Yet I may bind those wounds up, that must open
And bleed to death for my sake else. I’ll choose,
And end their strife. Two such young handsome men
Shall never fall for me; their weeping mothers,
Following the dead cold ashes of their sons,
Shall never curse my cruelty.
I might be able to stop up these wounds, but they'll reopen and bleed until they cause death anyway if I don't choose. I'll make my choice and end this conflict. Two such young, attractive men will never die on my account; their grieving mothers will never have to follow the cold ashes of their sons and curse my cruelty.
Look, I could try to patch them up, but they're just gonna keep bleeding out and kill them anyway unless I pick one. So I'll choose and end this whole thing. These two young gorgeous guys aren't gonna die because of me. Their grieving moms will never have to follow the ashes of their dead sons around cursing what I did.
i could stop the bleeding but it won't matter they'll still die anyway if i don't choose i'm gonna pick one and end this no beautiful young men dying for me no grieving mothers cursing my name
Good heaven,
What a sweet face has Arcite! If wise Nature,
With all her best endowments, all those beauties
She sows into the births of noble bodies,
Were here a mortal woman, and had in her
The coy denials of young maids, yet doubtless
She would run mad for this man. What an eye,
Of what a fiery sparkle and quick sweetness,
Has this young prince! Here Love himself sits smiling;
Just such another wanton Ganymede
Set Jove afire with, and enforced the god
Snatch up the goodly boy and set him by him,
A shining constellation. What a brow,
Of what a spacious majesty, he carries,
Arched like the great-eyed Juno’s, but far sweeter,
Smoother than Pelops’ shoulder! Fame and Honour,
Methinks, from hence, as from a promontory
Pointed in heaven, should clap their wings and sing
To all the under-world the loves and fights
Of gods and such men near ’em.
Good heavens, what a beautiful face Arcite has! If Nature herself, with all her best gifts and all the beauties she places into noble bodies, were here as a mortal woman and even had the shy resistance of young girls, she would certainly go mad for this man. What eyes, with such a fiery sparkle and quick sweetness, does this young prince have! Love himself seems to be smiling here. He's just like that beautiful boy Ganymede who made Jupiter so hot that the god snatched him up and placed him beside himself as a shining constellation. What a forehead, with such magnificent dignity, he carries, arched like the great-eyed Juno's but far sweeter, smoother than Pelops' shoulder! It seems to me Fame and Honor should clap their wings from here, as if from a mountain peak pointing to heaven, and sing to all the world about the loves and wars of gods and such men as him.
My god, Arcite has such a beautiful face! If Nature herself, with all her gifts and all the beauty she gives to nobles, were here as a regular woman and even had the resistance young girls do, she'd absolutely lose her mind for this guy. Look at those eyes—they sparkle with fire and sweetness! This young prince is incredible! He's like that gorgeous boy Ganymede who made Jupiter so hot the god just grabbed him and put him next to himself like a bright constellation. What a forehead he has, so dignified and commanding, like Juno's but even sweeter, smoother than marble. Fame and Honor should be singing from this place about the loves and wars of gods and men like him.
omg arcite's face is beautiful if nature saw him she'd go crazy those eyes sparkle w fire he's like ganymede jove grabbed him n set him beside him perfect forehead fame n honor singing
Palamon
Is but his foil; to him a mere dull shadow;
He’s swart and meagre, of an eye as heavy
As if he had lost his mother; a still temper,
No stirring in him, no alacrity;
Of all this sprightly sharpness, not a smile.
Yet these that we count errors may become him;
Narcissus was a sad boy but a heavenly.
O, who can find the bent of woman’s fancy?
I am a fool; my reason is lost in me;
I have no choice, and I have lied so lewdly
That women ought to beat me. On my knees
I ask thy pardon, Palamon, thou art alone
And only beautiful, and these the eyes,
These the bright lamps of beauty, that command
And threaten love, and what young maid dare cross ’em?
What a bold gravity, and yet inviting,
Has this brown manly face! O Love, this only
From this hour is complexion. Lie there, Arcite.
Palamon is just his opposite; compared to him, merely a dull shadow. He's dark-skinned and thin, with eyes as heavy as if he'd lost his mother; he has a calm temperament with no movement in him, no liveliness, none of this bright sharpness or smile. Yet these things we count as errors may actually suit him well; Narcissus was a sad boy but he was heavenly. Oh, who can understand what attracts a woman? I'm a fool; my reason has left me. I have no choice, and I've lied so much that women should beat me. On my knees I ask your pardon, Palamon; you alone are beautiful, and these are the eyes, these bright lamps of beauty that command and threaten love—what young woman would dare refuse them? What bold dignity and yet invitation you have in this brown manly face! Oh Love, from now on this is the only complexion that matters. Get away from me, Arcite.
Palamon is just the opposite of Arcite; next to him he's just a dull shadow. He's got dark skin and he's thin, with eyes that look heavy like he's mourning someone; he's got this calm personality, doesn't do anything, no energy, doesn't have any brightness or smile. But wait, maybe these things we think are bad actually work for him. Like Narcissus was a sad guy but he was gorgeous. God, who understands what women like? I'm an idiot; I've lost my mind. I can't choose, and I've been lying so much that women should hit me. I'm on my knees asking you to forgive me, Palamon. You're the only one who's beautiful, and those are the eyes, those bright lights of beauty that make people love you—what girl could say no? You've got such a strong, dignified look but it's also welcoming, with that dark handsome face. This is it for me from now on. Arcite, you can leave.
palamon's the opposite of arcite just a shadow next to him but his sad eyes are beautiful who understands women im an idiot im on my knees palamon u r the only one those eyes that dark face from now on this is it get away arcite
Thou art a changeling to him, a mere gypsy,
And this the noble body. I am sotted,
Utterly lost. My virgin’s faith has fled me.
For if my brother but even now had asked me
Whether I loved, I had run mad for Arcite;
Now, if my sister, more for Palamon.
Stand both together. Now, come ask me, brother.
Alas, I know not! Ask me now, sweet sister.
I may go look! What a mere child is Fancy,
That, having two fair gauds of equal sweetness,
Cannot distinguish, but must cry for both.
You're just his cheap imitation, a mere wanderer, and that's the truly noble body. I'm drunk, totally lost. My virginal honor has abandoned me. For if my brother had just asked me if I was in love, I would have gone wild for Arcite. But now if my sister asks, it's for Palamon. Put both of them in front of me. Come on, ask me now, brother. I don't know! Ask me now, sweet sister. I can't even tell! Love is like a child's game—having two equally beautiful prizes and unable to tell them apart, it just cries for both.
You're just his cheap copy, some kind of wanderer, and that one's the truly noble body. I'm drunk, totally lost. My virtue has gone away. If my brother had just asked me if I was in love, I would have freaked out over Arcite. But if my sister asks, it's Palamon instead. Put them both in front of me. Come on, ask me right now, brother. I have no idea! Ask me now, sister. I can't even choose! Love is like a child with two equally beautiful toys—it can't tell them apart so it just screams for both.
he's just arcite's copy im drunk n lost my honor's gone if brother asked id say arcite if sister asks id say palamon put em both together i don't know love's a child wants both toys
How now, sir?
What is it, sir?
What's the news?
what is it?
A functional news-bearer with no personality beyond efficiency — he delivers information and defers to those above him. Watch for how he and the Messenger between them represent the court's excitement, which stands in sharp contrast to Emilia's dread.
From the noble Duke your brother,
Madam, I bring you news. The knights are come.
I come from the noble Duke, your brother, Madam, bringing you news. The knights have arrived.
Hey, I just came from your brother the Duke, and he sent me to tell you - the knights are here.
your brother the duke sent me the knights are here
To end the quarrel?
To settle the dispute?
To settle things between them?
to end it?
Emilia's inability to choose between Arcite and Palamon is sometimes played for gentle comedy — she flip-flops so decisively from one to the other that it looks like satire of female indecision. But read the speech carefully and something more interesting emerges: she's not indecisive, she's perceiving correctly. The two men are genuinely equal. The portraits don't give her information to choose on; they give her a detailed view of two men equally worthy, equally deserving to live. Her 'fancy' (desire) can't distinguish between 'two fair gauds of equal sweetness' — and why should it? The play's point is not that she's weak but that the situation has no good answer. The portrait scene dramatizes the play's central impossibility: someone must lose, and there's no justice in who it will be.
Yes.
Yes.
In other words: yes.
yes
Would I might end first!
What sins have I committed, chaste Diana,
That my unspotted youth must now be soiled
With blood of princes, and my chastity
Be made the altar where the lives of lovers—
Two greater and two better never yet
Made mothers joy—must be the sacrifice
To my unhappy beauty?
I wish I could die first! What sins have I done, chaste Diana, that my pure youth must now be stained with the blood of princes, and my virtue must become the altar where the lives of lovers—two greater men and two better ones were never born to make their mothers happy—must be sacrificed to my unfortunate beauty?
God, I wish I could die first! What did I do to deserve this, Diana? My clean, innocent youth is about to be destroyed by blood spilled because I'm pretty. My honor's becoming the altar where these guys' lives get sacrificed just because I'm unlucky enough to be beautiful. Their mothers raised amazing sons, and I'm about to get them killed.
i wish i'd die first what did i do to deserve this my innocent life ruined by blood because i'm pretty these good men, their grieving mothers sacrificed because i'm cursed with beauty
Bring ’em in
Quickly, by any means; I long to see ’em.
Your two contending lovers are returned,
And with them their fair knights. Now, my fair sister,
You must love one of them.
Bring them in quickly, any way you can; I'm eager to see them. Your two rivals have come back, and they've brought their noble knights with them. Now, my beautiful sister, you must love one of them.
Get them in here, fast as you can - I'm dying to see these guys. Your two boyfriend rivals are back with their fancy knights. Okay, gorgeous sister, you're gonna have to pick one to love.
get them in here quick i wanna see them your two rivals are back with their knights pick one to love now
I had rather both,
So neither for my sake should fall untimely.
I would prefer to have both, so that neither would die too young because of me.
Honestly, I'd rather have them both - at least that way neither dies too early just for me.
i'd pick both of them so neither dies young neither dies for me
Who saw ’em?
Who saw ’em?
In other words: who saw ’em?
who saw ’em
I a while.
I watched them for a while.
I got a look at them for a bit.
i saw them / for a while
And I.
And I.
In other words: and i.
and i
From whence come you, sir?
Where are you coming from, sir?
Where'd you come from?
where you from
From the knights.
From the knights.
In other words: from the knights.
from knights
Pray, speak,
You that have seen them, what they are.
Please speak up - you who have seen them, describe what they are like.
Come on, whoever saw them - tell me what they look like.
you saw them tell me what they look like
The extended descriptions of the six champion knights by the Messenger and Pirithous — hair color, eye color, body type, psychological character — are deliberately Homeric. The Iliad famously catalogs the ships and warriors; Renaissance humanists knew their Homer well, and audiences would have felt the elevated register immediately. Shakespeare and Fletcher are staging a tournament in the heroic mode, creating figures larger than life. The irony is that these magnificent men are assembled for what amounts to a legal proceeding — Theseus has turned a private quarrel into a spectator sport. The grandeur of the descriptions makes the arbitrariness of the tournament more, not less, uncomfortable.
I will, sir,
And truly what I think. Six braver spirits
Than these they have brought, if we judge by the outside,
I never saw nor read of. He that stands
In the first place with Arcite, by his seeming
Should be a stout man, by his face a prince,
His very looks so say him; his complexion
Nearer a brown than black, stern and yet noble,
Which shows him hardy, fearless, proud of dangers;
The circles of his eyes show fire within him,
And as a heated lion so he looks.
His hair hangs long behind him, black and shining
Like ravens’ wings; his shoulders broad and strong;
Armed long and round; and on his thigh a sword
Hung by a curious baldric, when he frowns
To seal his will with. Better, o’ my conscience,
Was never soldier’s friend.
I will, sir, and I'll tell you truly what I think. Six braver warriors than the ones they've brought - and I'm going by their appearance - I've never seen or read about. The man standing first with Arcite appears to be a sturdy man, and by his face he looks like a prince, his appearance says so clearly. His skin tone is more brown than black, stern but also noble, which shows he's tough, fearless, and proud to face danger. The look in his eyes shows fire within him, like a heated lion. His hair hangs long down his back, black and shining like raven wings. His shoulders are broad and strong. His arms are long and muscular. A sword hangs on his thigh on an ornate strap. When he frowns it looks like he's sealing his will with it. In all my life, I swear I've never seen a better soldier's companion.
Yeah, I'll tell you what I honestly think. Six more impressive warriors than these guys - based on just looking at them - I've never seen in my life. The first one with Arcite? He looks solid, like a prince just from his face. His skin's kind of brown, stern-looking but still noble, like he's tough and fearless and ready for anything. His eyes have fire in them, like an angry lion. His hair's long and black and shiny like raven wings. Big, strong shoulders. Long muscular arms. Got a sword hanging off his thigh on this fancy strap. When he frowns it's like he's setting his determination with that thing. I swear I've never seen a better warrior.
six brave warriors i've never seen better this guy with arcite prince-like face brown skin, stern, fearless fire in his eyes like a lion long black hair like ravens big strong shoulders long muscular arms sword on his thigh when he frowns he means business
Thou hast well described him.
You've described him well.
You described him perfectly.
perfect description
Yet a great deal short,
Methinks, of him that’s first with Palamon.
And yet you've left out a lot, I think, about the man who is first with Palamon.
Yeah, but you haven't really captured the other guy - the one with Palamon. He's way more impressive.
but you're underselling the other guy palamon's guy way more impressive
Pray, speak him, friend.
Please describe him, friend.
Come on, tell me about him.
describe him
I guess he is a prince too,
And, if it may be, greater; for his show
Has all the ornament of honour in ’t:
He’s somewhat bigger than the knight he spoke of,
But of a face far sweeter; his complexion
Is, as a ripe grape, ruddy. He has felt
Without doubt what he fights for, and so apter
To make this cause his own. In ’s face appears
All the fair hopes of what he undertakes
And when he’s angry, then a settled valour,
Not tainted with extremes, runs through his body
And guides his arm to brave things. Fear he cannot;
He shows no such soft temper. His head’s yellow,
Hard-haired and curled, thick-twined like ivy tods,
Not to undo with thunder. In his face
The livery of the warlike maid appears,
Pure red and white, for yet no beard has blessed him;
And in his rolling eyes sits Victory,
As if she ever meant to crown his valour.
His nose stands high, a character of honour;
His red lips, after fights, are fit for ladies.
I believe he's a prince as well, and if anything, even more so. His whole appearance has all the signs of honor. He's somewhat larger than the knight I just described, but with a much more pleasant face. His skin tone is like a ripe grape, ruddy. He clearly understands what he's fighting for, and he's more capable of making this cause truly his own. In his face you can see all the noble aims of what he's pursuing. When he's angry, a calm courage runs through his body rather than raw emotion, and it guides his arm to brave deeds. He cannot feel fear. He shows no weakness. His hair is blonde, thick and curled, twisted together like ivy clumps, too strong to break even with thunder. In his face appears the look of the warrior goddess - pure red and white coloring, since no beard has yet grown on him. In his moving eyes sits Victory herself, as if she always meant to crown his valor. His nose is prominent, a mark of honor. His red lips, after battles, are perfect for ladies.
I think he's a prince too, probably even more of one. Everything about him screams honor and nobility. He's taller than the other guy, but with a much nicer looking face. His skin's like a ripe grape, really ruddy. He definitely knows what he's fighting for and he owns it. You can see in his face all these noble ideals driving him. When he gets angry, it's not some crazy rage - it's calm, controlled courage that directs his arms to do brave things. He can't even feel fear. No weakness in him. His hair's blonde, thick and curled like twisted ivy, so strong nothing could break it. His face has that warrior look - red and white because he doesn't have a beard yet. His eyes are like Victory herself is sitting in them, ready to crown his valor. He's got a high, noble nose and red lips that look great even after a fight.
this guy's a prince too maybe even greater taller, nicer face ruddy like ripe grape fights for something real faced with honor through control no fear at all blonde thick curled hair warrior look, red and white no beard yet victory itself in his eyes noble nose, red lips
Must these men die too?
Must these men die as well?
Do these guys have to die too?
they have to die too?
When he speaks, his tongue
When he speaks, his voice carries the weight of truth.
When he talks, you actually listen.
his words hit different when he speaks you hear it
Sounds like a trumpet. All his lineaments
Are as a man would wish ’em, strong and clean.
He wears a well-steeled axe, the staff of gold;
His age some five-and-twenty.
His voice sounds like a trumpet. All his features are exactly as a man would want them: strong and handsome. He carries a well-made axe with a gold shaft. He's about twenty-five years old.
When he speaks, his voice sounds like a trumpet. Everything about his face looks exactly how a guy should look—strong and good-looking. He's carrying a well-made axe with a gold handle. He looks like he's about twenty-five.
voice like a trumpet face perfect strong n handsome well-made axe w gold shaft about 25
There’s another,
A little man, but of a tough soul, seeming
As great as any; fairer promises
In such a body yet I never looked on.
There's another one, a small man, but with a tough spirit, seeming just as great as any of them. I've never seen better potential in such a small frame.
There's this other guy, short but super tough, seems just as impressive as the others. I've never seen that kind of promise in such a small body.
there's another small but tough spirit just as great better heart i've never seen in a small guy
O, he that’s freckle-faced?
Oh, the one with freckles on his face?
Oh, the freckly one?
the freckled guy?
The same, my lord;
Are they not sweet ones?
Yes, that same man, my lord. Aren't they impressive?
Yeah, that's the guy. They're pretty cool, right?
yep that guy arent they great
Yes, they are well.
Yes, they are impressive.
Yeah, they're good.
yeah theyre solid
The scene dramatizes something the play has been quietly showing throughout: Theseus and Emilia are not really in conversation with each other. She says 'Must these men die too?' in the middle of the Messenger's description of Palamon's first knight, and no one pauses. He says 'you shall see men fight now' to her; she responds with 'I wish it, but not the cause' — and he moves on. He's organizing a tournament; she's trying to prevent two deaths. They share a stage but inhabit entirely different emotional realities. Emilia's closing couplet, spoken alone after everyone else has rushed off to see the spectacle, captures this perfectly: the men go to watch, she stays to weep.
Methinks,
Being so few and well disposed, they show
Great and fine art in nature. He’s white-haired,
Not wanton white, but such a manly colour
Next to an auburn; tough and nimble-set,
Which shows an active soul. His arms are brawny,
Lined with strong sinews. To the shoulder-piece
Gently they swell, like women new-conceived,
Which speaks him prone to labour, never fainting
Under the weight of arms; stout-hearted still,
But when he stirs, a tiger. He’s grey-eyed,
Which yields compassion where he conquers; sharp
To spy advantages, and where he finds ’em,
He’s swift to make ’em his. He does no wrongs,
Nor takes none. He’s round-faced, and when he smiles
He shows a lover; when he frowns, a soldier.
About his head he wears the winner’s oak,
And in it stuck the favour of his lady.
His age some six-and-thirty. In his hand
He bears a charging-staff embossed with silver.
I think because there are so few and they're well put together, they show great natural talent. He has white hair, not excessively white but a manly color next to auburn. He's tough and lightly built, which shows an active spirit. His arms are muscular, lined with strong tendons. To the shoulder they swell gently, like a pregnant woman's body, which shows he's ready for work and never gives up under the weight of armor. He's brave, but when he moves, he's like a tiger. He has grey eyes, which show compassion where he conquers. He's sharp at spotting opportunities, and wherever he finds them, he's quick to take them for himself. He does no wrong and takes no wrong from others. He has a round face, and when he smiles he shows himself to be a lover; when he frowns, a soldier. Around his head he wears the winner's oak wreath, and his lady's favor is stuck in it. He's about thirty-six years old. In his hand he carries a lance decorated with silver.
I think with just these few, they really show nature has done some great work. He's got white hair - good white, not crazy white, kind of auburn-ish. He's tough and built lean, which shows he's got an active soul. His arms are muscular, real strong tendons. They swell gently up to his shoulders, like he's built for work and never tires under all that armor. He's brave most of the time, but when he gets moving, he's like a tiger. Grey eyes, which is kinda compassionate-looking but deadly when he fights. He spots opportunities quick and takes them. Does no wrong and won't tolerate it from anyone. Round face - smiles like a lover, frowns like a soldier. He's wearing the victor's oak wreath and his lady's favor tied in it. About thirty-six years old. He's got a silver-decorated lance in his hand.
he's got white auburn-ish hair tough but lean active, built for work muscular arms, strong tendons brave as a lion when he moves grey eyes competent, takes opportunities no wrongs given or taken round face - lover when smiling, soldier when frowning thirty-six wearing victor's wreath lady's favor in his hair silver-decorated lance
Are they all thus?
Are they all like this?
Are they all like that?
every single one this impressive? all of them?
They are all the sons of honour.
They are all honorable men.
They're all guys of honor.
all honorable men
Now, as I have a soul, I long to see’em.
Lady, you shall see men fight now.
Now, I swear by my soul, I'm eager to see them. Lady, you're about to see real men fighting.
God, I really want to see these guys. You're gonna get to watch real men actually fight now.
i swear i wanna see them lady you're about to see real fighting
I wish it,
But not the cause, my lord. They would show
Bravely about the titles of two kingdoms.
’Tis pity love should be so tyrannous.—
O, my soft-hearted sister, what think you?
Weep not till they weep blood. Wench, it must be.
I wish to see it, but not because of the reason causing it, my lord. They would fight nobly for the control of two kingdoms. It's a pity that love should be so tyrannical. Oh, my tender-hearted sister, what do you think? Don't weep until they weep blood. Girl, it has to be this way.
I'd like to see it, but not for this reason. They'd be impressive fighting over two kingdoms. It's sad that love has to be so controlling. What do you think, my sweet sister? Don't cry until they're literally bleeding. It just has to happen.
i wanna see it but not this reason they'd fight for kingdoms too bad love's so cruel sister don't cry yet it has to be
You have steeled ’em with your beauty.
Honoured friend,
To you I give the field; pray order it
Fitting the persons that must use it.
You've strengthened them with your beauty. Honored friend, I give the battlefield to you. Please arrange it as befits the men who will fight in it.
Your beauty's made them tough. Okay buddy, the field is yours. Set it up nice for these guys who are gonna fight.
your beauty made them strong friend, the field is yours set it up right for them
Yes, sir.
Yes, sir.
In other words: yes, sir.
yes sir
Come, I’ll go visit ’em. I cannot stay,
Their fame has fired me so; till they appear.
Good friend, be royal.
Come on, I'm going to visit them. I can't stay put - their reputation has excited me so much until they appear. Good friend, be generous and gracious.
Come on, let's go see them. I can't just sit here - I'm too pumped up about these guys and I need to see them show up. Be classy, my friend.
let's go see them i can't wait their fame has me fired up be classy buddy
There shall want no bravery.
There will be no lack of impressive display.
Everything will be impressive.
it'll be impressive
Poor wench, go weep, for whosoever wins,
Loses a noble cousin for thy sins.
Poor girl, go weep, because no matter who wins, she loses a noble cousin because of your beauty.
Poor thing, go cry. Whoever wins is gonna lose a noble cousin anyway - and it's because of you.
go cry poor girl whoever wins loses a noble cousin because of you
The Reckoning
This scene is built on a central irony: everyone is assembling to fight over a woman who cannot make a decision, and the more beautiful and detailed the descriptions of the fighters become, the more unbearable her position looks. Emilia's portrait-gazing — flip-flopping between Arcite and Palamon with almost comic desperation — is not comic. It's a woman trapped in an impossible choice where any outcome means she's responsible for a death. The scene ends on her couplet of pure despair: whoever wins, she loses a noble cousin. The court goes off excited; she is left alone.
If this happened today…
Imagine a woman who has been told by the court system that two men she barely knows are about to fight a duel over her, and she has to be there, and the winner gets to marry her. She's looking at their LinkedIn profiles trying to choose which one to root for — switching from one to the other every few minutes. Meanwhile, a group of men are describing the six championship fighters in loving, excited detail like fantasy football analysts. She finally says: 'Must these men die too?' Nobody particularly hears her.