If I may trust the flattering eye of sleep,
My dreams presage some joyful news at hand.
My bosom’s lord sits lightly in his throne;
And all this day an unaccustom’d spirit
Lifts me above the ground with cheerful thoughts.
I dreamt my lady came and found me dead,—
Strange dream, that gives a dead man leave to think!—
And breath’d such life with kisses in my lips,
That I reviv’d, and was an emperor.
Ah me, how sweet is love itself possess’d,
When but love’s shadows are so rich in joy.
If I can trust sleep's pleasant visions, my dreams predict some happy news coming. My heart feels light in its place, and all day long an unusual joy lifts me off the ground with cheerful thoughts. I dreamed my lady found me dead--a strange dream that lets a dead man still think--and breathed such life into my lips with kisses that I revived and became an emperor. How sweet is love itself when actually possessed, when mere shadows of love are already so full of joy.
If I can believe my good dreams, something happy is about to happen. I'm in such a great mood today, like I'm floating above the ground feeling good. I had this weird dream where my lady found me dead and kissed me back to life, making me feel like I was an emperor. When you actually have love, it must be amazing--I mean, just thinking about love without having it yet feels incredible.
my dreams r telling me somethings good coming im floating rn so happy i dreamed she kissed me back to life love must be so incredible when u actually have it
News from Verona! How now, Balthasar?
Dost thou not bring me letters from the Friar?
How doth my lady? Is my father well?
How fares my Juliet? That I ask again;
For nothing can be ill if she be well.
News from Verona! How are you, Balthasar? Don't you bring me letters from the Friar? How is my lady? Is my father well? How is my Juliet? I ask again; For nothing can be ill if she is well.
News from Verona! Hey Balthasar, what's up? Did you bring me letters from the Friar? How's my lady? Is my father okay? How's Juliet? I need to know; As long as she's okay, everything else is fine.
news from verona!! how is juliet is she okay thats all that matters
Then she is well, and nothing can be ill.
Her body sleeps in Capel’s monument,
And her immortal part with angels lives.
I saw her laid low in her kindred’s vault,
And presently took post to tell it you.
O pardon me for bringing these ill news,
Since you did leave it for my office, sir.
Then she is well and nothing can be wrong. Her body rests in the Capulet tomb, and her immortal soul lives with the angels. I saw her placed in her family's vault, and immediately came to tell you. Please forgive me for bringing this sad news, since you left it to me as my duty, sir.
Then she's fine and nothing's wrong. Her body's in the Capulet tomb, and her soul is with the angels. I saw her laid in her family's vault and came right here to tell you. I'm sorry to bring you this terrible news, but you told me to tell you if anything happened, sir.
shes fine now. shes in the tomb. i came to tell u. sorry for the bad news
Is it even so? Then I defy you, stars!
Thou know’st my lodging. Get me ink and paper,
And hire post-horses. I will hence tonight.
I'm leaving tonight—going to be with Juliet.
I'm going tonight. I'm going to die with her.
leaving tonight going to her gonna die with her
I do beseech you sir, have patience.
Your looks are pale and wild, and do import
Some misadventure.
I beg you, sir, have patience. Your face is pale and wild, and it suggests some terrible misfortune.
I'm begging you, sir, calm down. You look pale and crazy, like something bad is about to happen.
chill out. u look insane. something bad is gonna happen
Romeo's dream at the start of 5-1 is one of Shakespeare's most elegant structural devices. 'I dreamt my lady came and found me dead — strange dream, that gives a dead man leave to think — and breathed such life with kisses in my lips that I revived and was an emperor.' Every element of this dream will come true in 5-3 — but differently. Juliet will find him dead. She will kiss him. But the reversal doesn't happen: he stays dead. The dream offered the right elements in a redemptive order; reality delivers them in a fatal one. Shakespeare uses the dream to let the audience feel how close the happy ending was.
Tush, thou art deceiv’d.
Leave me, and do the thing I bid thee do.
Hast thou no letters to me from the Friar?
You're wrong. Leave me and do as I tell you. Don't you have any letters for me from the Friar?
You're mistaken. Leave me alone and do what I say. Is there any letter from the Friar for me?
ur wrong. leave me. letters from the friar
No, my good lord.
Nothing at all, sir.
No, sir.
nope
No matter. Get thee gone,
And hire those horses. I’ll be with thee straight.
It doesn't matter. Go and hire those horses. I'll be right behind you.
Never mind. Go get some horses. I'll be right there.
doesnt matter. go get horses. ill catch up
Well, Juliet, I will lie with thee tonight.
Let’s see for means. O mischief thou art swift
To enter in the thoughts of desperate men.
I do remember an apothecary,—
And hereabouts he dwells,—which late I noted
In tatter’d weeds, with overwhelming brows,
Culling of simples, meagre were his looks,
Sharp misery had worn him to the bones;
And in his needy shop a tortoise hung,
An alligator stuff’d, and other skins
Of ill-shaped fishes; and about his shelves
A beggarly account of empty boxes,
Green earthen pots, bladders, and musty seeds,
Remnants of packthread, and old cakes of roses
Were thinly scatter’d, to make up a show.
Noting this penury, to myself I said,
And if a man did need a poison now,
Whose sale is present death in Mantua,
Here lives a caitiff wretch would sell it him.
O, this same thought did but forerun my need,
And this same needy man must sell it me.
As I remember, this should be the house.
Being holiday, the beggar’s shop is shut.
What, ho! Apothecary!
Well, Juliet, I will be with you tonight. Let me find the means. Oh, evil comes quickly Into the minds of desperate men. I remember an apothecary— And he lives nearby—whom I saw recently In torn clothes, with heavy eyebrows, Gathering medicinal herbs, thin and worn, Sharp poverty had worn him down to bones; And in his meager shop hung a tortoise, A stuffed alligator, and other skins Of strangely shaped fish; and on his shelves A pitiful collection of empty boxes, Green pottery jars, bladders, and stale seeds, Leftovers of string, and old dried flower petals Were sparsely scattered, to create a display. Seeing his poverty, I told myself, 'If a man needed poison now, Whose sale is death in Mantua, Here lives a wretched creature who would sell it.' Oh, this thought came before I needed it, And this same poor man must sell it to me. As I remember, this should be the house. Since it's a holiday, the beggar's shop is closed. What, hey! Apothecary!
Okay, Juliet, I'll be with you tonight. Let me figure out how. Evil thoughts come fast When men are desperate. I remember an apothecary— I saw him not long ago—wearing torn clothes, Looking thin and starving, poverty written all over him. In his pathetic little shop he had a stuffed tortoise, A stuffed alligator, and weird dried fish skins; The shelves were nearly bare—some empty boxes, Some cracked pots, old dried seeds, Bits of string, old dried flowers scattered around Trying to make the place look like he had anything. I thought, this desperate guy would definitely sell poison If someone needed it. And now I do. His shop should be around here. It's a holiday so it's closed. Hey! Apothecary!
ill be with you tonight juliet i need poison i remember a poor apothecary he'll sell it to me this is the place apothecary!!
Who calls so loud?
Who is calling so loudly?
Who's yelling?
who is that
The Apothecary is a figure of controlled desperation — 'my poverty, but not my will, consents.' Romeo recognises himself in this man in a strange way: both are trapped by circumstances that override their preferences. Romeo doesn't want Juliet to be dead. The Apothecary doesn't want to sell poison. The world forces both of them into positions they would not choose. Romeo's speech about gold being the worse poison — 'doing more murder in this loathsome world' — is the play's most explicit social critique. It is also self-exculpation: by condemning gold, Romeo positions the Apothecary as blameless and himself as making a principled choice. The speech is philosophically interesting and morally convenient.
Come hither, man. I see that thou art poor.
Hold, there is forty ducats. Let me have
A dram of poison, such soon-speeding gear
As will disperse itself through all the veins,
That the life-weary taker may fall dead,
And that the trunk may be discharg’d of breath
As violently as hasty powder fir’d
Doth hurry from the fatal cannon’s womb.
Come here, man. I can see you're poor. Here, take forty gold coins. Let me have a dose of poison, something that works quickly and spreads through all the veins, so that someone tired of life can fall dead, and their body can expel breath as violently as gunpowder fired from a cannon.
Come here, man. I can see you're in poverty. Look, here's forty coins. I need a poison—something fast-acting that spreads through the body so a person dies quickly, expelled from life as violently as a cannon blast.
im poor too. heres money. i need poison that kills fast & spreads quick
Such mortal drugs I have, but Mantua’s law
Is death to any he that utters them.
I have such deadly poisons, but the law in Mantua says death to anyone who sells them.
I've got deadly poison, but selling it is punishable by death in Mantua.
i have poison but selling it is death sentence here
Art thou so bare and full of wretchedness,
And fear’st to die? Famine is in thy cheeks,
Need and oppression starveth in thine eyes,
Contempt and beggary hangs upon thy back.
The world is not thy friend, nor the world’s law;
The world affords no law to make thee rich;
Then be not poor, but break it and take this.
Are you so destitute and miserable, and are you afraid to die? Hunger is in your face, need and oppression show in your eyes, poverty and contempt surround you. The world is not your friend, nor are the world's laws. The world has no law that will make you rich. So don't stay poor—break the law and take this money.
You're poor and desperate—are you really afraid of dying? You're starving, you look beaten down, poverty is all over you. The world doesn't care about you or its own laws. Nothing's going to make you rich by following the rules. So stop being poor—break the law and take this money.
ur starving & desperate. the world doesnt care. break the law & take the money
My poverty, but not my will consents.
My poverty agrees to it, not my will.
My poverty is forcing me, but not my choice.
im forced by poverty not choice
I pay thy poverty, and not thy will.
I'm paying your poverty, not your will.
I'm paying off your poverty to change your mind.
im paying ur poverty not ur morals
Put this in any liquid thing you will
And drink it off; and, if you had the strength
Of twenty men, it would despatch you straight.
Put this in any drink you want and swallow it. Even if you had the strength of twenty men, it would kill you instantly.
Mix this into any drink and drink it. No matter how strong you are, it'll kill you right away.
mix it in a drink & drink it. kills instantly
There is thy gold, worse poison to men’s souls,
Doing more murder in this loathsome world
Than these poor compounds that thou mayst not sell.
I sell thee poison, thou hast sold me none.
Farewell, buy food, and get thyself in flesh.
Come, cordial and not poison, go with me
To Juliet’s grave, for there must I use thee.
There is your gold, which is a worse poison to men's souls than this poison itself, doing more harm in this world than these poor compounds you're not allowed to sell. I sell you poison, but you have sold me nothing. Farewell, buy food and get yourself some strength. Come now, this potion is a cure, not poison. Go with me to Juliet's grave, for there I must use you.
Take your gold—that's a worse poison than what you just sold me. Gold destroys more souls in this world than any drug. I'm selling you poison, but you haven't sold me anything. Goodbye, use this money to buy food and get healthy. Come on, this is my cure, not poison. Go with me to Juliet's grave. That's where I need to use it.
gold is worse poison than this. go get food. come with me to juliets grave
The Reckoning
The scene of perfect, terrible timing. Romeo is happy — the only time in the entire play we see him at peace without Juliet physically present. His dream is almost prophetic, almost redemptive (Juliet kissed him back to life). Then Balthasar arrives. The twenty-one words that follow — 'Is it even so? Then I defy you, stars!' — are among the most decisive in Shakespeare. No deliberation. No hesitation. He will go to her. What he doesn't know is that she isn't dead.
If this happened today…
A young man who's been in exile is waking up in a good mood for the first time in months. He had a vivid dream about his wife — she found him dead but brought him back. He thinks it means good news is coming. His phone rings. Someone he trusts tells him she died. He doesn't ask for details. He doesn't wait for confirmation. He hangs up, finds the one person he knows who'll sell him something lethal, buys it, and drives.