Beatrice maps the three stages of marriage onto three dances, each getting more controlled and then more frantic. The 'cinquepace' (five-step) was a quick, energetic dance — Repentance stumbles through it until he drops.
LEONATO [admiring her sharp perception]

Cousin, you apprehend passing shrewdly.

Cousin, you understand remarkably well.

Wow, cousin, you really get it.

u get it fr

BEATRICE [wryly boasting of her cleverness]

I have a good eye, uncle: I can see a church by daylight.

I have sharp perception, uncle: I can recognize a church building by daylight.

I'm pretty smart, uncle. I can even see a church in broad daylight.

i got eyes uncle lol can see a church in daylight

LEONATO [briskly directing the company]

The revellers are entering, brother: make good room.

The dancers are entering, brother: clear some space.

Here come the dancers, brother—make room.

dancers coming. move over

Enter Don Pedro, Claudio, Benedick, Balthasar, Don
LEONATO [warmly welcoming the masked revelers]

John, Borachio, Margaret, Ursula and Others, masked.

John, Borachio, Margaret, Ursula and Others enter, all wearing masks.

Here come John, Borachio, Margaret, Ursula and the rest, all masked up.

john borachio margaret ursula & crew coming in masked

DON PEDRO [courteously inviting Hero to dance]

Lady, will you walk about with your friend?

Lady, would you like to walk around with a friend?

Would you like to take a walk with me?

wanna walk w me?

HERO [coyly flirting from behind her mask]

So you walk softly and look sweetly and say nothing, I am yours for

the walk; and especially when I walk away.

If you walk quietly and look pleasant and say nothing, I'm yours for the walk; and especially when I'm walking away.

If you can be quiet, look nice, and shut up, then yeah, I'll walk with you. Especially the part where I'm leaving.

if u stay quiet & look nice sure let's walk esp the leaving part

DON PEDRO [hopefully pressing for her company]

With me in your company?

With you keeping me company?

While you're with me?

w u there?

HERO [coy flirtatious deflection]

I may say so, when I please.

I may say so, whenever I choose to.

I can say that whenever I feel like it.

whenever i want

DON PEDRO [playfully pursuing her answer]

And when please you to say so?

And when will you choose to say so?

When will you feel like saying that?

when tho?

HERO [witty flirtatious rejoinder]

When I like your favour; for God defend the lute should be like the case!

When I like your appearance; for may the lute never look like the case it comes in!

When I like how you look. I mean, you wouldn't want the lute to look like its case, right?

when u look good lute shouldn't look like its case lol

"God defend the lute should be like the case" A lute-case was plain and functional; the lute itself was beautiful. Hero is saying: please don't let the face match the ugly mask. A graceful dodge that keeps the Prince's identity concealed while hinting she has opinions about what's underneath.
DON PEDRO [playful flirtatious riddling]

My visor is Philemon’s roof; within the house is Jove.

My mask is like Philemon's cottage; inside the house dwells Jove himself.

This mask is like a poor man's cottage—but inside, there's Jupiter, the king of the gods.

my mask = poor cottage inside? a god lives here

"My visor is Philemon's roof; within the house is Jove" From Ovid — Jupiter visited earth in disguise, staying with the humble couple Philemon and Baucis. Don Pedro casts himself as a god traveling incognito, which is both charming and revealing of his own high opinion of himself.
HERO [teasing joke at his expense]

Why, then, your visor should be thatch’d.

Then your mask should be made of thatch.

Then your mask should be made of straw like a cottage.

then ur mask should be straw

DON PEDRO [hushed intimate wooing]

Speak low, if you speak love.

Speak softly if you're going to talk about love.

Keep your voice down if you're going to say romantic stuff.

if u're gonna say romantic stuff whisper it

[Takes her aside.]
BALTHASAR [wistful, hopeful courting]

Well, I would you did like me.

Well, I wish you liked me.

Man, I wish you liked me.

wish u liked me

MARGARET [playful self-deprecating deflection]

So would not I, for your own sake; for I have many ill qualities.

I wouldn't want that, for your own sake; I have many bad qualities.

I wouldn't want that for you, seriously. I've got too many bad qualities.

nah i got bad qualities u don't want that

BALTHASAR [playful fishing for her faults]

Which is one?

Which is one?

Which is one?

which is one?

MARGARET [cheeky mock confession]

I say my prayers aloud.

I pray out loud.

I say my prayers out loud.

i pray loud

BALTHASAR [earnest flirtatious declaration]

I love you the better; the hearers may cry Amen.

I love you all the more for it; the listeners can say Amen.

I like you even more for that; everyone listening can say Amen.

even better tbh everyone can say amen

MARGARET [bawdy joking wish]

God match me with a good dancer!

May Heaven match me with a good dancer!

I hope Heaven pairs me with a good dancer!

hope i get a guy who can dance

BALTHASAR [wry amusement joining her joke]

Amen.

Amen.

Amen.

amen.

MARGARET [playful mock-liturgical jest]

And God keep him out of my sight when the dance is done! Answer, clerk.

And may Heaven keep him out of my sight when the dance is finished! Answer me, you clerk.

And I hope I never see that guy again once the dance is over! Answer me, you're the witness.

& keep him away after dance so answer me clerk

BALTHASAR [satisfied close to the joke]

No more words: the clerk is answered.

No more words: the clerk has answered.

That's it—no more talking. The clerk has said his piece.

done. clerk answered

URSULA [playful certainty in the game]

I know you well enough: you are Signior Antonio.

I can tell exactly who you are: you're Signior Antonio.

Oh come on, I totally know who you are. You're Antonio.

i can tell it's u antonio

ANTONIO [playfully denying his own identity]

At a word, I am not.

I'm not, to be brief.

Nope, I'm not.

nah i'm not

URSULA [amused teasing over his giveaway tell]

I know you by the waggling of your head.

I recognize you by the way you nod your head.

I know it's you from the way you bob your head around.

i know u from ur head bobbing

ANTONIO [amused, toying with the deception]

To tell you true, I counterfeit him.

The truth is, I'm imitating him.

Honestly, I'm just copying his mannerisms.

i'm just copying him

URSULA ≋ verse [gleeful triumph at catching him out]

You could never do him so ill-well, unless you were the very

man. Here’s his dry hand up and down: you are he, you are he.

You could never imitate him so perfectly unless you were the real man. Here's his characteristic dry handshake, up and down: it's definitely you.

You'd have to be the real Antonio to copy him that well. That's his signature dry handshake right there—you're definitely him.

u'd have 2 be him 2 copy that good that's his dry handshake u r him

ANTONIO [mock-serious insistence, enjoying the game]

At a word, I am not.

I'm not, to be brief.

I'm still not.

still not tho

URSULA [amused, brushing off his denials]

Come, come; do you think I do not know you by your excellent

wit? Can virtue hide itself? Go to, mum, you are he: graces will

appear, and there’s an end.

Come on; do you think I don't know you by your excellent intelligence? Can goodness hide? Stop it, be quiet—you're definitely him: your grace will show through, and that settles it.

Come on, I know you by how smart you are. Good character can't stay hidden. Quiet now—you're totally him. Your good manners will give you away, so that's that.

i know u by ur wit u can't hide being good stop lying ur him lol

BEATRICE [pressing, testing the masked stranger]

Will you not tell me who told you so?

Won't you tell me who told you this?

Will you at least tell me who told you that about me?

who even told u that about me

BENEDICK [coyly refusing to reveal himself]

No, you shall pardon me.

No, I'm afraid you'll have to excuse me for that.

No, I'm not going to tell you.

nope can't tell u

BEATRICE [persistent, half-suspecting him]

Nor will you not tell me who you are?

And you refuse to reveal your identity to me?

So you're just not going to tell me who you actually are?

won't even say who u r? come on

BENEDICK [playfully evasive]

Not now.

Not now.

Not now.

not now.

BEATRICE ≋ verse [relaying an insult with scorn]

That I was disdainful, and that I had my good wit out of

the ‘Hundred Merry Tales.’ Well, this was Signior

Benedick that said so.

That I was contemptuous and that I got my wit from the 'Hundred Merry Tales.' Well, it was Signior Benedick who said all that.

That I'm stuck-up and that I copied all my jokes from this book called the 'Hundred Merry Tales.' That's what Signior Benedick said about me.

he said i'm mean & copied jokes from 'hundred merry tales' was signior benedick

"Hundred Merry Tales" An actual Elizabethan collection of short comic tales, printed 1526. Beatrice is accusing Benedick of saying her wit is borrowed from a secondhand joke book — not original at all. A light but cutting insult.
BENEDICK [feigning ignorance of himself]

What’s he?

What’s he?

What’s he?

what’s he?

BEATRICE [confident he's bluffing]

I am sure you know him well enough.

I'm sure you know him well enough.

I'm sure you know him pretty well.

u def know him

BENEDICK [keeping up the bluff]

Not I, believe me.

I don't, I assure you.

I don't, I promise.

nah i don't

BEATRICE [baiting him further]

Did he never make you laugh?

Has he never made you laugh?

Hasn't he ever made you laugh?

he never made u laugh?

BENEDICK [deflecting with feigned curiosity]

I pray you, what is he?

I ask you, who is he?

Seriously, who is he?

ok who is he

BEATRICE [gleeful, cutting mockery of him]

Why, he is the Prince’s jester: a very dull fool; only his

gift is in devising impossible slanders: none but libertines delight in

him; and the commendation is not in his wit, but in his villainy; for he

both pleases men and angers them, and then they laugh at him and beat him.

I am sure he is in the fleet: I would he had boarded me!

Well, he's the Prince's jester: a very dull fool; his only gift is inventing impossible insults: only loose men enjoy him; and his reputation comes not from his wit but from his wickedness; for he both pleases men and angers them, then they laugh at him and hit him. I'm sure he's among the guests: I wish he'd approached me!

Oh, he's the Prince's court jester—a really boring fool, honestly. The only thing he's good at is making up crazy insults that don't make sense. Only perverts think he's funny. People like him not because he's smart but because he's nasty—he both gets people's approval and makes them mad, then they laugh at him and punch him. He's definitely here tonight, and I wish he'd tried to flirt with me!

he's the prince's dumb jester only good at making insults only perverts like him people hit him lol i wish he'd hit on me

🎭 Dramatic irony Beatrice calls Benedick 'the Prince's jester — a very dull fool' to his masked face, not knowing he can hear every word. The audience knows exactly who is behind the visor and watches Benedick absorb the wound in silence.
BENEDICK [stinging, masking his hurt]

When I know the gentleman, I’ll tell him what you say.

When I know the gentleman, I'll repeat what you've said.

Once I find out who he is, I'll tell him exactly what you said.

when i figure out who he is i'm tellin him what u said

BEATRICE [relishing the further insult]

Do, do: he’ll but break a comparison or two on me; which,

peradventure not marked or not laughed at, strikes him into melancholy;

and then there’s a partridge wing saved, for the fool will eat no

supper that night. [Music within.] We must follow the leaders.

Do, do: he'll just make a joke or two at my expense; which, perhaps unnoticed or not found funny, drives him into depression; then a chicken dinner is saved, because the fool won't eat supper that night. [Music plays.] We must follow the dancers.

Go ahead: he'll just crack a couple jokes about me. If nobody notices or laughs, that'll upset him and he won't eat anything that night. [Music plays.] Anyway, we gotta follow the dancers.

yeah make jokes on me if nobody laughs he'll be sad won't eat lol [music plays] follow the dancers

BENEDICK [curt, stung reply]

In every good thing.

I'll follow wherever virtue leads.

Yeah, I'm down for anything that's actually good.

following the good stuff

BEATRICE [light parting quip]

Nay, if they lead to any ill, I will leave them at the next turning.

No, if they lead anywhere bad, I'll leave them at the next turning.

But if they go anywhere I don't like, I'm out of there right at the next corner.

but if it gets bad i'm out

[Dance. Then exeunt all but Don John, Borachio
and Claudio.]
DON JOHN [coldly plotting observation]

Sure my brother is amorous on Hero, and hath withdrawn her

father to break with him about it. The ladies follow her and but one visor

remains.

I'm certain my brother is in love with Hero, and has taken her father aside to discuss marriage with him about it. The ladies follow her and only one masked person remains.

My brother's definitely in love with Hero—he's pulled her father away to talk about marrying her. All the other women are following her around, and there's only one masked person left.

bro's in love w hero took her dad aside all the girls follow her one person left masked

BORACHIO [matter-of-fact, sizing him up]

And that is Claudio: I know him by his bearing.

And that one is Claudio: I know him by the way he carries himself.

And that's Claudio. I can tell by the way he stands.

that's claudio i know by how he stands

DON JOHN [testing the masked man's identity]

Are you not Signior Benedick?

You must be Signior Benedick, then?

Wait, so you're that Benedick guy everyone talks about?

u benedick? that guy?

CLAUDIO [playing along as Benedick]

You know me well; I am he.

That's correct; I'm Benedick.

Yeah, you've got me pegged. It's me.

yep that's who i am

🎭 Dramatic irony Claudio identifies himself to Don John as Benedick — which sets up Don John's false report about Don Pedro. Claudio's vanity in wanting to be mistaken for someone else is precisely what allows him to be manipulated.
DON JOHN [insinuating, sowing doubt]

Signior, you are very near my brother in his love: he is

enamoured on Hero; I pray you, dissuade him from her; she is no equal for

his birth: you may do the part of an honest man in it.

Signior, you're very close to my brother in his love: he is in love with Hero; I ask you to talk him out of it; she is not an equal match for his rank: you could do a good deed by acting like an honest man about it.

Sir, you're close to my brother, and he's fallen for Hero. Do me a favor and talk him out of it—she's not good enough for his status. You could do the right thing and convince him to stay away.

talk ur buddy out of hero she's not good enough 4 him do the right thing here

CLAUDIO [alarmed, probing further]

How know you he loves her?

What makes you certain he's fallen in love with her?

Wait, where'd you get that idea that he's in love with her?

how do u know he loves her

DON JOHN [coolly asserting the lie]

I heard him swear his affection.

I heard him swear to his feelings for her.

I heard him swear an oath about his feelings for her.

i heard him swear he loves her

BORACHIO [smoothly backing up the lie]

So did I too; and he swore he would marry her tonight.

I heard him too; and he swore he would marry her tonight.

Yeah, and I heard him say he's going to marry her tonight.

heard him say he'll marry her 2night

DON JOHN [coolly moving on, deed done]

Come, let us to the banquet.

Come, let's go to the feast.

Let's head to the party.

let's go to the party

[Exeunt Don John and Borachio.]
CLAUDIO ≋ verse [bitter jealousy at perceived betrayal]

Thus answer I in name of Benedick,

But hear these ill news with the ears of Claudio.

’Tis certain so; the Prince wooss for himself.

Friendship is constant in all other things

Save in the office and affairs of love:

Therefore all hearts in love use their own tongues;

Let every eye negotiate for itself

And trust no agent; for beauty is a witch

Against whose charms faith melteth into blood.

This is an accident of hourly proof,

Which I mistrusted not. Farewell, therefore, Hero!

I'll answer in Benedick's place, but I'm hearing all this with Claudio's ears. It's definitely true; the Prince is wooing her for himself. Friendship is constant in all other things But falls apart when love gets involved: So everyone in love speaks for themselves; Let every person negotiate their own romance And trust no intermediary; for beauty is a spell That melts faith into pure desire. This is a common disaster, happening all the time, Which I never feared would happen. Goodbye, then, Hero!

I'm answering as Benedick right now, but I'm hearing this with Claudio's ears. It's true—the Prince is trying to win her for himself. Friendship lasts forever in everything else Except when love gets in the way. So everyone in love has to look out for themselves; Don't trust anyone else to handle your romance Because beauty is literally a witch's spell That turns your loyalty into pure lust. This kind of thing happens constantly, And I never thought it would happen to me. So long, Hero!

answering as benedick but hearing as claudio prince wants her 4 himself friendship dies w love no one's trustworthy beauty ruins everything this always happens goodbye hero

"beauty is a witch / against whose charms faith melts to blood" Claudio's most revealing line: he frames love as magic that undoes loyalty. 'Blood' here means passion or desire — the implication is that even rational friendship dissolves when beauty enters. It's a beautiful phrase for a very suspicious mind.
Re-enter Benedick.
BENEDICK [surprised, noticing his gloom]

Count Claudio?

Count Claudio?

Count Claudio?

count claudio?

CLAUDIO [curt, still smarting with hurt]

Yea, the same.

Yea, the same.

Yea, the same.

yea, the same.

BENEDICK [breezy, oblivious to his pain]

Come, will you go with me?

Let's leave together—are you willing?

Come on, let's get out of here.

come on let's go

CLAUDIO [sullen, barely engaged]

Whither?

Where?

Where to?

where

BENEDICK [mocking jibe, twisting the knife]

Even to the next willow, about your own business, Count. What

fashion will you wear the garland of? About your neck, like a usurer’s

chain? or under your arm, like a lieutenant’s scarf? You must wear

it one way, for the Prince hath got your Hero.

To the nearest willow tree, to deal with your own business, Count. How will you wear the wreath of love? Around your neck like a usurer's chain? Or under your arm like a soldier's badge? You must wear it one way, because the Prince has gotten your Hero.

Over to that willow tree to deal with your situation, Count. How are you going to wear your heartbreak? Like a chain around your neck? Or tucked under your arm like a soldier's medal? Pick one, because the Prince just took your Hero.

go 2 the willow tree deal w ur problem prince took hero how u gonna wear that loss around ur neck like a chain or under ur arm

CLAUDIO [bitter sarcastic resignation]

I wish him joy of her.

I wish him happiness with her.

I hope he's happy with her.

hope he's happy w her

BENEDICK [needling him with mock sympathy]

Why, that’s spoken like an honest drovier: so they sell bullocks.

But did you think the Prince would have served you thus?

Now that's what an honest cattle-trader would say: that's how they sell cattle. But did you think the Prince would really treat you like this?

That's exactly what an honest cattle dealer would say—that's their sales pitch. But seriously, did you really think the Prince would do this to you?

that's what a cattle seller says seriously tho u think prince would do u like this?

CLAUDIO [wounded, wanting to be alone]

I pray you, leave me.

I ask you to leave me alone.

Just leave me alone.

leave me alone

BENEDICK ≋ verse [chiding him, still teasing]

Ho! now you strike like the blind man: ’twas the boy that

stole your meat, and you’ll beat the post.

Wait! Now you're hitting like someone who's blind: it was the boy who stole your food, but you're beating the post.

Hold on—you're hitting like you're blind. The kid who stole your stuff is long gone, but you're beating a post.

u hitting blind the boy stole ur stuff u beating a post lol

CLAUDIO [withdrawing in hurt pride]

If it will not be, I’ll leave you.

If this can't be fixed, then I'll leave you.

If you won't listen, I'm leaving.

if u won't listen i'm leaving

[Exit.]
BENEDICK [privately stung, defensive musing]

Alas! poor hurt fowl. Now will he creep into sedges. But, that

my Lady Beatrice should know me, and not know me! The Prince’s fool!

Ha! it may be I go under that title because I am merry. Yea, but so I am

apt to do myself wrong; I am not so reputed: it is the base though bitter

disposition of Beatrice that puts the world into her person, and so gives

me out. Well, I’ll be revenged as I may.

Oh, poor wounded bird. Now he'll hide in the reeds. But that my Lady Beatrice should recognize me but not acknowledge me! The Prince's jester! Ha! Maybe I'm called that because I'm cheerful. But wait, I'm not actually known as a jester; it's Beatrice's mean nature that makes her say those things about me to everyone. Well, I'll get my revenge however I can.

Oh no, poor guy's hurt. He's going to go hide somewhere. But the fact that Beatrice would recognize who I am and just ignore me! Me, the Prince's jester! Wait, maybe I got that nickname just because I like to joke around. But no, that's not actually what people call me. It's Beatrice—her whole mean personality is what she's spreading about me, making me look bad. Fine, I'll get revenge on her somehow.

oh poor claudio beats is recognize me but won't acknowledge me i'm the jester? no beatrice just ruins me with her mean stuff i'll get revenge

Why it matters This is the soliloquy where we see that Beatrice has genuinely wounded Benedick — and that his bravado is a cover. His insistence he would never marry her is the first clear signal that he is already in love with her.
Re-enter Don Pedro.
DON PEDRO [casual, unaware of the hurt caused]

Now, signior, where’s the Count? Did you see him?

Now, sir, where is the Count? Did you see him?

So, where's the Count? Did you see him?

where's the count

BENEDICK [relishing playing messenger]

Troth, my lord, I have played the part of Lady Fame. I found him

here as melancholy as a lodge in a warren. I told him, and I think I told

him true, that your Grace had got the good will of this young lady; and I

offered him my company to a willow tree, either to make him a garland, as

being forsaken, or to bind him up a rod, as being worthy to be whipped.

I've acted as Lady Fame, sir. I found him here as miserable as an empty lodge in a rabbit warren. I told him—and I believe I spoke truly—that your Grace had won this young lady's affection, and I offered to go with him to a willow tree, where he could make himself a garland as a forsaken lover, or I could fashion him a rod for whipping, since he deserves it.

Honestly, sir, I played the role of Lady Fame. I found him here absolutely miserable. I told him what I'm pretty sure is the truth—that you've won this young lady over—and I offered to walk with him to a willow tree so he could either make himself a forsaken lover's wreath or get himself whipped.

played lady fame. he's super sad. told him you got the girl. offered to take him to willow tree to make a sad wreath or get the rod

DON PEDRO [amused, playing along with the jest]

To be whipped! What’s his fault?

Whipped! What did he do wrong?

Whipped! What's he done wrong?

whipped? what'd he do?

BENEDICK [clever mocking analogy]

The flat transgression of a school-boy, who, being overjoy’d

with finding a bird’s nest, shows it his companion, and he steals

it.

It's the obvious mistake of a schoolboy who, thrilled to find a bird's nest, shows it to his friend, and then his friend steals it.

It's what a schoolboy does—he finds a bird's nest, gets all excited and shows his friend, and then the friend just steals it.

schoolboy finds nest. shows friend. friend steals it. classic

DON PEDRO [turning the joke back on him]

Wilt thou make a trust a transgression? The transgression is in the stealer.

Are you going to make sharing a breach of trust? The real wrongdoing is with the one who steals.

Are you saying that showing someone something is a betrayal? No, the real crime is from the one who steals.

sharing isn't wrong. the thief is

BENEDICK [witty rejoinder, needling the Prince]

Yet it had not been amiss the rod had been made, and the garland

too; for the garland he might have worn himself, and the rod he might have

bestowed on you, who, as I take it, have stolen his bird’s nest.

Still, it wouldn't have been wrong to make both the garland and the rod. The garland he could have worn himself as the forsaken lover, and the rod—the one for whipping—he could have given to you, since as I understand it, you've stolen his bird's nest.

But still, he could've used both the garland and the rod. He'd wear the garland himself for being rejected, and he'd give you the rod for whipping, since you're the one who actually stole his bird's nest.

could've made both. he'd wear the sad garland. you'd get the whipping rod. you're the real thief

DON PEDRO [lightly brushing off the jab]

I will but teach them to sing, and restore them to the owner.

I will only teach them to sing and return them to their owner.

I'll just teach them to sing and give them back to who they belong to.

teach them songs. give them back

BENEDICK [wry concession, still joking]

If their singing answer your saying, by my faith, you say honestly.

If their singing matches your promise, by my honor, you're telling the truth.

If the birds sing like you said they would, then you're being honest.

if they sing like you said, you're honest

DON PEDRO ≋ verse [teasingly needling Benedick]

The Lady Beatrice hath a quarrel to you: the gentleman that

danced with her told her she is much wronged by you.

Lady Beatrice has a complaint against you. The gentleman who danced with her told her that you've treated her very badly.

Lady Beatrice is upset with you. The guy who danced with her said you've really hurt her.

beatrice is mad at you. guy she danced with said you hurt her

BENEDICK [genuinely exasperated and stung]

O! she misused me past the endurance of a block: an oak but with

one green leaf on it would have answered her: my very visor began to

assume life and scold with her. She told me, not thinking I had been

myself, that I was the Prince’s jester, that I was duller than a

great thaw; huddling jest upon jest with such impossible conveyance upon

me, that I stood like a man at a mark, with a whole army shooting at me.

She speaks poniards, and every word stabs: if her breath were as terrible

as her terminations, there were no living near her; she would infect to

the north star. I would not marry her, though she were endowed with all

that Adam had left him before he transgressed: she would have made

Hercules have turned spit, yea, and have cleft his club to make the fire

too. Come, talk not of her; you shall find her the infernal Ate in good

apparel. I would to God some scholar would conjure her, for certainly,

while she is here, a man may live as quiet in hell as in a sanctuary; and

people sin upon purpose because they would go thither; so indeed, all

disquiet, horror and perturbation follow her.

She abused me beyond what even a block of wood could tolerate. Even an oak tree with just one green leaf on it would have answered back to her. My very helmet began to come alive and argue with her. Not knowing it was me speaking, she told me I was the Prince's fool and duller than a thaw—piling joke on joke so impossibly that I stood there like a target with an entire army shooting arrows at me. She speaks daggers, and every word cuts like a knife. If her breath were as terrible as her cutting remarks, there'd be no living near her; she'd poison the air all the way to the north star. I would never marry her, even if she had everything Adam owned before his sin. She would have made even Hercules turn into a kitchen servant and broken his club to use as firewood. Stop talking about her—you'll find she's the goddess of discord dressed in fine clothes. I wish some scholar would exorcise her, because truly, while she's here, a man could live as peacefully in hell as in a sanctuary. People sin on purpose just to go there. In short, every kind of upset, horror, and chaos follow her everywhere.

She wore me out, man. Even a block of wood would've fired back at her. My own helmet was about to come alive and argue with her. She didn't know it was me, so she told me I was the Prince's joke and about as interesting as mud. She just kept throwing joke after joke at me until I felt like a human target. She's vicious—her words are like daggers. If her breath was as bad as her zingers, you couldn't stand being near her. I'd rather marry anyone than her, no matter how rich or beautiful. She'd drive even the strongest man insane and probably make him do the dishes. Seriously, don't even talk about her. She's pure chaos in a nice dress. I swear someone should do an exorcism on her, because while she's around, hell looks like a vacation spot. People go out of their way to sin just to escape her. She's like a walking tornado of misery.

she destroyed me. even wood would talk back. jokes flying everywhere like arrows. her words cut like blades. no marrying her. she's chaos in a dress. hell's better than being around her

"she would have made Hercules have turned spit" Turning a spit over a fire was menial kitchen work. Beatrice's tongue is so commanding that even Hercules — the strongest man in mythology — would end up doing the cooking. One of Shakespeare's most vivid images of female verbal power.
Re-enter Claudio, Beatrice, Hero and Leonato.
DON PEDRO [amused, announcing her arrival]

Look! here she comes.

Look! She's arriving now.

There she is, coming toward us.

here she comes

BENEDICK [comically desperate to escape her]

Will your Grace command me any service to the world’s end?

I will go on the slightest errand now to the Antipodes that you can devise

to send me on; I will fetch you a toothpicker now from the furthest inch

of Asia; bring you the length of Prester John’s foot; fetch you a

hair off the Great Cham’s beard; do you any embassage to the

Pygmies, rather than hold three words’ conference with this harpy.

You have no employment for me?

Will your Grace send me on any errand to the ends of the earth? I will take the most trivial task you can think of to the other side of the world. I'll fetch you a toothpick from the furthest reaches of Asia, bring you the measurement of Prester John's foot, get you a hair from the Great Khan's beard, do any embassy to the Pygmies—anything rather than stand here talking for three minutes with this woman. Don't you have some task for me?

Sir, can you send me anywhere in the world on any errand? I'll go to the ends of the earth on the smallest job—fetch you a toothpick from Asia, bring you some exotic treasure, go anywhere—just don't make me stand here and have a conversation with her. Seriously, isn't there anything you need me to do?

send me anywhere. end of the world. antarctica. asia. anywhere. just not here with her

DON PEDRO [playfully denying him escape]

None, but to desire your good company.

No, just your good company.

No, I just want you to stay and be good company.

nah just stay with me

BENEDICK [grumbling distaste as she nears]

O God, sir, here’s a dish I love not: I cannot endure my Lady Tongue.

God help me, sir, this is something I cannot stomach. I cannot stand Lady Beatrice.

Oh come on, sir. This is one meal I don't want. I can't stand her.

not this. can't take her

[Exit.]
DON PEDRO [teasingly goading them both]

Come, lady, come; you have lost the heart of Signior Benedick.

Come along, lady. You've captured Signior Benedick's heart.

Come on, lady. You've gotten Benedick's attention.

you got benedick

BEATRICE [sharp witty comeback]

Indeed, my lord, he lent it me awhile; and I gave him use for

it, a double heart for a single one: marry, once before he won it of me

with false dice, therefore your Grace may well say I have lost it.

Indeed, my lord, he lent it to me for a while, and I repaid him with interest—a double heart for his single one. But honestly, he won it from me before by cheating, so your Grace might say I've simply lost what I never truly owned.

Actually, sir, he just gave it to me temporarily, and I gave him twice as much back. But he's taken my heart before using tricks, so I suppose you could say I've lost what was never really mine to keep.

he lent it. i gave back double. he cheated before anyway. so yeah i lost it

DON PEDRO [delighted at her wit]

You have put him down, lady, you have put him down.

You've bested him, lady. You've bested him.

You've got the better of him, lady. You really beat him at his own game.

you got him. you totally beat him

BEATRICE [quick self-deprecating wit]

So I would not he should do me, my lord, lest I should prove the

mother of fools. I have brought Count Claudio, whom you sent me to seek.

I wouldn't want him to do the same to me, my lord, for fear I would become the mother of foolish children. I have brought Count Claudio, whom you sent me to find.

I wouldn't want him to do the same to me, sir, or I'd end up having foolish kids. Anyway, I've brought Count Claudio like you asked.

don't do it to me or i'll have fool babies. brought claudio

"So I would not he should do me, my lord, lest I should prove the mother of fools" Don Pedro's 'put him down' has a sexual meaning Beatrice immediately spots and pivots away from. If Benedick 'put her down' in that sense, she'd risk becoming the 'mother of fools' — an illegitimate pregnancy. She deflects via wit faster than most people can register the pun.
DON PEDRO [concerned, noticing his mood]

Why, how now, Count! wherefore are you sad?

Well, how are you, Count? Why are you sad?

So, Count, what's wrong? Why the long face?

count what's up? why sad?

CLAUDIO [guardedly denying his jealousy]

Not sad, my lord.

I'm not unhappy, my lord.

I'm fine, sir. Really.

i'm good

DON PEDRO [gently probing further]

How then? Sick?

How then? Sick?

How then? Sick?

how then? sick?

CLAUDIO [terse, still hiding unease]

Neither, my lord.

Neither, my lord.

Neither, my lord.

neither, my lord.

BEATRICE [sharp comic diagnosis]

The Count is neither sad, nor sick, nor merry, nor well; but

civil Count, civil as an orange, and something of that jealous complexion.

The Count is neither sad, nor sick, nor cheerful, nor well. He's a refined Count, as serious as an orange, and with a somewhat jealous nature.

He's not sad, not sick, not happy, not fine. He's just formal and stiff like an orange, kind of jealous too.

he's not sad or happy or sick. he's boring and jealous

"civil as an orange, and something of that jealous complexion" A triple pun: 'civil' sounds like 'Seville' (Seville oranges are famously bitter and tart); oranges are yellow, and yellow was the Elizabethan color of jealousy. Beatrice diagnoses Claudio's jealousy in one fruit.
DON PEDRO [delighted, revealing the good news]

I’ faith, lady, I think your blazon to be true; though, I’ll

be sworn, if he be so, his conceit is false. Here, Claudio, I have wooed

in thy name, and fair Hero is won; I have broke with her father, and, his

good will obtained; name the day of marriage, and God give thee joy!

In truth, lady, I think your description is accurate. Though I'll swear if he really is like that, his own opinion of himself is wrong. Here, Claudio, I have courted Hero on your behalf, and I have won her. I have spoken with her father and obtained his permission. Set the wedding day, and may God bless you!

Well, lady, I think you've got him figured out, though honestly, if that's really how he is, he doesn't see himself that way. Claudio, I've done the courting work for you and won Hero. Her father's agreed. Just pick a wedding day and be happy!

you nailed it. claudio i won hero for you. dad says yes. pick a date

LEONATO ≋ verse [joyful, giving his blessing]

Count, take of me my daughter, and with her my fortunes: his

Grace hath made the match, and all grace say Amen to it!

Count, take my daughter, and along with her, my fortune. His Grace has made this match, and let all good wishes say Amen to it!

Count, take my daughter and everything I have with her. The Prince made this happen, and blessings on you both!

take my daughter and my stuff. the prince made it work. blessed

BEATRICE [prompting him, teasingly]

Speak, Count, ’tis your cue.

Speak, Count. It's your turn now.

Go ahead, Count. It's your line.

your turn count

CLAUDIO [overwhelmed, joyfully tongue-tied]

Silence is the perfectest herald of joy: I were but little happy,

if I could say how much. Lady, as you are mine, I am yours: I give away

myself for you and dote upon the exchange.

Silence is the best announcement of joy. I would be only slightly happy if I could describe how happy I am. Lady, since you are mine, I am yours. I give myself away to you, and I love the trade I've made.

Happiness doesn't need words. I couldn't even begin to tell you how happy I am. Lady, you're mine and I'm yours. I'm giving myself completely to you and I love this deal.

can't even say how happy. you're mine i'm yours. i love this

BEATRICE ≋ verse [merrily teasing the couple]

Speak, cousin; or, if you cannot, stop his mouth with a kiss,

and let not him speak neither.

Speak, cousin, or if you cannot speak, stop his mouth with a kiss and don't let him speak either.

Say something, cousin. Or if you can't talk, just kiss him and make sure he stops talking too.

speak or kiss him. either way shut him up

DON PEDRO [charmed by her wit]

In faith, lady, you have a merry heart.

Honestly, lady, you have a cheerful spirit.

You know, lady, you're really lively and fun.

you're fun

BEATRICE [merry wit masking a private ache]

Yea, my lord; I thank it, poor fool, it keeps on the windy

side of care. My cousin tells him in his ear that he is in her heart.

Yes, my lord. I'm grateful for it—my merry heart, that poor foolish thing, keeps me on the safe side of worry. My cousin tells him in secret that he is in her heart.

Yes, sir. I'm lucky to have it—my happy heart keeps me from being weighed down by worries. Hero's whispering to him that he's in her heart.

yeah my happy heart keeps me from worrying. hero's telling him she loves him

CLAUDIO [happily playing along]

And so she doth, cousin.

And so she does, cousin.

And she really does, cousin.

she does

BEATRICE [joking to cover real loneliness]

Good Lord, for alliance! Thus goes everyone to the world but I,

and I am sunburnt. I may sit in a corner and cry heigh-ho for a husband!

Good heavens, everyone gets married but me, and now I'm burned from the sun. I might as well sit in a corner and sigh for want of a husband!

For crying out loud, everyone's getting married except me, and I'm sitting out here getting sunburned. I might as well sit alone and mope about not having a husband!

everyone's getting married. not me. sun's burning me. alone and lonely

DON PEDRO [gallantly offering, half in jest]

Lady Beatrice, I will get you one.

Lady Beatrice, I will find you one.

Lady Beatrice, I'll get you a husband.

i'll find you one

BEATRICE [bawdy teasing comeback]

I would rather have one of your father’s getting. Hath

your Grace ne’er a brother like you? Your father got excellent

husbands, if a maid could come by them.

I would rather have one your father produced. Doesn't your Grace have a brother like you? Your father made excellent husbands—if a woman could only get her hands on one.

I'd rather have a guy your father raised. Don't you have a brother like you? Your dad seems to have made some great husbands—if only I could get one.

want one like your dad made. you got a brother? your dad knew how to raise them

DON PEDRO [half-serious, testing a proposal]

Will you have me, lady?

Will you marry me, lady?

Will you have me as a husband, lady?

marry me?

BEATRICE [deflecting with a jest, then contrite]

No, my lord, unless I might have another for working days:

your Grace is too costly to wear every day. But, I beseech your

Grace, pardon me; I was born to speak all mirth and no matter.

No, my lord, unless I could have another husband for everyday wear. Your Grace is too valuable to use every day. But I beg your pardon, sir. I was born to speak only in jest and nothing serious.

No, sir. Unless I could have you for special occasions and someone else for regular days. You're too fancy to wear every day. But I'm sorry—I'm just someone who jokes around and doesn't really mean anything.

no. you're fancy. need someone regular. kidding tho i'm always joking

DON PEDRO [warmly reassuring her]

Your silence most offends me, and to be merry best becomes you;

for out of question, you were born in a merry hour.

Your silence bothers me the most, and being cheerful suits you best, because undoubtedly you were born when happy things were happening.

Actually, silence doesn't suit you. You're meant to be happy and joking. You were definitely born during good times.

don't go quiet. you're meant to be happy. born under a lucky star

BEATRICE ≋ verse [wry deflection with an old joke]

No, sure, my lord, my mother cried; but then there was a star

danced, and under that was I born. Cousins, God give you joy!

No, surely, my lord. My mother cried during my birth, but then a star danced in the sky, and it was under that dancing star that I was born. Cousins, may God bless you both!

Actually, my mother cried when I was born—but then a star danced in the sky, and that's when I came into the world. Cousins, be happy together!

mom cried but a star danced when i was born. cousins congrats

LEONATO [reminding her of a task]

Niece, will you look to those things I told you of?

Niece, will you take care of those things I mentioned to you?

Niece, don't forget about those things I told you to do.

remember what i told you

BEATRICE [hastily taking her leave]

I cry you mercy, uncle. By your Grace’s pardon.

I beg your pardon, uncle. With your permission, I'll go.

Sorry, uncle. If you'll excuse me, I'll go handle that.

got it uncle

[Exit.]
DON PEDRO [admiring her spirit]

By my troth, a pleasant spirited lady.

By my honor, a woman with a pleasant spirit.

She's really got a wonderful, lively personality.

great personality

LEONATO [fondly describing his niece]

There’s little of the melancholy element in her, my lord:

she is never sad but when she sleeps; and not ever sad then, for I have

heard my daughter say, she hath often dreamed of unhappiness and waked

herself with laughing.

There's very little sadness in her nature, my lord. She is never sad except when she sleeps, and not even then. I've heard my daughter say she's often dreamed of unhappiness and laughed herself awake.

She's hardly ever sad, sir. She's not even sad when she's sleeping. I've heard she's dreamed of sad things and laughed herself awake.

never sad. sleeps through anything. even dreams sad stuff and laughs about it

DON PEDRO [curious, prodding further]

She cannot endure to hear tell of a husband.

She cannot stand to hear talk of marriage.

She can't even hear the word "husband" without complaining.

can't stand talk of marriage

LEONATO [amused at her antics]

O! by no means: she mocks all her wooers out of suit.

Oh no, not at all. She mocks all her suitors right out of pursuing her.

No, it's the opposite. She jokes with every guy who tries to court her until they give up.

she mocks all her suitors. drives them away

DON PEDRO [hatching a matchmaking idea]

She were an excellent wife for Benedick.

She would be an excellent wife for Benedick.

She'd be perfect for Benedick, actually.

perfect wife for benedick

Why it matters This is the line that launches the play's second and more important plot: Don Pedro deciding, casually but deliberately, that Beatrice and Benedick belong together.
LEONATO [laughing at the very idea]

O Lord! my lord, if they were but a week married, they would talk

themselves mad.

Oh my! Sir, if they were married for just one week, they would talk until they drove each other crazy.

Oh man! If they were married for even a week, they'd argue so much they'd lose their minds.

week married they'd go nuts talking

DON PEDRO [turning cheerfully to Claudio]

Count Claudio, when mean you to go to church?

Claudio, when are you planning to have the wedding ceremony?

So Claudio, when's the big day going to happen?

when's the wedding?

CLAUDIO [eager, impatient for the wedding]

Tomorrow, my lord. Time goes on crutches till love have all his rites.

Tomorrow, my lord. Time moves slowly until love has all its proper ceremonies.

Tomorrow, sir. Time drags until the wedding happens.

tomorrow. time's slow till then

LEONATO [gently insisting on more time]

Not till Monday, my dear son, which is hence a just seven-night;

and a time too brief too, to have all things answer my mind.

Not until Monday, my dear son, which is seven days from now. Even that time seems too short for me to prepare everything as I would like.

Not until Monday, my dear son. That's a week away, and it's still not enough time for me to get everything ready the way I want.

monday. week away. still not enough time

DON PEDRO [playfully plotting the next match]

Come, you shake the head at so long a breathing; but, I warrant

thee, Claudio, the time shall not go dully by us. I will in the interim

undertake one of Hercules’ labours, which is, to bring Signior

Benedick and the Lady Beatrice into a mountain of affection the one with

the other. I would fain have it a match; and I doubt not but to fashion

it, if you three will but minister such assistance as I shall give you

direction.

Come, you're skeptical about such a long wait, but I promise you, Claudio, the time won't pass boringly. In the meantime, I will take on one of Hercules' labors—which is to bring Signior Benedick and Lady Beatrice into a state of deep affection for each other. I would very much like them to marry, and I have no doubt I can arrange it if you three will provide the assistance I direct you to give.

I know waiting a week seems long, but trust me, Claudio, we won't be bored. In the meantime, I'm going to do the impossible—I'm going to make Benedick and Beatrice fall in love with each other. I really want them together, and I'm sure I can pull it off if you all help me out.

week won't be boring. i'm gonna make benedick and beatrice fall for each other. help me

LEONATO ≋ verse [eagerly agreeing to help]

My lord, I am for you, though it cost me ten nights’

watchings.

My lord, I am with you, even if it costs me ten nights of staying awake.

Sir, I'm in. I'll do whatever it takes, even if I have to stay up all night.

i'm in. i'll stay up

CLAUDIO [keen to join the scheme]

And I, my lord.

And I am as well, my lord.

Count me in too, sir.

me too

DON PEDRO [inviting her into the plot]

And you too, gentle Hero?

What about you, kind Hero? Will you help us too?

What do you say, Hero? Are you willing to join in?

you too hero?

HERO [willing, eager to help her cousin]

I will do any modest office, my lord, to help my cousin to a good

husband.

I will do any proper task, my lord, to help my cousin get a good husband.

I'll do whatever is proper, sir, to help my cousin find a good husband.

i'll help cousin get a good guy

DON PEDRO [confidently praising his friend]

And Benedick is not the unhopefullest husband that I know. Thus

far can I praise him; he is of a noble strain, of approved valour, and

confirmed honesty. I will teach you how to humour your cousin, that she

shall fall in love with Benedick; and I, with your two helps, will so

practise on Benedick that, in despite of his quick wit and his queasy

stomach, he shall fall in love with Beatrice. If we can do this, Cupid is

no longer an archer: his glory shall be ours, for we are the only

love-gods. Go in with me, and I will tell you my drift.

And Benedick is certainly not the least promising husband I know. I can praise him for this: he comes from a noble family, has proven courage, and confirmed honesty. I will teach you how to manage your cousin so that she falls in love with Benedick, and with your help, I will work on Benedick so effectively that despite his sharp wit and his sensitive nature, he will fall in love with Beatrice. If we can accomplish this, Cupid is no longer the god of love—his power will be ours, and we will be the only love-gods. Come inside with me and I will explain my plan.

Benedick isn't a bad choice either. He's from a good family, he's brave, and he's honest. I'll work on Beatrice to get her to fall for him, and with your help, I'll get Benedick to fall for her too. Even with all his jokes and his picky nature, he'll come around. If we pull this off, we'll be better at making people fall in love than Cupid himself. Come inside and I'll tell you what I'm thinking.

benedick's a good guy. noble. brave. honest. i'll make beatrice fall for him. you help me with him. we'll be cupid. come in i'll explain

[Exeunt.]

The Reckoning

This is the longest, most densely packed scene in the play — a masked ball where everything is doubled. Every conversation has a surface and an underside: Don John lies to Claudio under cover of masks, Beatrice dismantles Benedick to his hidden face, and Don Pedro woos Hero on Claudio's behalf. By the end, Claudio briefly thinks he's been betrayed, then discovers he hasn't, and is engaged. The audience is left with the giddy sensation of a comedy spinning its plates — and with the first hint, from Don Pedro himself, that Beatrice and Benedick might be the real love story.

If this happened today…

A company holiday party where everyone's wearing name tags from different departments. One exec approaches a junior colleague to talk her up on behalf of a friend — but a rival slides in first and tells the junior colleague the exec is actually interested himself. Meanwhile, the most verbally vicious person in the office is roasting someone to their face without realizing it's them behind the Santa hat. By midnight: one engagement, one near-meltdown, and HR already thinking about the matchmaking possibilities for next quarter.

Continue to 2.2 →