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Act 4, Scene 2 — Cyprus. A Room in the Castle.
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The argument Othello interrogates Emilia about Desdemona's fidelity; Emilia defends her vigorously. Othello summons Desdemona, calls her a whore, and leaves. Desdemona asks Iago what has happened; he plays the sympathetic friend. Roderigo arrives, angry that nothing has happened with Desdemona despite the money he's spent. Iago redirects him: kill Cassio tonight.
Enter Othello and Emilia.
OTHELLO [pressing Emilia, suspicious and testing]

You have seen nothing, then?

So you've seen nothing then?

So you haven't seen anything?

so literally nothing?

EMILIA [firm, honest denial in Desdemona's defense]

Nor ever heard, nor ever did suspect.

And I've never heard anything or suspected anything.

I've never heard a thing or suspected anything was wrong.

never heard anything never suspected anything

OTHELLO [insistent, accusatory pressure]

Yes, you have seen Cassio and she together.

Yes, you have seen Cassio and her together.

You've definitely seen Cassio and her together.

you saw them together

EMILIA ≋ verse [calmly rebutting with detail]

But then I saw no harm, and then I heard

Each syllable that breath made up between them.

But at that time I saw nothing wrong, and then I heard every word that their breathing shaped between them.

But I didn't see anything bad going on, and I heard every single word they said to each other.

didn't see anything wrong heard everything they said

OTHELLO [grasping for any shred of proof]

What, did they never whisper?

What, they never whispered together?

They never whispered to each other?

they never whispered?

EMILIA [plain, unwavering denial]

Never, my lord.

Never, my lord.

No, sir, never.

nope

OTHELLO [still fishing for evidence]

Nor send you out o’ the way?

And you were never sent away for their privacy?

You were never sent out of the room so they could be alone?

never sent away?

EMILIA [terse, steadfast refusal to yield]

Never.

Never.

Never.

no

OTHELLO [increasingly desperate questioning]

To fetch her fan, her gloves, her mask, nor nothing?

To fetch her fan, her gloves, her mask, or anything like that?

To go get her fan, gloves, mask—any of those things?

fetch her stuff? fan, gloves, mask?

EMILIA [repeating her firm denial]

Never, my lord.

Never, my lord.

No, sir, never.

never

OTHELLO [cold disbelief, suspecting her too]

That’s strange.

That's strange.

That's odd.

weird

EMILIA ≋ verse [passionately vouching for Desdemona's honesty]

I durst, my lord, to wager she is honest,

Lay down my soul at stake: if you think other,

Remove your thought, it doth abuse your bosom.

If any wretch have put this in your head,

Let heaven requite it with the serpent’s curse,

For if she be not honest, chaste, and true,

There’s no man happy. The purest of their wives

Is foul as slander.

I would dare to bet my soul, my lord, that she is faithful. If you think otherwise, get rid of that thought—it's poisoning your heart. If some villain has put this idea in your head, may heaven curse them as it cursed the serpent. Because if she is not faithful, chaste, and true, then no man can be happy. The most pure of all wives would seem as foul as slander itself.

I'm willing to bet my soul she's faithful, my lord. If you think different, drop that thought right now—it's eating you up inside. Some villain put this poison in your head, and heaven should curse them for it. Because if she's not faithful and true, then no man can ever be happy. Even the most perfect wife would look as bad as a dirty rumor.

she's faithful i'd bet my soul get that poison out of your head some villain did this to you no man's happy if she's not true

OTHELLO [curtly dismissing her plea]

Bid her come hither. Go.

Tell her to come here. Go.

Tell her to come in here. Now go.

get her go

[_Exit Emilia._]
OTHELLO ≋ verse [bitterly convinced despite the evidence]

She says enough. Yet she’s a simple bawd

That cannot say as much. This is a subtle whore,

A closet lock and key of villainous secrets.

And yet she’ll kneel and pray. I have seen her do ’t.

She's said enough. But she's just a simple prostitute who can't manage this kind of deception. This is a cunning whore—a locked chamber holding villainous secrets inside. And yet she'll kneel and pray. I've seen her do it.

She's talked enough. But she's just a common sex worker who can't hide things like this one does. This is a clever whore—a locked-up chest full of dirty secrets. And yet she still kneels down and prays like she's holy. I've watched her do it.

she's just a common prostitute can't conceal like this woman does this one locks up her secrets but still acts pious

Enter Desdemona and Emilia.
DESDEMONA [dutiful but uneasy, sensing trouble]

My lord, what is your will?

My lord, what do you want?

What do you need, my lord?

what do u want

Why it matters The line does multiple things at once: it accuses Desdemona, degrades Venice (which sent its finest girl to be this 'whore'), and dissociates Othello from his own marriage. He can no longer say 'my wife' — he says 'who married Othello' as if speaking about strangers.
🎭 Dramatic irony Emilia has correctly described Iago — 'some busy and insinuating rogue to get some office' — while standing next to him. She is right that someone has invented the slander. She does not know it is her husband.
OTHELLO [false tenderness masking venom]

Pray, chuck, come hither.

Please, sweetheart, come here.

Come here, babe, please.

come here babe

DESDEMONA [compliant yet wary]

What is your pleasure?

What would you like me to do?

What do you want?

what do u need

🎭 Dramatic irony Desdemona asks Iago what she should do to regain Othello's love. Iago is the reason she has lost it. He gives her comfort and advice. This is the most intimate expression of his power in the play.
OTHELLO ≋ verse [searching her face for guilt]

Let me see your eyes.

Look in my face.

Let me look into your eyes. Look at my face.

Look at me. Look me in the eye.

look at me face to face

DESDEMONA [bewildered by his sudden violence]

What horrible fancy’s this?

What is this horrible delusion?

What is this awful idea?

what's this horrible thought

Why it matters Emilia's instinct is precisely correct, even without knowing who it is. 'Some busy and insinuating rogue to get some office' — Iago wanted the lieutenancy. She is right. Standing right in front of her husband, she has described him perfectly.
OTHELLO ≋ verse [dismissing Emilia, coldly deliberate]

[_To Emilia._] Some of your function, mistress,

Leave procreants alone, and shut the door.

Cough, or cry hem, if anybody come.

Your mystery, your mystery. Nay, dispatch.

Do your job, mistress. Leave the lovers alone and shut the door. Cough or cry out if anyone comes. Your craft, your craft. Come on, hurry up.

Do your work, woman. Leave them alone and shut that door. Give us a signal if anyone comes by. Do your job. Move!

do ur job leave them alone signal if someone comes hurry up

[_Exit Emilia._]
DESDEMONA ≋ verse [pleading, desperate to understand his rage]

Upon my knees, what doth your speech import?

I understand a fury in your words,

But not the words.

On my knees, what are you saying? I can hear rage in your voice, But I don't understand the words.

I'm begging you—what are you saying? I can hear the anger in your voice, but I don't understand what you mean.

i don't get it i hear the anger but what are u saying

Why it matters Desdemona asking Iago how to regain Othello's love is one of the play's most painful ironies. He is the source of everything that's wrong. She turns to him as the solution.
OTHELLO [cold, contemptuous interrogation]

Why, what art thou?

Who are you?

What are you?

who are u

DESDEMONA [earnestly asserting her loyalty]

Your wife, my lord, your true and loyal wife.

Your wife, my lord—your faithful and loyal wife.

I'm your wife, my lord—a true and loyal one.

i'm your wife faithful & loyal

OTHELLO ≋ verse [cruelly daring her to perjure herself]

Come, swear it, damn thyself,

Lest, being like one of heaven, the devils themselves

Should fear to seize thee. Therefore be double-damn’d.

Swear thou art honest.

Come, swear it, damn yourself, Unless you're like an angel, then even devils Would be afraid to seize you. So be doubly damned. Swear that you are faithful.

Swear it! Damn yourself with this oath. Unless you're like an angel—then even demons would be afraid to touch you. So go ahead and damn yourself twice over. Swear that you're faithful.

swear it damn yourself swear you're faithful

DESDEMONA [sincere oath to heaven]

Heaven doth truly know it.

Heaven truly knows it.

God knows that's true.

god knows i am

OTHELLO [flatly rejecting her oath]

Heaven truly knows that thou art false as hell.

Heaven truly knows that you are false as hell.

Heaven knows you're as false as hell.

u r false as hell

DESDEMONA [bewildered, begging for specifics]

To whom, my lord? With whom? How am I false?

To whom, my lord? With whom? How could I possibly be unfaithful?

With whom? Who? How could I have been unfaithful?

with who? how could i be false? this makes no sense

OTHELLO [anguished despair, pushing her away]

O Desdemona, away! away! away!

Desdemona, go away! Go away! Get away from me!

Desdemona, get away! Just go! Leave me alone!

go away just leave get out

DESDEMONA ≋ verse [compassionate even as she suffers]

Alas the heavy day, why do you weep?

Am I the motive of these tears, my lord?

If haply you my father do suspect

An instrument of this your calling back,

Lay not your blame on me. If you have lost him,

Why, I have lost him too.

What a terrible day this is—why are you crying? Am I the reason for these tears, my lord? If by chance you suspect my father of being the cause of your being called back, Don't blame me for it. If you have lost your father, Why, I have lost him too.

What a horrible day. Why are you crying? Am I the reason for these tears, my lord? If you think my father had something to do with you being called back, don't blame me for it. If you've lost your father, I've lost him too.

why are u crying why blame me if u lost him i lost him 2

OTHELLO ≋ verse [anguished self-pity pouring out]

Had it pleas’d heaven

To try me with affliction, had they rain’d

All kinds of sores and shames on my bare head,

Steep’d me in poverty to the very lips,

Given to captivity me and my utmost hopes,

I should have found in some place of my soul

A drop of patience. But, alas, to make me

A fixed figure for the time of scorn

To point his slow unmoving finger at.

Yet could I bear that too, well, very well:

But there, where I have garner’d up my heart,

Where either I must live or bear no life,

The fountain from the which my current runs,

Or else dries up, to be discarded thence,

Or keep it as a cistern for foul toads

To knot and gender in!—turn thy complexion there,

Patience, thou young and rose-lipp’d cherubin,

Ay, there, look grim as hell!

If it had pleased heaven to test me with suffering, if they had rained every kind of wound and shame on my bare head, plunged me into poverty to the point of drowning, taken my freedom and all my hope, I should have found somewhere in my soul a drop of patience. But, alas, to turn me into a fixed target for time's mockery for scorn to point its slow, unmoving finger at. I could even bear that well enough, very well indeed. But where I have gathered up my heart, where I must either live or have no life at all, the fountain from which my life flows, to be cast out from there, or to keep it as a cistern for foul toads to writhe and breed in—how can patience endure that? Look at what's happened there, Patience, young and rosy-lipped angel, Yes, there—look as grim as hell!

If heaven had wanted to test me with suffering—if it had rained every kind of pain and shame on my head, drowned me in poverty, taken away my freedom and all my hope—I could have found the patience to bear it. I could even handle becoming the butt of everyone's jokes, the person everyone points at and mocks. I could live with that, actually. But the one thing I can't bear is betrayal in the place where I've put my whole heart, where I have to either love completely or not live at all. The source of my whole life becoming ruined—I can't accept that. Patience, you innocent young thing, how can you even exist when something so horrible happens?

i could bear poverty i could bear shame i could bear captivity even mockery but not this not betrayal not where my heart is not where i live

DESDEMONA [hopeful, pleading to be believed]

I hope my noble lord esteems me honest.

I hope you believe I am faithful, my noble lord.

I hope you still think I'm faithful, my lord.

i hope u think i'm faithful

OTHELLO ≋ verse [disgust twisted with anguished love]

O, ay, as summer flies are in the shambles,

That quicken even with blowing. O thou weed,

Who art so lovely fair, and smell’st so sweet,

That the sense aches at thee,

Would thou hadst ne’er been born!

Yes, as surely as summer flies swarm in the butcher shop, coming alive even from a touch. You beautiful weed, who are so lovely to look at and smell so sweet that the senses ache at your presence— I wish you had never been born!

Oh yes—like the flies that swarm all over a butcher shop, alive and crawling everywhere. You're a beautiful weed, gorgeous to look at, smelling so sweet that it hurts to be near you. I wish you had never been born!

ur beautiful like flies on meat beautiful but toxic i wish u were never born

DESDEMONA [baffled innocence]

Alas, what ignorant sin have I committed?

Alas, what unknown sin have I committed?

What sin have I committed? I don't even know what I did!

what sin did i commit i don't even know

OTHELLO ≋ verse [raging, disgusted condemnation]

Was this fair paper, this most goodly book,

Made to write “whore” upon? What committed?

Committed! O thou public commoner!

I should make very forges of my cheeks,

That would to cinders burn up modesty,

Did I but speak thy deeds. What committed!

Heaven stops the nose at it, and the moon winks;

The bawdy wind, that kisses all it meets,

Is hush’d within the hollow mine of earth,

And will not hear it. What committed!

Impudent strumpet!

Was this beautiful paper, this excellent book, made only to have 'whore' written on it? What has she done? What has she done? You public prostitute! My cheeks should become forges that burn modesty to ashes, if I only spoke what you have done. What has she done! Heaven turns away from it, and even the moon closes her eyes. The lustful wind, that kisses everything it meets, has hidden itself deep in the earth and refuses to hear it. What has she done! You shameless whore!

This beautiful woman, this perfect book—was she made just to be labeled a whore? What did she do? WHAT DID SHE DO? You prostitute! If I even spoke what you've done, my face would burn red hot enough to destroy all shame. What did she do! Heaven is disgusted, the moon won't even look. The lustful wind itself, that touches everything, has buried itself in the ground just to avoid hearing about this. What did she do! You shameless woman!

beautiful like a book written w/ 'whore' on it what did u do heaven won't hear it the world rejects u

DESDEMONA [firm protest of her innocence]

By heaven, you do me wrong.

By heaven, you are wrong about me.

You're wrong about me, I swear.

u r wrong abt me

OTHELLO [blunt, brutal accusation]

Are not you a strumpet?

Are you not a prostitute?

Aren't you a prostitute?

ur a prostitute

DESDEMONA ≋ verse [dignified denial by her faith]

No, as I am a Christian:

If to preserve this vessel for my lord

From any other foul unlawful touch

Be not to be a strumpet, I am none.

No, and I swear it as a Christian. If keeping this body pure for my lord, free from any other foul, unlawful touch, means I'm not a prostitute, then I am not one.

No, I swear it. If being faithful to my lord—keeping my body for him alone, free from any other man—if that means I'm not a whore, then I'm not one.

no i kept myself for u only i'm faithful

OTHELLO [mocking disbelief]

What, not a whore?

What—you're claiming you're not a whore?

You're seriously telling me you're not a whore?

ur not a whore? lol

DESDEMONA [solemn oath on her soul]

No, as I shall be sav’d.

No, as I hope for salvation.

No, as I hope to be saved.

no i swear it

OTHELLO [bitterly sarcastic feigned wonder]

Is’t possible?

Is it possible?

How is that even possible?

how is that possible

DESDEMONA [anguished cry to heaven]

O, heaven forgive us!

Oh, may heaven forgive us!

God forgive us!

god help us

OTHELLO ≋ verse [savage mock-apology dripping with contempt]

I cry you mercy then.

I took you for that cunning whore of Venice

That married with Othello.—You, mistress,

I beg your pardon then. I mistook you for that clever whore of Venice who married Othello.—You, madam,

My apologies then. I thought you were that clever whore from Venice who married me, Othello. You, madam—

my bad thought u were that whore from venice

"I took you for that cunning whore of Venice that married with Othello" One of the play's most devastating lines. Othello has separated himself from his own marriage — he speaks of 'Othello' in the third person, as if he is no longer inside his own life. The marriage itself has become the crime.
Enter Emilia.
OTHELLO ≋ verse [treating her like a brothel-keeper]

That have the office opposite to Saint Peter,

And keeps the gate of hell. You, you, ay, you!

We have done our course; there’s money for your pains.

I pray you turn the key, and keep our counsel.

You, who hold the opposite position to Saint Peter and keep the gate of hell open. You, you, yes, you! We've finished our business; here's payment for your services. I ask you to lock the door and keep our secret.

You, who keep the gates of hell open instead of keeping heaven's gates like Saint Peter. You, yes, you! We're done here. Take this money for your work. Lock the door and don't breathe a word about it.

u keep hell's gates open not heaven's like st peter here's ur payment shut up and lock the door

[_Exit._]
EMILIA ≋ verse [worried, gently checking on her]

Alas, what does this gentleman conceive?

How do you, madam? How do you, my good lady?

Alas, what is this man thinking? How are you, madam? How are you, my good lady?

What in the world is he thinking? How are you holding up, my lady?

what's wrong w/ him u ok

DESDEMONA [dazed and numb with shock]

Faith, half asleep.

Honestly, half asleep.

Honestly, I'm half asleep.

half asleep tbh

EMILIA [concerned, probing gently]

Good madam, what’s the matter with my lord?

Good madam, what is the matter with my lord?

What's wrong with your husband, my lady?

what's wrong w/ ur lord

DESDEMONA [distracted, disoriented by grief]

With who?

With who?

With who?

With who?

EMILIA [patiently clarifying]

Why, with my lord, madam.

Why, with your husband, madam.

With your husband, my lady.

ur husband madam

DESDEMONA [still detached, numb repetition]

Who is thy lord?

Who is your lord?

Who is my lord?

who's my lord

EMILIA [gentle and tender with her]

He that is yours, sweet lady.

The one who is yours, sweet lady.

Your husband, my sweet lady.

your husband lady

DESDEMONA ≋ verse [desolate resignation]

I have none. Do not talk to me, Emilia,

I cannot weep, nor answer have I none

But what should go by water. Prithee, tonight

Lay on my bed my wedding sheets, remember,

And call thy husband hither.

I have no lord anymore. Don't speak to me, Emilia. I cannot weep, and the only response I have is what should flow as tears. Please, tonight, lay out my wedding sheets on my bed, remember that, and call your husband here.

I don't have a lord. Don't talk to me, Emilia. I can't cry, and all I can do is what tears should do. Please put my wedding sheets on the bed tonight—remember them—and get your husband.

i have no lord don't talk to me put my wedding sheets on the bed get your husband

EMILIA [shocked at the sudden change in her]

Here’s a change indeed!

Here is quite a change indeed!

Well, that's quite a change!

sudden change lol

[_Exit._]
DESDEMONA ≋ verse [self-blaming, searching for her fault]

’Tis meet I should be us’d so, very meet.

How have I been behav’d, that he might stick

The small’st opinion on my least misuse?

It is fitting that I should be treated this way, very fitting. What have I done that he might form even the smallest suspicion from my slightest mistake?

It's right that he treats me this way, actually. What have I done that would make him suspect me based on any small mistake?

i deserve this what did i do wrong i gave him no reason

Enter Iago and Emilia.
IAGO [feigned solicitous concern]

What is your pleasure, madam? How is’t with you?

What would please you, madam? How are you?

What can I do for you, madam? How are you holding up?

u ok

DESDEMONA ≋ verse [hurt, likening herself to a scolded child]

I cannot tell. Those that do teach young babes

Do it with gentle means and easy tasks.

He might have chid me so, for, in good faith,

I am a child to chiding.

I cannot say. Those who teach young children do it with gentle methods and easy lessons. He might have scolded me that way, because truly, I am like a child when it comes to criticism.

I don't know. People who teach little kids do it gently, with easy lessons. He could have criticized me the same way, because honestly, I'm fragile about being scolded.

idk i'm sensitive to criticism like a child

IAGO [prompting her with feigned innocence]

What’s the matter, lady?

What is the matter, lady?

What's wrong, my lady?

what's wrong

EMILIA ≋ verse [outraged on her mistress's behalf]

Alas, Iago, my lord hath so bewhor’d her,

Thrown such despite and heavy terms upon her,

As true hearts cannot bear.

Alas, Iago, my lord has called her such foul names, thrown such contempt and harsh words at her, as no faithful heart could bear.

Iago, your lord has been calling her the worst names, saying such cruel things that no good person could stand it.

he's been so cruel calling her names no one deserves that

DESDEMONA [wounded, needing to hear it said]

Am I that name, Iago?

Am I really that kind of person, Iago?

Is that what I am, Iago?

is that me

IAGO [feigning ignorance of the word]

What name, fair lady?

Which name are you referring to, beautiful lady?

What name are you asking about, beautiful lady?

what name

DESDEMONA [unable to speak the word herself]

Such as she says my lord did say I was.

Such as Emilia says my lord called me.

Whatever my lord called me—that word.

what he called me

EMILIA ≋ verse [indignant, blunt outrage]

He call’d her whore: a beggar in his drink

Could not have laid such terms upon his callet.

He called her a whore. A beggar drunk on alcohol could not have thrown such insults at his own prostitute.

He called her a whore—a drunk beggar wouldn't even insult his own girlfriend like that.

he called her whore even drunk beggars r nicer to their girls

IAGO [probing with feigned puzzlement]

Why did he so?

Why did he do that?

Why would he do that?

y would he

DESDEMONA [bewildered, firm in her innocence]

I do not know. I am sure I am none such.

I do not know. I am sure I am no such thing.

I don't know. But I know I'm not that.

idk but i'm not that

IAGO [hollow, insincere comfort]

Do not weep, do not weep: alas the day!

Do not cry, do not cry—what a terrible day this is!

Don't cry, don't cry—what an awful day!

don't cry this is awful

EMILIA ≋ verse [impassioned defense of her sacrifice]

Hath she forsook so many noble matches,

Her father, and her country, and her friends,

To be call’d whore? would it not make one weep?

Has she abandoned so many noble suitors, her father, her country, and her friends, only to be called a whore? Would that not make anyone weep?

She gave up so many great men, her father, her country, her friends—all for Othello. And now he calls her a whore? Wouldn't that make anyone cry?

she gave up everything for him her father, her country and he calls her whore of course she's crying

DESDEMONA [resigned to her wretched fortune]

It is my wretched fortune.

It is my miserable fate.

This is my terrible luck.

this is my bad luck

IAGO ≋ verse [feigned outrage, deflecting blame]

Beshrew him for’t!

How comes this trick upon him?

Curse him for it! How did this delusion come upon him?

Curse him for it! How did he get this crazy idea?

curse him how'd he get this idea

DESDEMONA [helpless, leaving it to heaven]

Nay, heaven doth know.

No, only heaven knows.

Only God knows.

god knows

EMILIA ≋ verse [furious, unwittingly naming the true villain]

I will be hang’d, if some eternal villain,

Some busy and insinuating rogue,

Some cogging, cozening slave, to get some office,

Have not devis’d this slander. I’ll be hang’d else.

I will be hanged if some eternal villain, some scheming and manipulative rogue, some lying, deceitful slave, to gain some position, has not created this slander. I'll be hanged otherwise.

I'll be hanged if some villain hasn't made up this lie to get ahead. Some scheming, manipulative liar did this. I'm sure of it.

some lying villain made this up to get power i know it

"some busy and insinuating rogue to get some office" Emilia has almost exactly described Iago — a scheming rogue working for advancement. She does not know she is describing her own husband. The audience does.
IAGO [smoothly denying, hiding his alarm]

Fie, there is no such man. It is impossible.

Shame, there is no such man. It is impossible.

Impossible, there's no such man.

no way impossible

DESDEMONA [forgiving even her unknown tormentor]

If any such there be, heaven pardon him!

If any such man exists, may heaven forgive him!

If such a man exists, God forgive him!

if he exists god forgive him

EMILIA ≋ verse [furious, vengeful tirade]

A halter pardon him, and hell gnaw his bones!

Why should he call her whore? who keeps her company?

What place? what time? what form? what likelihood?

The Moor’s abused by some most villainous knave,

Some base notorious knave, some scurvy fellow.

O heaven, that such companions thou’dst unfold,

And put in every honest hand a whip

To lash the rascals naked through the world

Even from the east to the west!

Let a noose pardon him, and hell consume his bones! Why should he call her a whore? Who has she been with? What place? What time? What could he be thinking? The Moor has been abused by some villainous knave, some base, notorious knave, some worthless fellow. Oh heaven, if only you would reveal such villains, and put a whip in the hand of every honest person to lash these rascals naked through the world, from the east to the west!

Let him hang, and let hell torture him! Why would he call her a whore? Who has she been with? When? How? The Moor has been tricked by some villain, some worthless, awful liar. God, I wish you would reveal this villain and give every good person a whip to beat him across the entire world!

let him hang let hell torture him some villain did this i hope god exposes him

IAGO [sharply hushing her, alarmed]

Speak within door.

Keep your voice down.

Speak quieter—we're indoors.

keep it down

EMILIA ≋ verse [recalling her own brush with slander]

O, fie upon them! Some such squire he was

That turn’d your wit the seamy side without,

And made you to suspect me with the Moor.

Shame on them! Some such gentleman turned your thinking inside out, and made you suspect me with the Moor.

Shame on him! Some gentleman twisted your mind around and made you think I was involved with the Moor.

shame on him he twisted ur mind made u think i was involved

IAGO [curt, controlling dismissal]

You are a fool. Go to.

You are a fool. Be gone.

You're being foolish. Leave it alone.

ur being dumb

DESDEMONA ≋ verse [desperate plea, kneeling for help]

Alas, Iago,

What shall I do to win my lord again?

Good friend, go to him. For by this light of heaven,

I know not how I lost him. Here I kneel.

If e’er my will did trespass ’gainst his love,

Either in discourse of thought or actual deed,

Or that mine eyes, mine ears, or any sense,

Delighted them in any other form,

Or that I do not yet, and ever did,

And ever will, (though he do shake me off

To beggarly divorcement) love him dearly,

Comfort forswear me! Unkindness may do much;

And his unkindness may defeat my life,

But never taint my love. I cannot say “whore,”

It does abhor me now I speak the word;

To do the act that might the addition earn

Not the world’s mass of vanity could make me.

Alas, Iago, What can I do to win my lord back? Good friend, go to him. By this light of heaven, I don't know how I lost him. Here I kneel. If ever my will went against his love, either in thought or in deed, or if my eyes, my ears, or any sense delighted in any other man, or if I do not still, and have always, and will always love him dearly—though he might cast me off to a divorce and poverty—may comfort abandon me! Cruelty may do much to us, and his cruelty may end my life, but it will never corrupt my love. I cannot even say the word 'whore,' it disgusts me to speak it. I would never do the act to earn that name— no amount of wealth could make me.

Iago, what can I do? How do I win him back? Please, go talk to him. I swear by heaven, I don't know how I lost him. I'm begging you. I've never betrayed his love in thought or in deed. My eyes, my ears, nothing—I've never wanted anyone else. I love him now, I always have, I always will—even if he divorces me and leaves me with nothing. I promise this or may I have no peace. His cruelty is killing me, but it will never kill my love. I can't even say that word about myself. It's disgusting. Nothing—no amount of money—could make me do that.

what do i do to win him back i don't know how i lost him i never betrayed him not in thought or deed i love him still always will even if he leaves me nothing could make me do what he says

IAGO ≋ verse [soothing lie to smooth things over]

I pray you, be content. ’Tis but his humour.

The business of the state does him offence,

And he does chide with you.

I beg you, be calm. It is just his mood. State business is bothering him, and he is scolding you because of it.

Please, calm down. It's just his mood. Work stress is getting to him, and he's taking it out on you.

calm down just his mood work stress

DESDEMONA [wanting to believe, voice trailing off]

If ’twere no other,—

If that were the only reason—

If that's all it was—

if that's all

IAGO [false, breezy reassurance]

’Tis but so, I warrant.

It is just so, I assure you.

That's all it is, trust me.

that's it, trust me

[_Trumpets within._]
IAGO ≋ verse [brisk false comfort, hurrying her along]

Hark, how these instruments summon to supper.

The messengers of Venice stay the meat.

Go in, and weep not. All things shall be well.

Listen, the music is calling everyone to dinner. The messengers from Venice are waiting for the meal. Go inside, don't cry. Everything will be fine.

Did you hear that? The music's calling everyone to eat. The Venetian envoys are waiting for food. Go on in, stop crying now. It'll all work out.

hear the music calling dinner? venice's messengers r waiting go inside stop crying it'll be ok

[_Exeunt Desdemona and Emilia._]
Enter Roderigo.
IAGO [wary, sizing up his anger]

How now, Roderigo?

How are things with you, Roderigo?

Hey Roderigo, what's going on?

hey roderigo what's up?

RODERIGO [aggrieved, confronting him directly]

I do not find that thou dealest justly with me.

I don't believe you are dealing fairly with me.

I don't think you're being fair to me.

ur not being fair

IAGO [feigned innocent surprise]

What in the contrary?

What is contrary to that?

What do you mean?

what

RODERIGO [frustrated, fed up with excuses]

Every day thou daffest me with some device, Iago, and rather, as it

seems to me now, keepest from me all conveniency than suppliest me with

the least advantage of hope. I will indeed no longer endure it. Nor am

I yet persuaded to put up in peace what already I have foolishly

suffered.

Every day you fool me with some scheme, Iago, and it seems to me now that you keep away from me all advantage rather than giving me even the least hope. I will no longer endure this. I am not willing to accept in peace what I have already foolishly suffered.

You fool me every day with some new scheme, Iago. It seems to me you're keeping all the benefits for yourself instead of giving me even a tiny bit of hope. I'm done with this. I'm not going to accept what I've already foolishly put up with.

u fool me every day keep all benefits for urself i'm done no more accepting this

IAGO [calmly trying to placate him]

Will you hear me, Roderigo?

Will you listen to me, Roderigo?

Just give me a moment, Roderigo.

hear me out

RODERIGO [bitter distrust of his promises]

Faith, I have heard too much, for your words and performances are no

kin together.

I have heard too much, because your words and your actions are nothing alike.

I've heard enough. Your words don't match your actions.

u say one thing do another

IAGO [feigned offense at the charge]

You charge me most unjustly.

You accuse me most unfairly.

You're accusing me unfairly.

unfair accusation

RODERIGO [aggrieved, listing his losses]

With naught but truth. I have wasted myself out of my means. The jewels

you have had from me to deliver to Desdemona would half have corrupted

a votarist: you have told me she hath received them, and returned me

expectations and comforts of sudden respect and acquaintance, but I

find none.

With nothing but the truth. I have spent all my money. The jewels you took from me to give to Desdemona would have nearly corrupted a nun—you told me she received them and promised me hope and the comfort of winning her affection, but I have found nothing.

Only the truth. I've spent all my money. Those expensive jewels you took from me to give to Desdemona—they could have turned a nun to sin—you said she got them and promised me she'd return my interest, but nothing has happened.

i spent all my money those jewels were huge u said she got them nothing happened

IAGO [dismissive, needling response]

Well, go to, very well.

Well, very well then.

Alright, fine.

fine

RODERIGO [exasperated, realizing he's been duped]

Very well, go to, I cannot go to, man, nor ’tis not very well. Nay, I

say ’tis very scurvy, and begin to find myself fopped in it.

Very well, fine—I cannot accept that, man, and it is not very well. No, I say this is contemptible, and I'm beginning to realize I've been tricked.

Fine? It's not fine! I can't accept that. This whole thing is contemptible, and I'm realizing I've been conned.

it's not fine this is bad i've been conned

IAGO [flatly unbothered]

Very well.

Very well.

Very well.

Very well.

RODERIGO [threatening, resolved to act]

I tell you ’tis not very well. I will make myself known to Desdemona.

If she will return me my jewels, I will give over my suit and repent my

unlawful solicitation. If not, assure yourself I will seek satisfaction

of you.

I tell you it is not very well. I will go directly to Desdemona. If she returns my jewels, I will stop courting her and regret my improper pursuit. If not, be sure I will seek payment from you.

I'm telling you, this is not okay. I'm going to talk to Desdemona myself. If she gives back my jewels, I'll stop this whole thing. If not, you're going to pay for it.

i'm telling desdemona if she returns jewels i'm done if not ur gonna pay

IAGO [cold, testing his resolve]

You have said now.

You have spoken now.

You've made your point.

ok i hear u

RODERIGO [defiant, standing firm]

Ay, and said nothing but what I protest intendment of doing.

Yes, and I have said nothing but what I am determined to do.

Yes, and I mean every word of it.

yeah & i mean it

IAGO [flattering manipulation to win him back]

Why, now I see there’s mettle in thee, and even from this instant do

build on thee a better opinion than ever before. Give me thy hand,

Roderigo. Thou hast taken against me a most just exception, but yet I

protest, I have dealt most directly in thy affair.

Well, now I see you have courage, and from this moment I have a better opinion of you than ever before. Give me your hand, Roderigo. You have made a fair objection against me, but I declare, I have dealt honestly in your affair.

Well, now I see you have courage, and I'm impressed. Shake my hand, Roderigo. You've made a fair point against me, but I swear, I've been honest with you.

ok i respect u now im impressed shake my hand

RODERIGO [skeptical, unconvinced]

It hath not appeared.

It has not appeared to be so.

It hasn't looked that way.

doesn't look like it

IAGO [cunning persuasion, raising the stakes]

I grant indeed it hath not appeared, and your suspicion is not without

wit and judgement. But, Roderigo, if thou hast that in thee indeed,

which I have greater reason to believe now than ever,—I mean purpose,

courage, and valour,—this night show it. If thou the next night

following enjoy not Desdemona, take me from this world with treachery

and devise engines for my life.

I grant that it has not appeared so, and your suspicion is not without intelligence and judgment. But Roderigo, if you have what I now have greater reason to believe than ever—I mean purpose, courage, and valor—show it tonight. If you do not have Desdemona the next night following, kill me with treachery and plot against my life.

I admit it hasn't looked that way, and you're right to be suspicious. But Roderigo, if you really have what I think you do now—I mean courage and real determination—prove it tonight. If you don't have Desdemona by tomorrow night, you can kill me for my lies.

ok ur right to be suspicious but prove u have courage get desdemona tomorrow night or kill me

RODERIGO [cautiously interested, wary still]

Well, what is it? Is it within reason and compass?

Well, what is your plan? Is it possible and reasonable?

So what's your plan? Is it actually doable?

what's the plan is it even possible

IAGO [matter-of-fact, laying his groundwork]

Sir, there is especial commission come from Venice to depute Cassio in

Othello’s place.

Sir, there is a special order that has come from Venice to appoint Cassio in Othello's place.

Sir, Venice has sent a special order to put Cassio in charge instead of Othello.

venice ordered cassio to replace othello

RODERIGO [alarmed at losing his chance with her]

Is that true? Why then Othello and Desdemona return again to Venice.

Is this really happening? Then Othello and Desdemona will be returning to Venice.

Is that true? Then they'll both go back to Venice.

they're going back to venice no good

IAGO [calculating, steering him toward murder]

O, no; he goes into Mauritania, and takes away with him the fair

Desdemona, unless his abode be lingered here by some accident: wherein

none can be so determinate as the removing of Cassio.

No, he goes to Mauritania and takes with him the fair Desdemona, unless he stays here because of some accident. And nothing would keep him here more certainly than removing Cassio.

No, he's going to Mauritania and taking Desdemona with him, unless something happens to delay him. And the best way to keep him here is to get rid of Cassio.

he's leaving for mauritania w/ desdemona unless cassio is removed that'll keep him here

RODERIGO [wary, needing the plan spelled out]

How do you mean “removing” of him?

How do you mean 'removing' him?

What do you mean by 'removing' him?

what u mean by removing

IAGO [blunt and chillingly direct]

Why, by making him uncapable of Othello’s place: knocking out his

brains.

Well, by making him unable to hold Othello's position—by killing him.

By knocking out his brains so he can't do Othello's job.

kill him smash his brains

RODERIGO [incredulous, hesitant at the ask]

And that you would have me to do?

And this is something you want me to do?

And you want me to be the one who does it?

u want me to do it

IAGO [coaxing him with false encouragement]

Ay, if you dare do yourself a profit and a right. He sups tonight with

a harlotry, and thither will I go to him. He knows not yet of his

honourable fortune. If you will watch his going thence, which I will

fashion to fall out between twelve and one, you may take him at your

pleasure: I will be near to second your attempt, and he shall fall

between us. Come, stand not amazed at it, but go along with me. I will

show you such a necessity in his death that you shall think yourself

bound to put it on him. It is now high supper-time, and the night grows

to waste. About it.

Yes, if you dare to profit yourself and do what is right. He is dining tonight with a harlot, and I will go to him there. He does not yet know about his important promotion. If you will watch for him when he leaves—which I will arrange to happen between midnight and one—you can take him however you wish. I will be nearby to help you with the attack, and he will fall between us both. Come, don't be shocked by it, but go with me. I will show you such a good reason for his death that you will feel obligated to carry it out. It is now late evening, and the night is slipping away. Let's do it now.

Yes, if you have the guts to profit from it and do what's right. He's having dinner tonight with a prostitute, and I'll go find him there. He doesn't know yet that he's been promoted to a fancy position. If you watch for him when he's leaving—which I'll make happen between midnight and one o'clock—you can take him whenever you want. I'll be right there to help you out, and we'll take him down together. Don't be surprised by this, just come with me. I'll explain why his death is necessary, and you'll feel like you have to do it. It's getting late, we're running out of time. Let's go now.

he's having dinner w/ a prostitute watch for him leaving midnight-1am kill him i'll help u take him down late now let's go

RODERIGO [still uncertain, wanting more persuading]

I will hear further reason for this.

I want to hear more of your reasons for this.

I need to hear more about why this is necessary.

explain y

IAGO [confidently closing the deal]

And you shall be satisfied.

And you will be convinced.

And I promise you, you'll understand.

u will understand

[_Exeunt._]

The Reckoning

The scene of the brothel — Othello converts his own bedroom into an interrogation room, with Emilia playing the 'madam' and Desdemona playing the whore he has purchased. It is one of the most painful scenes in the play because it puts Desdemona's complete innocence in direct contact with Othello's complete certainty of her guilt, and gives her no tools to fight it. She denies. She weeps. She cannot understand. He has already decided. Meanwhile, the scene's final movement — Iago redirecting Roderigo toward Cassio's murder — shows the machinery still running in parallel. Iago never stops managing multiple plots.

If this happened today…

You come home to find your partner has been questioned about you by your best friend — who asked every intrusive question you can imagine, got emphatic answers in your favor, and still came away convinced you were lying. Your partner tries to have a conversation with you about what's wrong. You call them a whore. They don't know why. You leave. Then your best friend goes to the hallway to talk your mutual acquaintance into killing someone.

Continue to 4.3 →