← 2.2
Act 2, Scene 3 — Leonato’s Garden.
on stage: —
Next: 3.1 →
Original
Faithful Conversational Text-message
The argument Benedick hides in the orchard while Don Pedro, Claudio, and Leonato perform a staged conversation about Beatrice's supposed lovesick passion for him — and he believes every word of it.
Enter Benedick.
BENEDICK [curt summons]

Boy!

Boy!

Boy!

boy!

Enter a Boy.
BOY [eager to please]

Signior?

Signior?

Signior?

signior?

BENEDICK [offhand command]

In my chamber window lies a book; bring it hither to me in the orchard.

There's a book lying in my bedroom window. Bring it to me in the orchard.

There's a book on my windowsill. Can you grab it and bring it out to the garden?

book on my windowsill bring it to the orchard

BOY [quick, proud of his speed]

I am here already, sir.

I'm already here, sir.

I'm already here.

already here

BENEDICK [wry, wanting privacy]

I know that; but I would have thee hence, and here again.

I know that, but I want you to leave and then come back.

Yeah I know, but I need you to go away and come back.

i know. go away and come back

[Exit Boy.]
BENEDICK [scornful mockery of lovesick men]

I do much wonder that one man, seeing how much another man is a fool when

he dedicates his behaviours to love, will, after he hath laughed at such

shallow follies in others, become the argument of his own scorn by falling

in love: and such a man is Claudio. I have known, when there was no music

with him but the drum and the fife; and now had he rather hear the tabor

and the pipe: I have known when he would have walked ten mile afoot to see

a good armour; and now will he lie ten nights awake, carving the fashion

of a new doublet. He was wont to speak plain and to the purpose, like an

honest man and a soldier; and now is he turned orthography; his words are

a very fantastical banquet, just so many strange dishes. May I be so

converted, and see with these eyes? I cannot tell; I think not: I will not

be sworn but love may transform me to an oyster; but I’ll take my

oath on it, till he have made an oyster of me, he shall never make me such

a fool. One woman is fair, yet I am well; another is wise, yet I am well;

another virtuous, yet I am well; but till all graces be in one woman, one

woman shall not come in my grace. Rich she shall be, that’s certain;

wise, or I’ll none; virtuous, or I’ll never cheapen her; fair,

or I’ll never look on her; mild, or come not near me; noble, or not

I for an angel; of good discourse, an excellent musician, and her hair

shall be of what colour it please God. Ha! the Prince and Monsieur Love! I

will hide me in the arbour.

I wonder why a man who laughs at other men becoming fools for love will then fall in love himself and become exactly that fool. Take Claudio - he used to be a soldier, but now he's obsessed with love and fashion. Will I be like that? I don't think so. Love might turn me into an oyster, but I won't become such a fool. I have impossible standards: a woman must be beautiful, wise, virtuous, wealthy, noble, good company, and an excellent musician - basically perfect. Until one woman has all these qualities, no single woman will win my favor. She must be rich, wise, virtuous, fair to look at, gentle-mannered, of noble birth, a great conversationalist and musician, and her hair can be any color God chooses. Here come the Prince and his courtship schemes! I need to hide in the arbor.

It's wild how a guy can watch his buddy Claudio turn into an idiot for love, laugh at him, and then immediately catch feelings himself and become just as ridiculous. Claudio used to be a real soldier, but now he's obsessed with poetry and picking out fancy clothes. Am I going to end up like that? No way. I'd literally have to turn into an oyster. Besides, my standards are impossible - she has to be beautiful, smart, rich, virtuous, classy, great company, an incredible singer. Basically perfect. Good luck finding that. Oh man, here comes the Prince with his matchmaking plans - I'm hiding in the bushes.

how does watching claudio become a love idiot make guys turn into love idiots themselves he used to be a soldier now he's obsessed w poetry im not gonna be that guy my standards are way too high prince is coming gotta hide

[Withdraws.]
Enter Don Pedro, Leonato and Claudio, followed by Balthasar
BENEDICK [quietly slipping into hiding]

and Musicians.

and Musicians enter.

and the Musicians come in.

musicians arriving

DON PEDRO [light, eager for entertainment]

Come, shall we hear this music?

Come on, should we listen to this music?

Come on, let's listen to some music.

should we listen to music?

CLAUDIO ≋ verse [quietly appreciating the calm]

Yea, my good lord. How still the evening is,

As hush’d on purpose to grace harmony!

Yes, my good lord. How calm the evening is, as if it were quieted on purpose to showcase perfect harmony!

Yeah, my lord. The evening's so still and peaceful—it's like nature got quiet just to let the music shine.

yes. the evening's so calm like it was made for this music

DON PEDRO [conspiratorial, spotting their target]

See you where Benedick hath hid himself?

Do you see where Benedick has hidden himself?

Do you see where Benedick's hiding?

where did benedick hide

CLAUDIO ≋ verse [gleeful anticipation of the trick]

O! very well, my lord: the music ended,

We’ll fit the kid-fox with a penny-worth.

Oh, perfectly, my lord! Once the music ends, we'll trick the clever young fox with something worthless—he deserves it.

Oh yeah, my lord. When the music's done, we'll set a trap for this sneaky guy and catch him.

yes when music ends we'll trap him

DON PEDRO [casually insisting, for Benedick's benefit]

Come, Balthasar, we’ll hear that song again.

Come on, Balthasar, let's hear that song again.

Come on Balthasar, play that song one more time.

balthasar play that song again

BALTHASAR ≋ verse [modestly self-deprecating]

O! good my lord, tax not so bad a voice

To slander music any more than once.

Oh, my good lord, don't ask such a bad voice to damage music by singing it more than once.

Oh, my lord, please don't make me ruin the music by singing it again. Once was bad enough.

my lord don't make me sing again once was enough

DON PEDRO ≋ verse [gently flattering him into singing]

It is the witness still of excellency,

To put a strange face on his own perfection.

I pray thee, sing, and let me woo no more.

It's always a sign of excellence when someone hides his own talent behind humility. I'm asking you, sing, and stop trying to convince me.

True excellence always looks humble. Just sing—stop arguing with me.

sing already stop trying to get out of it

BALTHASAR ≋ verse [wry, relenting to sing]

Because you talk of wooing, I will sing;

Since many a wooer doth commence his suit

To her he thinks not worthy; yet he wooes;

Yet will he swear he loves.

Since you mention wooing, I'll sing. Because many a lover starts his romance with someone he doesn't think is worthy, and yet he still tries. Yet he'll swear he loves her.

Since you're talking about love, I'll sing. Honestly, tons of guys pursue women they think they don't deserve, then swear they're in love.

sure i'll sing guys always fall for girls they think are out of their league

DON PEDRO ≋ verse [playfully impatient]

Nay, pray thee come;

Or if thou wilt hold longer argument,

Do it in notes.

No, please come. Or if you want to keep arguing, do it in music.

No, come on. If you want to keep this up, just sing it.

no just come or sing your arguments

BALTHASAR ≋ verse [self-mocking before he sings]

Note this before my notes;

There’s not a note of mine that’s worth the noting.

Listen to this before you hear my notes: there's not a single note I sing that's worth listening to.

Before I sing, hear this: nothing I do is worth paying attention to.

fair warning none of this is good

"Note this before my notes; / There's not a note of mine that's worth the noting" A triple pun on 'note': to observe/pay attention, a musical note, and a written note or message. Balthasar packs all three into one modest disclaimer.
DON PEDRO ≋ verse [amused at his wordplay]

Why these are very crotchets that he speaks;

Notes, notes, forsooth, and nothing!

Why, these are just musical quirks he's speaking—notes, notes, absolutely, and nothing!

This guy's just messing with us—notes, notes, yeah sure, and that's it!

he's just being difficult notes notes yeah right nothing

[Music.]
BENEDICK [wry mockery from hiding]

Now, divine air! now is his soul ravished! Is it not strange

that sheep’s guts should hale souls out of men’s bodies? Well,

a horn for my money, when all’s done.

BALTHASAR [sings.]

Sigh no more, ladies, sigh no more,

Men were deceivers ever;

One foot in sea, and one on shore,

To one thing constant never.

Then sigh not so, but let them go,

And be you blithe and bonny,

Converting all your sounds of woe

Into Hey nonny, nonny.

Sing no more ditties, sing no mo

Of dumps so dull and heavy;

The fraud of men was ever so,

Since summer first was leavy.

Then sigh not so, but let them go,

And be you blithe and bonny,

Converting all your sounds of woe

Into Hey nonny, nonny.

Now, beautiful music! Now his soul is completely captivated! Isn't it strange that animal gut strings can pull souls right out of people's bodies? Well, give me a horn instead, that's my preference. BALTHASAR [sings.] Stop sighing, ladies, stop sighing, Men have always been liars; One foot at sea, one foot on shore, Never faithful to anything. So stop sighing and let them go, And be happy and cheerful, Turning all your sadness Into Hey nonny, nonny. Sing no more sad songs, sing no more Of gloomy, heavy things; Men have always been dishonest, As long as summer has had leaves. So stop sighing and let them go, And be happy and cheerful, Turning all your sadness Into Hey nonny, nonny.

Wow, what an amazing song! He's completely mesmerized! Isn't it wild that strings made from animal guts can literally yank your soul out of your body? Honestly, I'd much rather listen to a horn. BALTHASAR [sings.] Ladies, quit sighing, just quit sighing, Guys have always been cheaters; They've got one foot out the door while keeping one foot in, They never stick to anything. So stop your sighing and just let them go, Be upbeat and happy, Turn all your sadness Into Hey nonny, nonny. No more sad songs, seriously, No more of that heavy, gloomy stuff; Guys have been frauds forever, Since basically the start of time. So stop your sighing and just let them go, Be upbeat and happy, Turn all your sadness Into Hey nonny, nonny.

wow his soul is gone animal strings pulling people's guts out give me a horn — ladies stop sighing men are always liars one foot in one foot out never faithful let them go be happy instead turn sadness into joy hey nonny nonny — no sad songs men fake forever let them go smile hey nonny nonny

"Sigh no more, ladies, sigh no more, / Men were deceivers ever" The song is not comedy — it is the play's emotional thesis in miniature. Men are faithless; the best women can do is stop mourning that fact and make peace with it. It sits oddly in a scene of romantic comedy, because it is truer than the comedy wants to admit.
Why it matters The song Balthasar sings — 'Sigh No More, Ladies' — is the play's dark heart given melody. Men are deceivers. Beatrice already knows this. The song is correct. Shakespeare embeds the truth of the play's tragedy inside its comedy.
DON PEDRO [genuinely appreciative]

By my troth, a good song.

By my word, a good song.

That was actually a pretty good song.

that's a good song

BALTHASAR [self-deprecating modesty]

And an ill singer, my lord.

And a bad singer, my lord.

But a pretty bad singer, my lord.

bad singer tho

DON PEDRO [good-natured reassurance]

Ha, no, no, faith; thou singest well enough for a shift.

No, no, honestly, you sing well enough for what we need right now.

No, no, you actually sing fine for what we needed.

no you sing good enough

BENEDICK [aside, sardonic and dismissive]

[Aside] And he had been a dog that should have howled

thus, they would have hanged him; and I pray God his bad voice bode no

mischief. I had as lief have heard the night-raven, come what plague could

have come after it.

DON PEDRO. Yea, marry; dost thou hear, Balthasar? I pray thee, get us

some excellent music, for tomorrow night we would have it at the

Lady Hero’s chamber window.

If he were a dog that howled like that, they would have hanged him. I hope his terrible voice doesn't bring bad luck. I would have preferred to hear the night raven, no matter what disaster followed. Don Pedro: Yes, listen here, Balthasar. I beg you, get us excellent music, for tomorrow night we want it at Lady Hero's chamber window.

If that were a dog howling, they'd have put it down. God help us if his awful voice brings any curse. I'd rather listen to any night bird, plague and all. Don Pedro: Hey, are you listening, Balthasar? Please, find us some really good music—we want to play it outside Lady Hero's window tomorrow night.

if he was a dog they'd kill him i'd rather hear anything else get good music for tomorrow lady hero's window

BALTHASAR [dutifully agreeing]

The best I can, my lord.

I'll arrange the finest musicians I can find, my lord.

I'll get you the best musicians I can find.

best musicians i got

DON PEDRO [brisk dismissal]

Do so: farewell.

Do so: farewell.

Do so: farewell.

do so: farewell.

[Exeunt Balthasar and Musicians.]
DON PEDRO [feigning idle curiosity to bait him]

Come hither, Leonato: what was it you told me of today, that your niece

Beatrice was in love with Signior Benedick?

Come here, Leonato: what did you tell me earlier - that your niece Beatrice is in love with Signior Benedick?

Hey Leonato, come over here - you were telling me earlier that your niece Beatrice has fallen for Benedick, right?

yo leonato your niece beatrice loves benedick?

CLAUDIO [gleeful conspirator relishing the trick]

O! ay:—[Aside to Don Pedro] Stalk on, stalk on;

the fowl sits. I did never think that lady would have loved any man.

Oh yes! (Aside to Don Pedro) Keep going, keep going—the bird is sitting. I never thought this lady would fall in love with anyone.

Oh yeah! (Quietly to Don Pedro) Keep it up, keep it up—we got her. I honestly never thought she'd be into any guy.

yes keep going she's falling for it didn't think she'd like anyone

LEONATO [playing along, feigning wonder]

No, nor I neither; but most wonderful that she should so

dote on Signior Benedick, whom she hath in all outward behaviours

seemed ever to abhor.

No, neither did I. But the most amazing thing is that she should be so infatuated with Signior Benedick, whom she has always seemed to hate in every outward way.

Yeah, me neither. But the wild thing is she's obsessed with Benedick, and she's always acted like she can't stand him.

same but she loves benedick? she always acted like she hated him

BENEDICK [aside, stunned disbelief creeping in]

[Aside] Is’t possible? Sits the wind in that corner?

Is it possible? Are things turning in that direction?

Is that actually happening? Is the wind blowing that way?

wait that's really happening???

LEONATO [embellishing the false tale]

By my troth, my lord, I cannot tell what to think of it but that

she loves him with an enraged affection: it is past the infinite of

thought.

By my word, my lord, I can't figure out what to think, except that she loves him with an absolutely intense passion. It's beyond anything I can even imagine.

Honestly, my lord, I can't wrap my head around it. She loves him with this crazy, overwhelming passion.

can't explain it she loves him insanely it's beyond anything

DON PEDRO [playing skeptic to sell the ruse]

Maybe she doth but counterfeit.

Maybe she's just pretending.

Maybe she's just faking it.

maybe she's faking

CLAUDIO [playing along briefly]

Faith, like enough.

Indeed, that's quite likely.

Yeah, probably.

yeah prob

LEONATO [relishing the irony of his own lie]

O God! counterfeit! There was never counterfeit of passion came

so near the life of passion as she discovers it.

God, counterfeit? There was never a false display of love that came so close to the real thing as what she shows.

Fake? No way. There's no fake love that looks this real.

no that's real it looks too genuine

DON PEDRO [prompting more detail for effect]

Why, what effects of passion shows she?

Why, what signs of love does she show?

What signs? Like what's she doing?

what signs though

CLAUDIO [aside, gleefully egging on the trick]

[Aside] Bait the hook well: this fish will bite.

Set the trap well: this person will fall for it.

Bait the hook right: this fish will bite.

he's gonna fall for it

LEONATO ≋ verse [warming to the invented tale]

What effects, my lord? She will sit you; [To Claudio] You

heard my daughter tell you how.

What signs, my lord? She'll sit down for you. (To Claudio) You heard my daughter explain it.

What does she do, my lord? She sits there. (To Claudio) Your daughter told you.

she sits down you heard about it

CLAUDIO [backing up the lie]

She did, indeed.

She did, indeed.

She did, indeed.

she did, indeed.

DON PEDRO ≋ verse [feigning astonishment for Benedick's ears]

How, how, I pray you? You amaze me: I would have thought her

spirit had been invincible against all assaults of affection.

How, how, I'm asking you? You're astonishing me. I would have thought her spirit was invincible against every kind of romantic attack.

How's that? You're surprising me. I thought she was immune to love.

how? you're shocking me thought she couldn't fall in love

LEONATO [feigning solemn conviction]

I would have sworn it had, my lord; especially against Benedick.

I would have bet my life it was, my lord, and against Benedick most of all.

I'd have sworn the same thing, my lord. Especially when it came to Benedick. He's the last guy I'd have expected.

i would've sworn it too esp against benedick he's the last person i'd expect

BENEDICK [aside, won over despite himself]

[Aside] I should think this a gull, but that the

white-bearded fellow speaks it: knavery cannot, sure, hide itself in such

reverence.

I would think this a trick, but the gray-bearded man says it: lies cannot hide behind such respectability.

I'd call this a scam, except this dignified old guy is saying it: dishonesty can't hide behind that kind of respect.

seems real bc he's so respectable

CLAUDIO ≋ verse [aside, triumphant and conspiratorial]

[Aside] He hath ta’en the infection: hold it

up.

He has caught the infection: keep it going.

He's got it bad: help him along.

he's in love now lol

DON PEDRO [prompting the next beat of the story]

Hath she made her affection known to Benedick?

Has she revealed her love to Benedick?

Has she told Benedick how she feels?

did she tell him

LEONATO [sorrowful embellishment]

No; and swears she never will: that’s her torment.

No, and she's made a vow never to reveal it. That's what's tormenting her.

No, and she says she never will. That's what's killing her.

no says she never will that's the problem

CLAUDIO [savoring the fabricated tale]

’Tis true, indeed; so your daughter says: ‘Shall I,’

says she, ‘that have so oft encountered him with scorn, write to him

that I love him?’

That's true, actually. Your daughter told us: 'Should I,' she says, 'I who have mocked him so many times, write to tell him I love him?'

Yeah, that's real. Your daughter said she asked herself: 'Should I write and tell him I love him when I've always been so mean to him?'

she asked herself should i tell him after all the times i mocked him

LEONATO [embroidering the invented tale]

This says she now when she is beginning to write to him; for she’ll

be up twenty times a night, and there will she sit in her smock till she

have writ a sheet of paper: my daughter tells us all.

This is what she says now as she's starting to write. She'll get up twenty times a night and sit in her nightgown until she's written a full page. My daughter tells us everything.

Yeah, that's what she's saying as she tries to write. She gets up like twenty times a night, sits there in her slip writing page after page. My daughter spills everything.

gets up 20 times a night sits in her nightgown writing my daughter told us everything

CLAUDIO [eagerly embellishing the ruse]

Now you talk of a sheet of paper, I remember a pretty jest your

daughter told us of.

Since you mention a piece of paper, I remember a funny story your daughter told us.

Speaking of paper, I just remembered a funny story your daughter told us.

speaking of that i remember a funny story

LEONATO ≋ verse [drawing out the invented scene]

O! when she had writ it, and was reading it over, she found

Benedick and Beatrice between the sheet?

Oh! When she had written it and was reading it over, she found Benedick and Beatrice written together between the pages?

Oh! When she finished writing it and was reading it back, she found Benedick and Beatrice written together?

when she read it back she found benedick and beatrice together

"she found / Benedick and Beatrice between the sheet" A brazen double meaning: 'between the sheet' refers to both the sheet of paper (where she read her own name alongside Benedick's) and the bed sheets — both meanings are clearly intended.
CLAUDIO [egging him on briefly]

That.

That.

That.

that.

LEONATO [hamming up the fabricated grief]

O! she tore the letter into a thousand halfpence; railed at

herself, that she should be so immodest to write to one that she knew

would flout her: ‘I measure him,’ says she, ‘by my own

spirit; for I should flout him, if he writ to me; yea, though I love him,

I should.’

Oh! She tore the letter into a thousand pieces, cursed at herself for being so forward as to write to someone she knew would make fun of her. 'I judge him by myself,' she says. 'Because I would mock him if he wrote to me—yes, even though I love him, I would.'

Oh! She ripped the whole letter to shreds, cursed herself for being so bold. 'I'm judging him by how I'd be,' she said. 'I'd make fun of him if he wrote to me—yeah, even if I loved him, I would.'

ripped letter to shreds cursed herself for writing said she'd mock him back even if she loved him

CLAUDIO [hamming up the fake melodrama]

Then down upon her knees she falls, weeps, sobs, beats her heart,

tears her hair, prays, curses; ‘O sweet Benedick! God give me

patience!’

Then down on her knees she falls, weeps, sobs, strikes her chest, tears her hair, prays, curses. 'Oh sweet Benedick! Please, God, give me patience!'

Then she literally falls to her knees, crying, sobbing, hitting her chest, pulling her hair, praying, swearing. 'Oh Benedick! God, give me patience!'

falls on knees weeping sobbing pulling her hair begging for patience

LEONATO [piling on invented anguish]

She doth indeed; my daughter says so; and the ecstasy hath so

much overborne her, that my daughter is sometimes afeard she will do a

desperate outrage to herself. It is very true.

She really does. My daughter says so. And the emotional chaos has so overwhelmed her that my daughter is sometimes afraid she'll do something desperate and hurt herself. It's completely true.

She really does. My daughter's told me. The emotional chaos is eating her alive—my daughter's actually scared she might do something reckless.

she really does it's destroying her emotionally daughter's scared she'll hurt herself

DON PEDRO ≋ verse [playing the concerned friend]

It were good that Benedick knew of it by some other, if she

will not discover it.

It would be good if Benedick found out about it from someone else, if she won't tell him herself.

Someone should probably tell Benedick if she's not going to.

somebody should tell him

CLAUDIO [playing devil's advocate in the scheme]

To what end? he would make but a sport of it and torment the poor

lady worse.

To what end? He'd just make a game of it and torture the poor lady even more.

Why would we? He'd just laugh and make it worse for her.

no way he'd just mock her more

DON PEDRO [mock-indignant on her behalf]

And he should, it were an alms to hang him. She’s an

excellent sweet lady, and, out of all suspicion, she is virtuous.

If he did, it would be a charitable act to hang him. She's an excellent, sweet lady, and without question, she's virtuous.

If he did that, it'd be doing the world a favor to execute him. She's genuinely wonderful and completely decent.

he deserves to hang she's amazing and pure

CLAUDIO [dutifully praising her]

And she is exceeding wise.

And she's extremely intelligent.

And she's super smart too.

and she's brilliant

DON PEDRO [wry jab at Benedick]

In everything but in loving Benedick.

Except when it comes to loving Benedick.

But not when she's loving him—that's where her brain checks out.

except about benedick

LEONATO [sighing over her plight]

O! my lord, wisdom and blood combating in so tender a body,

we have ten proofs to one that blood hath the victory. I am sorry for

her, as I have just cause, being her uncle and her guardian.

Oh, my lord, wisdom and desire fighting in such a young body—we have ten proofs to one that desire is winning. I'm sorry for her, as I have every right to be, being her uncle and her guardian.

Oh, my lord, reason and passion are battling in such a young girl—and passion's clearly winning ten to one. I feel for her. I'm her uncle and her guardian.

wisdom vs desire passion's winning i'm sorry for her i'm her uncle

DON PEDRO [wistful compliment, half in jest]

I would she had bestowed this dotage on me; I would have daffed

all other respects and made her half myself. I pray you, tell Benedick of

it, and hear what he will say.

I wish she'd given this obsessive love to me. I would have abandoned everything else and made her my equal partner. I'm asking you, tell Benedick about it and tell me what he says.

I wish she was in love with me instead. I'd drop everything and make her my partner. Please, tell Benedick and let me know what he says.

wish she loved me would marry her tell benedick please

LEONATO [uncertain, seeking his opinion]

Were it good, think you?

Would it be good, do you think?

Is that a good idea, though?

is that smart

CLAUDIO [spinning the exaggeration further]

Hero thinks surely she will die; for she says she will die if he

love her not, and she will die ere she make her love known, and she will

die if he woo her, rather than she will bate one breath of her accustomed

crossness.

Hero is sure she'll die. She says she'll die if he doesn't love her, and she'll die before she reveals her love, and she'll die if he tries to court her, rather than abandon even one bit of her usual hostile behavior.

Hero thinks she'll literally die. She says she'll die if he doesn't love her back, and she'll die before telling him, and if he actually tries to court her she'll die rather than drop her mean act for even a second.

she'll die if he doesn't love her die before telling him die before being nice to him

DON PEDRO [dismissive jab at Benedick's pride]

She doth well: if she should make tender of her love, ’tis

very possible he’ll scorn it; for the man,—as you know all,—hath a

contemptible spirit.

She's right to do so. If she were to offer her love, it's very possible he'd mock it. This man, as you all know, has a contemptible spirit.

She's smart. If she told him, he'd probably laugh it off. This guy, like we all know, is kind of a jerk.

smart move he'd laugh at her guy's an ass

CLAUDIO [grudging compliment for effect]

He is a very proper man.

He's a handsome man.

He's actually pretty good-looking.

he's handsome

DON PEDRO [deadpan faint praise]

He hath indeed a good outward happiness.

He does indeed have a good outward appearance.

Yeah, he's pretty attractive on the outside.

looks good tho

CLAUDIO [playing up his virtues]

’Fore God, and in my mind, very wise.

Before God, and in my opinion, very intelligent.

Honestly, I think he's pretty smart.

and he's smart

DON PEDRO [teasingly qualified praise]

He doth indeed show some sparks that are like wit.

He does show some clever remarks.

He does come up with some witty stuff.

and he's witty

CLAUDIO [adding to the false praise]

And I take him to be valiant.

And I believe him to be courageous.

And I think he's brave.

and brave

DON PEDRO [mock-grand comparison]

As Hector, I assure you: and in the managing of quarrels you

may say he is wise; for either he avoids them with great discretion, or

undertakes them with a most Christian-like fear.

Like Hector, I assure you. And when it comes to handling conflicts, you could say he's wise. Either he avoids them with great judgment, or he takes them on with an almost religious sense of fear.

Like Hector himself, I'm telling you. And when it comes to fights, you could say he's pretty smart about it. Either he avoids them totally, or he gets into them super carefully.

brave as hector wise with quarrels avoids them or handles carefully

LEONATO [earnestly moralizing]

If he do fear God, a’ must necessarily keep peace: if he

break the peace, he ought to enter into a quarrel with fear and trembling.

If he respects God, he must necessarily stay at peace. If he breaks the peace, he should enter a conflict with fear and trembling.

If he respects God, he's gotta stay peaceful. If he breaks that peace, he should be terrified about it.

if he fears god he keeps peace if not he's scared

DON PEDRO [wrapping up the ruse warmly]

And so will he do; for the man doth fear God, howsoever it

seems not in him by some large jests he will make. Well, I am sorry for

your niece. Shall we go seek Benedick and tell him of her love?

And he will do so. The man respects God, no matter how it seems from his big jokes. Well, I'm sorry for your niece. Should we go find Benedick and tell him about her love?

And he will. The guy respects God, even though he jokes around a lot. Anyway, I feel bad for your niece. Should we go find Benedick and tell him?

he respects god just jokes around feel bad for your niece wanna tell benedick

CLAUDIO [reverse psychology to hook Benedick]

Never tell him, my lord: let her wear it out with good counsel.

Never tell him, my lord. Let her work through it with good advice.

No, don't tell him. Let her figure it out with some guidance.

don't tell him let her work it out

LEONATO [doubling down on the fiction]

Nay, that’s impossible: she may wear her heart out first.

No, that's impossible. She might destroy her own heart first.

Yeah, that's not gonna work. She'll break her own heart.

nope she'll break first

DON PEDRO [closing the scene, feigning concern]

Well, we will hear further of it by your daughter: let it cool

the while. I love Benedick well, and I could wish he would modestly

examine himself, to see how much he is unworthy so good a lady.

Well, we'll hear more from your daughter about it. Let it cool for now. I love Benedick well, and I wish he would carefully look at himself and see how unworthy he is of such a good lady.

OK, let's hear what your daughter says. Let it sit for a bit. I actually like Benedick, and I wish he'd take a good look at himself and realize he doesn't deserve her.

let's wait and hear more wish benedick saw he's not worthy of her

LEONATO [courteously changing the subject]

My lord, will you walk? dinner is ready.

My lord, will you go for a walk? Dinner is ready.

My lord, want to go in? Dinner's ready.

dinner's ready let's go

CLAUDIO ≋ verse [aside, confident the trap worked]

[Aside] If he do not dote on her upon this, I will never

trust my expectation.

If he doesn't fall in love with her after hearing this, I will never trust my judgment.

If he doesn't totally fall for her after that, I don't trust anything anymore.

if he doesn't love her after this im done

DON PEDRO [aside, already plotting the next trick]

[Aside] Let there be the same net spread for her; and

that must your daughter and her gentlewoman carry. The sport will be,

when they hold one an opinion of another’s dotage, and no such

matter: that’s the scene that I would see, which will be merely a

dumb show. Let us send her to call him in to dinner.

Set the same trap for her; your daughter and her attendant must carry it out. The fun will be when each thinks the other is madly in love, when there's really nothing: that's the scene I want to see, pure silent comedy. Let's send her to call him to dinner.

Set up the same trick for her—your daughter and her friend will make it happen. The best part will be when they both think the other is obsessed with them, except neither one is really: that's the scene I want to watch, just like a silent film. Let's have her call him in for dinner.

trap her the same way they'll both think the other loves them it'll be hilarious send her to get him for dinner

[Exeunt Don Pedro, Claudio and Leonato.]
BENEDICK [alone, love dawning, reason overruled]

[Advancing from the arbour.] This can be no trick: the

conference was sadly borne. They have the truth of this from Hero. They

seem to pity the lady: it seems her affections have their full bent. Love

me? why, it must be requited. I hear how I am censured: they say I will

bear myself proudly, if I perceive the love come from her; they say too

that she will rather die than give any sign of affection. I did never

think to marry: I must not seem proud: happy are they that hear their

detractions, and can put them to mending. They say the lady is fair:

’tis a truth, I can bear them witness; and virtuous: ’tis so,

I cannot reprove it; and wise, but for loving me: by my troth, it is no

addition to her wit, nor no great argument of her folly, for I will be

horribly in love with her. I may chance have some odd quirks and remnants

of wit broken on me, because I have railed so long against marriage; but

doth not the appetite alter? A man loves the meat in his youth that he

cannot endure in his age. Shall quips and sentences and these paper

bullets of the brain awe a man from the career of his humour? No; the

world must be peopled. When I said I would die a bachelor, I did not think

I should live till I were married. Here comes Beatrice. By this day! she’s

a fair lady: I do spy some marks of love in her.

This cannot be a trick: the conversation was too serious. They got this from Hero. They seem to pity the lady—her feelings are deep. Love me? Then it must be returned. I hear what people say about me: they claim I will act proud if I learn she loves me; they also say she would rather die than show affection. I never thought I would marry; I must not seem proud. Happy are those who hear criticism and use it to improve. They say the lady is fair—it's true, I can confirm it; and virtuous—it's true, I cannot deny it; and wise, except for loving me—but that's no loss of wit, no foolishness on her part, for I will be desperately in love with her. Perhaps I'll face some jokes because I've spoken so long against marriage; but doesn't taste change? A man loves as a youth what he hates as an old man. Should clever words and mental tricks stop a man from following his heart? No; the world must have people in it. When I said I would die unmarried, I never expected to actually marry. Here comes Beatrice. By heaven, she's beautiful! I can see signs of love in her.

This is no trick: they were too serious. They got the information from Hero. They clearly pity the lady—she's really in love. So she loves me? Well, I have to love her back. I know what people say about me: they reckon I'll be smug if I find out she loves me; they also say she'd rather die than admit she feels anything. I never wanted to get married; I can't seem stuck up. Lucky are people who hear people criticize them and actually get better. They say she's beautiful—true, I can vouch for that—and good—also true, I won't argue—and smart, except for this thing about me—but that doesn't prove she's foolish, because I'm going to fall madly in love with her. Maybe I'll get teased a little since I've been so against marriage for so long; but don't people change what they want? A man loves certain foods young that disgust him old. Are a few witty sayings going to scare me away from love? No, the world needs population. I said I'd stay unmarried—I never thought I'd actually make it. Here's Beatrice coming. God, she's lovely! I definitely see love in her.

this is real she loves me i gotta love her back i didn't think i'd ever marry but here we are beautrice is so pretty i think she loves me too

🎭 Dramatic irony Benedick concludes 'This can be no trick' — and the audience has just watched it being planned. His certainty is the measure of the trick's success.
Enter Beatrice.
BEATRICE [grudging, feigning reluctance]

Against my will I am sent to bid you come in to dinner.

Against my will, I'm being sent to ask you to come in for dinner.

I'm here against my will to tell you to come in and eat.

grudgingly here come eat dinner

BENEDICK [courteous, oddly warm now]

Fair Beatrice, I thank you for your pains.

Beautiful Beatrice, I thank you for the trouble you took.

Beatrice, thanks for coming to get me.

thanks for the trouble

BEATRICE ≋ verse [sharp tit-for-tat retort]

I took no more pains for those thanks than you take pains to

thank me: if it had been painful, I would not have come.

I put no more effort into those thanks than you did in thanking me. If it had been difficult, I wouldn't have come.

I didn't put any more effort into that than you put into thanking me. If it was a hassle, I wouldn't have shown up.

your thanks matched your effort wouldn't have come if it was hard

BENEDICK [testing, slightly wounded]

You take pleasure then in the message?

So you enjoyed delivering the message?

So you're happy you came?

did u enjoy it

BEATRICE [cutting insult as she departs]

Yea, just so much as you may take upon a knife’s point,

and choke a daw withal. You have no stomach, signior: fare you well.

Yes, about as much as you can fit on a knife's tip and use to choke a bird with. You have no appetite, sir. Take care.

Yeah, about as much as a tiny speck. You're not hungry, so see you.

barely you're not even hungry anyway

[Exit.]
BENEDICK [eagerly parsing hidden affection]

Ha! ‘Against my will I am sent to bid you come in to

dinner,’ there’s a double meaning in that. ‘I took no

more pains for those thanks than you took pains to thank me,’ that’s

as much as to say, Any pains that I take for you is as easy as thanks. If

I do not take pity of her, I am a villain; if I do not love her, I am a

Jew. I will go get her picture.

Ah! 'Against my will I'm sent to ask you to come eat,' there's a double meaning in that. 'I put no more effort in those thanks than you put in thanking me,' which is to say, any trouble I take for you is simple as a thank you. If I don't feel pity for her, I'm evil. If I don't love her, I'm faithless. I'm going to get her picture.

Ha! 'Against my will I'm sent to ask you to dinner'—that's got a hidden meaning. 'I put no more effort into thanks than you did'—meaning, she'd do anything easy for me. If I don't feel sorry for her, I'm a jerk. If I don't love her, I'm terrible. I'm gonna get her portrait.

double meaning she'd do anything for me i have to love her gonna get her picture

🎭 Dramatic irony Benedick reads double meaning into Beatrice's dismissive 'against my will' — but the double meaning he invents is the correct one. He is accidentally reading the truth through the wrong mechanism.
[Exit.]

The Reckoning

This is comedy at its most gleeful: the man who swore he would never be transformed by love is transformed in real time, before our eyes, by exactly the mechanism he mocked in others. What makes it more than a simple trick is what Shakespeare puts inside Benedick's head. He doesn't just believe the story — he decides that the right response is to love Beatrice back. And then Beatrice arrives with the rudest possible dinner invitation, and Benedick finds double meaning in every word. The audience is watching a man fall in love, and it is wonderful.

If this happened today…

A man who has publicly and vocally sworn off relationships is eating lunch alone when his best friends sit down nearby — not noticing him — and start talking about how his ex is apparently completely in love with him, writing him long unsent messages at 2am, on the verge of a breakdown over it. His group chat is full of her texts to their mutual friend. He sits frozen, pretending to read a menu. By the time they leave, he's already composing a message in his head. When she texts him asking if he's coming to dinner, he reads the subtext of every word.

Continue to 3.1 →