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Act 3, Scene 3 — A room in Ford’s house
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The argument Mistress Ford and Mistress Page prepare a laundry basket as a trap for Falstaff; when he arrives, she entertains him while Page hides nearby; Falstaff begins his seduction, but Mistress Page arrives with urgent news that Ford is coming with officers to search for Falstaff; the women stuff him in the basket and have the servants carry it to Datchet Mead to dump in the river.
Enter Mistress Ford and Mistress Page.
MISTRESS FORD [briskly summoning the servants]

What, John! What, Robert!

Where are you, John? Where are you, Robert?

John! Robert! Get out here!

john! robert!

MISTRESS PAGE [urgently hurrying the preparations]

Quickly, quickly! Is the buck-basket—

Hurry, hurry! Is the wash basket ready—

Come on, come on! Is the laundry basket ready—

hurry! basket ready?

MISTRESS FORD [impatiently calling again]

I warrant.—What, Robin, I say!

I assure you.—What is it, Robin?

I'm sure it is.—Robin, hey!

yes robin!

Enter John and Robert with a great buck-basket.
MISTRESS PAGE [chivvying things along]

Come, come, come.

Come, come, come.

come, come, come.

come, come, come.

MISTRESS FORD [briskly directing the servants]

Here, set it down.

Put it down here.

Right here - put it on the ground.

set it down

MISTRESS PAGE [urging haste before Falstaff arrives]

Give your men the charge; we must be brief.

Give your men their instructions; we need to hurry.

Give the guys their orders; we gotta be quick.

order the men be fast

MISTRESS FORD [carefully laying out the escape plan]

Marry, as I told you before, John and Robert, be ready here hard by in

the brew-house; and when I suddenly call you, come forth, and, without

any pause or staggering, take this basket on your shoulders. That done,

trudge with it in all haste, and carry it among the whitsters in

Datchet Mead, and there empty it in the muddy ditch close by the Thames

side.

Listen, just as I told you before, John and Robert, stay ready here nearby in the brew-house. When I suddenly call you, come right out, and without any hesitation or delay, pick up this basket on your shoulders. Once you've done that, hurry with it as fast as you can and carry it to the laundry workers in Datchet Mead. Then dump it in the muddy ditch right by the Thames.

Okay, like I said before, John and Robert, stay ready over here by the brew-house. When I yell for you, come running out, and don't waste a second—grab this basket and hoist it onto your shoulders. Then move fast, take it to the laundry workers in Datchet Mead, and throw it in the muddy ditch right next to the Thames.

john and robert stay by brew-house when i call grab basket run to datchet mead dump in ditch by thames no delays

Why it matters This is the trap in its full outline — the women are not improvising; they have a plan, a place, and a method.
↩ Callback to Act 2, Scene 1 The laundry basket was mentioned earlier by Mistress Page as a weapon; now it becomes reality, and Falstaff walks directly into the trap.
MISTRESS PAGE [double-checking they understand]

You will do it?

You'll do this?

Got it?

you got this?

MISTRESS FORD [confidently dismissing her worry]

I ha’ told them over and over, they lack no direction.—Be gone, and

come when you are called.

I've told them again and again; they know exactly what to do.—Now go, and come back when I call for you.

I've drilled them on this a million times; they know what they're doing.—Get out of here and come when I call.

they know go come when i call

[_Exeunt John and Robert._]
MISTRESS PAGE [alerting her friend to his arrival]

Here comes little Robin.

Here comes young Robin now.

Look, here's Robin coming.

robin's coming

Enter Robin.
MISTRESS FORD [affectionately teasing the boy]

How now, my eyas-musket, what news with you?

Well, young friend, what's happening? Do you have news?

Hey there, little buddy, what's the word?

hey kid what's up?

ROBIN [delivering his message dutifully]

My Master, Sir John, is come in at your back door, Mistress Ford, and

requests your company.

My master, Sir John, has come through your back door, Mistress Ford, and he wants to see you.

My master, Sir John, came in through your back door and wants to talk to you.

sir john's here back door wants to see you

MISTRESS PAGE [playfully testing his loyalty]

You little Jack-a-Lent, have you been true to us?

You unreliable little thing, have you stayed loyal to us?

Little troublemaker, you've been keeping our secret, right?

you been loyal? keeping it secret?

ROBIN [nervously proud of keeping the secret]

Ay, I’ll be sworn. My master knows not of your being here, and hath

threatened to put me into everlasting liberty if I tell you of it; for

he swears he’ll turn me away.

Yes, I swear it. My master doesn't know you're here, and he's threatened to fire me if I tell you about this; he said he'd throw me out for good.

I swear it, yeah. My master has no idea you're here, and he said he'd fire me if I spill the beans. He said he'd throw me out for good.

i swear master doesn't know he said he'd fire me

MISTRESS PAGE [warmly rewarding his loyalty]

Thou’rt a good boy, this secrecy of thine shall be a tailor to thee,

and shall make thee a new doublet and hose. I’ll go hide me.

You're a good boy, and your secrecy will be rewarded - I'll buy you new clothes. I'll go hide now.

You're a good kid, and keeping quiet will pay off - I'll get you new clothes. I gotta hide.

good boy keep quiet i'll get you clothes going to hide

MISTRESS FORD [coolly setting the trap in motion]

Do so.—Go tell thy master I am alone.

Do that.—Go tell your master I'm alone.

Do it.—Tell your master I'm by myself.

go tell him i'm alone

[_Exit Robin._]
MISTRESS FORD [quietly cueing her co-conspirator]

Mistress Page, remember you your cue.

Don't forget your role, Mistress Page.

Mistress Page, don't forget your part.

remember your cue

MISTRESS PAGE [confidently promising to play along]

I warrant thee. If I do not act it, hiss me.

I promise you. If I don't play my part, jeer me.

I got this. If I mess up, boo me.

i got it if i mess up boo me

[_Exit Mistress Page._]
MISTRESS FORD [relishing the trick to come]

Go to, then. We’ll use this unwholesome humidity, this gross watery

pumpion; we’ll teach him to know turtles from jays.

All right then. We'll use this foul, swampy mess; we'll teach him the difference between real ladies and common birds.

Okay then. This disgusting, slimy mess is perfect; we'll teach this guy what real quality is.

ok then we'll teach him he's disgusting

Enter Falstaff.
FALSTAFF [Brazenly confident; weaponizing charm and humor]

“Have I caught thee, my heavenly jewel?” Why, now let me die, for I

have lived long enough. This is the period of my ambition. O this

blessed hour!

Have I finally got you, my treasure? This is perfect - I could die happy now because I've lived long enough to see this moment. This is the pinnacle of all my hopes. What a blessed hour!

Got you at last, you incredible woman! I could die happy right now - this is literally everything I've ever wanted. What a perfect moment!

got you i could die happy this is everything

🎭 Dramatic irony Falstaff has never been happier. He believes he has won. He is about to be literally dumped in a river.
MISTRESS FORD [feigning delighted surprise]

O, sweet Sir John!

Oh, wonderful Sir John!

Oh, Sir John!

sir john

FALSTAFF [recklessly wishing her husband dead]

Mistress Ford, I cannot cog, I cannot prate, Mistress Ford. Now shall I

sin in my wish: I would thy husband were dead. I’ll speak it before the

best lord: I would make thee my lady.

Mistress Ford, I can't deceive you, I can't talk falsehoods, Mistress Ford. Now I'll commit this sin of my desire: I wish your husband were dead. I'll say it before the greatest lord: I would make you my wife.

Mistress Ford, I can't lie to you or play games—I just can't. Now I'm going to say something sinful: I wish your husband were dead. I'd tell any lord this—I want to make you my wife.

mistress ford i can't fake this i wish your husband was dead would make you my wife

MISTRESS FORD [deflecting his flattery with mock modesty]

I your lady, Sir John? Alas, I should be a pitiful lady.

Me, your lady, Sir John? I'd be such a pathetic lady.

Me? Your lady, Sir John? I'd be pretty sad as a lady.

me your lady? i'd be pathetic

FALSTAFF [pouring on overblown, courtly flattery]

Let the court of France show me such another. I see how thine eye would

emulate the diamond. Thou hast the right arched beauty of the brow that

becomes the ship-tire, the tire-valiant, or any tire of Venetian

admittance.

The French court couldn't show me anyone like you. I see how your eyes shine like diamonds. You have exactly the kind of beautiful arched brow that looks good with any fashionable headdress—the elaborate ship-tire, the tire-valiant, or any Venetian style.

Even the French court couldn't find someone like you. Your eyes sparkle like diamonds. You've got that perfect elegant brow that looks amazing with any fancy headdress - whatever style you wear.

you're incredible your eyes shine your brow is perfect

MISTRESS FORD [dryly undercutting his praise]

A plain kerchief, Sir John. My brows become nothing else, nor that well

neither.

Just a simple headscarf, Sir John. My eyebrows don't look good in anything, and that doesn't look right on me either.

A plain scarf, Sir John. My eyebrows don't look good in anything, to be honest.

just a scarf brows look bad either way

FALSTAFF [flattery growing more absurd]

By the Lord, thou art a traitor to say so. Thou wouldst make an

absolute courtier, and the firm fixture of thy foot would give an

excellent motion to thy gait in a semi-circled farthingale. I see what

thou wert, if Fortune thy foe were not, Nature thy friend. Come, thou

canst not hide it.

By heaven, you're lying. You'd make the perfect court lady - the way you stand and move would be absolutely graceful in one of those full round skirts. I can see what you could be if fortune weren't against you - nature is on your side. Come on, you can't hide it.

No way, you're wrong about that. You'd be perfect at court - the way you carry yourself is so elegant. I can tell you could be something special if luck were on your side. You can't hide who you are.

you're wrong you'd be perfect at court you can't hide it

MISTRESS FORD [coolly refusing to be flattered]

Believe me, there’s no such thing in me.

Believe me, there's nothing like that in me.

Trust me, there's nothing special about me.

nothing special here

FALSTAFF [feigning earnest devotion for self-interest]

What made me love thee? Let that persuade thee there’s something

extraordinary in thee. Come, I cannot cog and say thou art this and

that, like a many of these lisping hawthorn buds that come like women

in men’s apparel, and smell like Bucklersbury in simple-time. I cannot.

But I love thee, none but thee; and thou deservest it.

What makes me love you? Think about that - there must be something extraordinary in you. Look, I'm not going to flatter you and say flattering things like all those pretty, delicate men who dress up as women and smell like herb shops. I can't do that. But I do love you, only you, and you deserve it.

What makes me love you? That should tell you something special's there. I'm not gonna shower you with compliments like those pretty boys who act like women. I just love you, only you, and you're worth it.

i love you only you you deserve it

Why it matters Falstaff's most sincere moment — his confession that he loves her. It's designed to close the deal and it almost works.
MISTRESS FORD [testing him with feigned jealousy]

Do not betray me, sir; I fear you love Mistress Page.

Don't betray me, sir; I'm worried you might love Mistress Page.

Don't betray me; I'm scared you're into Mistress Page too.

don't betray me are you into mistress page?

FALSTAFF [scornfully dismissing any rival]

Thou mightst as well say I love to walk by the Counter gate, which is

as hateful to me as the reek of a lime-kiln.

You might as well say I love to walk by the debtors' prison, which I hate as much as the smell of a burning lime pit.

That's like saying I love hanging out at the debtors' prison, which I hate with a passion.

that's like saying i love the prison i hate it that much

MISTRESS FORD [baiting the trap with false devotion]

Well, heaven knows how I love you, and you shall one day find it.

Well, heaven knows how much I love you, and someday you'll understand.

Look, heaven knows how much I care for you, and you'll find out one day.

god knows i love you you'll see one day

FALSTAFF [smugly accepting her devotion]

Keep in that mind, I’ll deserve it.

Keep feeling that way, and I'll prove worthy of it.

Hold on to that thought, and I'll earn it.

stay faithful i'll deserve it

MISTRESS FORD [reassuring him to keep the ruse alive]

Nay, I must tell you, so you do; or else I could not be in that mind.

No, I must tell you something: if you weren't truly like that, I couldn't feel this way about you.

No, wait, I have to tell you - I only feel this way because you actually are that person.

i only feel this way if you're really like that

Enter Robin.
ROBIN [breathless with urgent news]

Mistress Ford, Mistress Ford, here’s Mistress Page at the door,

sweating and blowing and looking wildly, and would needs speak with you

presently.

Mistress Ford, Mistress Ford, Mistress Page is at the door, sweating, breathing hard, looking wild, and she needs to talk to you right now.

Mistress Ford, Mistress Page is at the door, all sweaty and out of breath and crazy-looking, and she needs to talk to you immediately.

mistress page at the door sweating heavy needs to talk now

FALSTAFF [scrambling, undignified, to hide]

She shall not see me; I will ensconce me behind the arras.

She won't see me; I'll hide behind the tapestry.

She's not gonna see me; I'm gonna hide behind the tapestry.

hide behind tapestry don't let her see me

MISTRESS FORD [steering him into hiding, straight-faced]

Pray you, do so; she’s a very tattling woman.

Please do; she's a terrible gossip.

Please do; she loves to gossip.

do it she gossips

[_Falstaff hides himself behind the arras._]
Enter Mistress Page.
MISTRESS FORD [feigning surprise at the interruption]

What’s the matter? How now?

What is the matter? How are things now?

What's wrong? What's going on?

whats wrong whats happening

MISTRESS PAGE [sounding the alarm in mock horror]

O Mistress Ford, what have you done? You’re shamed, you’re overthrown,

you’re undone for ever!

Oh Mistress Ford, what have you done? You're disgraced, you're ruined, you're finished for good!

Oh my God, Mistress Ford, what did you do? You're totally ruined! It's all over!

what did you do? you're ruined it's over

MISTRESS FORD [anxiously pressing for details]

What’s the matter, good Mistress Page?

What's wrong, Mistress Page?

What's going on?

what's wrong?

MISTRESS PAGE [piling on invented shock]

O well-a-day, Mistress Ford, having an honest man to your husband, to

give him such cause of suspicion!

Oh no, Mistress Ford! You have an honest, faithful husband, and you're giving him reason to be suspicious!

Oh my God, how could you? You've got a good, honest husband and you're making him suspicious!

you have a good husband and you're making him suspicious?

MISTRESS FORD [growing genuinely rattled]

What cause of suspicion?

What reason for suspicion?

What do you mean, suspicious?

suspicious of what?

MISTRESS PAGE [escalating the invented outrage]

What cause of suspicion? Out upon you! How am I mistook in you!

What reason for suspicion? How wrong I was about you!

How could I be so wrong about you! What suspicion are you talking about?

how was i so wrong? what suspicion?

MISTRESS FORD [pressing, voice rising in alarm]

Why, alas, what’s the matter?

But what's the matter then?

Okay, but what's going on?

what's going on?

MISTRESS PAGE [delivering the fabricated crisis with urgency]

Your husband’s coming hither, woman, with all the officers in Windsor,

to search for a gentleman that he says is here now in the house, by

your consent, to take an ill advantage of his absence. You are undone.

Your husband is coming here, woman, with all the law officers in Windsor, to search for a man he says is in your house right now with your permission, taking advantage of his absence. You're ruined.

Your husband's coming here with every officer in Windsor to search for a man he thinks you've let into the house - someone using his absence as an opportunity. You're screwed.

your husband's coming with officers he knows you're done

MISTRESS FORD [clutching at hope it isn't true]

’Tis not so, I hope.

I hope that's not true.

Please tell me that's not happening.

that can't be real

MISTRESS PAGE [coaching her co-conspirator under pressure]

Pray heaven it be not so, that you have such a man here! But ’tis most

certain your husband’s coming, with half Windsor at his heels, to

search for such a one. I come before to tell you. If you know yourself

clear, why, I am glad of it; but if you have a friend here, convey,

convey him out. Be not amazed, call all your senses to you; defend your

reputation, or bid farewell to your good life for ever.

I hope you don't have a man here! But your husband is definitely coming with half the town at his back to search for someone like that. I came ahead to warn you. If you're innocent, I'm happy for you; but if you have a man here, get him out, get him out. Don't panic, pull yourself together, think clearly, protect your reputation, or say goodbye to your whole life.

I hope you haven't got a man hiding here! But your husband's definitely coming with half the town to search for exactly that kind of guy. I'm giving you a heads up. If you're clean, great - but if you've got somebody here, get him out, now. Don't freak out, think straight, defend yourself, or your life is over.

husband coming with officers get him out think straight or you're done

MISTRESS FORD [playing panicked concern for her lover]

What shall I do? There is a gentleman, my dear friend; and I fear not

mine own shame as much as his peril. I had rather than a thousand pound

he were out of the house.

What should I do? There's a gentleman here, a dear friend of mine, and I'm more worried about his danger than my own shame. I'd give a thousand pounds to get him out of the house.

What do I do? He's a friend and I'm way more worried about him than about me. I'd give anything to get him out of here.

what do i do? how do i get him out? i'd pay anything

MISTRESS PAGE [improvising the escape plan on the fly]

For shame! Never stand “you had rather” and “you had rather”. Your

husband’s here at hand. Bethink you of some conveyance. In the house

you cannot hide him. O, how have you deceived me! Look, here is a

basket. If he be of any reasonable stature, he may creep in here; and

throw foul linen upon him, as if it were going to bucking. Or—it is

whiting-time—send him by your two men to Datchet Mead.

Stop wasting time with ifs and buts! Your husband is practically here. Think of a way out. You can't hide him in the house. Oh, how you've deceived me! Look, here's a basket. If he's a normal size, he can squeeze in here, and we can pile dirty laundry on top of it like it's going to be washed. Or since it's laundry time, send him with your two men to Datchet Mead.

Come on, stop hesitating! Your husband's about to get here. Figure something out. You can't hide him in the house! Look, this basket - if he fits, he can hide in it and we'll throw dirty clothes on top like we're sending laundry out. Or since it's laundry day, send him with the servants to Datchet Mead.

stop stalling husband's here basket idea or send him with servants

Why it matters This is the genius of the trap — the women think on their feet and improvise a solution using the very basket they'd prepared earlier. Falstaff's fate is sealed by his own appetite.
MISTRESS FORD [flustered, scrambling to hide him]

He’s too big to go in there. What shall I do?

He's too big to fit in there. What should I do?

He's too fat to fit in that. What do I do?

he won't fit what now?

FALSTAFF [panicked urgency to hide]

[_Comes out of hiding_.] Let me see ’t, let me see ’t! O, let me see

’t! I’ll in, I’ll in. Follow your friend’s counsel. I’ll in.

Let me see it, let me see it! Oh, let me see it! I'll go in, I'll go in. Follow your friend's advice. I'll go in.

Show me, show me! Oh, let me look at it! I'm getting in, I'm getting in there. Just do what your friend says. I'm going in.

let me see i'll get in i'm hiding

MISTRESS PAGE [springing the trap with triumphant scorn]

What, Sir John Falstaff? Are these your letters, knight?

What, Sir John Falstaff? Are these love letters from you?

So it's Sir John Falstaff? These are your love letters?

falstaff? these your love letters?

FALSTAFF [begging, stripped of his swagger]

I love thee, and none but thee. Help me away. Let me creep in here.

I’ll never—

I love you and only you. Help me escape. Let me get in here. I'll never—

I love you, only you. Help me get away. Let me hide in here. I'll never—

love you only help me get in

[_He goes into the basket; they cover him with dirty clothes._]
MISTRESS PAGE [directing the cover-up with contempt]

Help to cover your master, boy.—Call your men, Mistress Ford.—You

dissembling knight!

Help cover up your master, boy.—Call your servants, Mistress Ford.—You're a lying, fake knight!

Help hide your master, boy.—Get your servants, Mistress Ford.—You're a lying hypocrite!

hide him call servants fake knight

[_Exit Robin._]
MISTRESS FORD [calling servants with urgent authority]

What, John! Robert! John!

Where are you, John? Robert! John!

John! Robert! John!

someone help now

Enter John and Robert.
MISTRESS FORD [snapping at the servants to hurry]

Go, take up these clothes here, quickly. Where’s the cowl-staff? Look

how you drumble! Carry them to the laundress in Datchet Mead; quickly,

come.

Go, pick up these clothes here, quickly. Where's the laundry staff? Look how slowly you're moving! Carry them to the laundress in Datchet Mead; quickly, come.

Go on, grab these clothes now! Where's that laundry pole? Move faster! Take them to the laundress at Datchet Mead, and hurry!

grab the clothes quick where's the pole stop being slow go to datchet mead now

Enter Ford, Page, Caius and Sir Hugh Evans.
FORD [suspicious, sizing up the errand]

Pray you come near. If I suspect without cause, why then make sport at

me, then let me be your jest; I deserve it.—How now? Whither bear you

this?

JOHN and ROBERT.

To the laundress, forsooth.

Please come closer. If I'm suspicious without reason, then go ahead and make fun of me, let me be your joke; I deserve it.—What now? Where are you carrying that? JOHN and ROBERT. To the laundry service, sir.

Come over here. If I'm being paranoid for no reason, laugh at me, I deserve it.—Okay, where are you taking that? JOHN and ROBERT. To the laundry place, sir.

laugh at me i deserve it where you taking it? to laundry

MISTRESS FORD [sharply deflecting his suspicion]

Why, what have you to do whither they bear it? You were best meddle

with buck-washing!

Why, what business is it of yours where they're taking it? You'd be better off worrying about laundry work!

Why do you care where they're taking it? You should worry about your own laundry business!

why do you care? worry about laundry

FORD [fixating obsessively on one word]

Buck? I would I could wash myself of the buck! Buck, buck, buck! Ay,

buck! I warrant you, buck, and of the season too, it shall appear.

Cuckold? I wish I could wash that word out of my life! Cuckold, cuckold, cuckold! Yes, cuckold! And if there's any doubt, I promise you, my suspicion will be proven right.

Cheating? I wish I could get that word out of my head! Over and over - that's what I keep thinking about! And I'm telling you, I'm gonna find proof.

cuckold cuckold cuckold i'll prove it wait and see

[_Exeunt John and Robert with the basket._]
FORD [grimly certain he'll catch the culprit]

Gentlemen, I have dreamed tonight; I’ll tell you my dream. Here, here,

here be my keys. Ascend my chambers, search, seek, find out. I’ll

warrant we’ll unkennel the fox. Let me stop this way first. [_Locks the

Gentlemen, I had a dream last night; I'll tell you my dream. Here, here, here are my keys. Go up to my chambers, search, seek, find him. I promise we'll drive out this fox. Let me block this way first.

Gentlemen, I had a dream tonight about this; I'll tell you what it was. Here are my keys. Go upstairs and search everywhere. I'm sure we'll find this troublemaker. Let me secure this door first.

i had a dream about this heres my keys search upstairs well find him im blocking the door

door_.] So, now uncape.
PAGE [gently urging him to calm down]

Good Master Ford, be contented: you wrong yourself too much.

Good Master Ford, calm down: you're being too hard on yourself.

Master Ford, relax: you're hurting yourself with this.

relax you're hurting yourself

FORD [feigning calm while itching to search]

True, Master Page.—Up, gentlemen, you shall see sport anon. Follow me,

gentlemen.

You're right, Master Page.—Come on, gentlemen, you'll see some action shortly. Follow me, gentlemen.

You're right, Master Page.—Guys, you're about to see something interesting. Come on.

let's go follow me action coming

[_Exit Ford._]
EVANS [bemusedly diagnosing his jealousy]

This is fery fantastical humours and jealousies.

This is very fantastical behavior and jealousy.

This is all very strange and jealous behavior.

this jealousy is wild so fantastical

CAIUS [indignantly contrasting French custom]

By gar, ’tis no the fashion of France; it is not jealous in France.

By God, that's not how it is in France; Frenchmen don't get jealous like that.

Good God, that's not how it works in France; we don't get jealous like that.

that's not french we don't do jealousy

PAGE [wearily humoring the search]

Nay, follow him, gentlemen; see the issue of his search.

Follow him anyway, gentlemen; let's see what his search turns up.

Follow him anyway, guys; let's see what he finds.

follow him let's see what he finds

[_Exeunt Page, Evans and Caius._]
MISTRESS PAGE [savoring the double triumph]

Is there not a double excellency in this?

Isn't it doubly excellent? Isn't it perfect on two levels?

Isn't this amazing on every level?

this is perfect on every level

MISTRESS FORD [relishing her husband's humiliation]

I know not which pleases me better, that my husband is deceived, or Sir

John.

I don't know which I like better: my husband being fooled, or Sir John being fooled.

I can't decide what's more fun: my husband being tricked or Sir John being tricked.

both of them tricked which is better?

MISTRESS PAGE [laughing at Falstaff's terror]

What a taking was he in when your husband asked who was in the basket!

How panicked he was when your husband asked who was in the basket!

You should have seen how freaked out he got when your husband asked who was in the basket!

he was so scared when asked about basket

MISTRESS FORD [darkly joking about his dunking]

I am half afraid he will have need of washing, so throwing him into the

water will do him a benefit.

I'm almost worried he'll need washing anyway, so throwing him in the water might actually help him.

I'm kinda worried he might need a bath, so throwing him in the water might be good for him.

he probably needs washing water might help

MISTRESS PAGE [gleefully wishing him further punishment]

Hang him, dishonest rascal! I would all of the same strain were in the

same distress.

To hell with him, dishonest scoundrel! I wish all men like him were in the same trouble.

That dishonest creep! I wish all guys like him were getting what he deserves.

dishonest creep wish all his type got the same

MISTRESS FORD [turning thoughtful about her husband]

I think my husband hath some special suspicion of Falstaff’s being

here, for I never saw him so gross in his jealousy till now.

I think my husband has some strong suspicion that Falstaff was here, because I've never seen him so extremely jealous before.

I think my husband figured out Falstaff was here - I've never seen him this jealous before.

husband figured it out never seen him this jealous

MISTRESS PAGE [already plotting the next trick]

I will lay a plot to try that, and we will yet have more tricks with

Falstaff. His dissolute disease will scarce obey this medicine.

I'll come up with a plan to test that, and we'll play more tricks on Falstaff. His desperate weakness probably won't be cured by just this one attempt.

I'll test that, and we're gonna mess with him again. He's not gonna learn from this one trick.

more tricks coming this won't cure him

MISTRESS FORD [relishing the scheme still to come]

Shall we send that foolish carrion Mistress Quickly to him, and excuse

his throwing into the water, and give him another hope, to betray him

to another punishment?

Should we send that stupid Mistress Quickly to him, make up an excuse for why he got thrown in the water, give him another false hope so we can set him up for a different punishment?

Should we send that dumb Mistress Quickly to him, tell him the water thing wasn't your fault, give him another chance so we can trick him into more trouble?

send quickly to him give him false hope more punishment coming

MISTRESS PAGE [settling the details briskly]

We will do it. Let him be sent for tomorrow eight o’clock to have

amends.

We'll do it. Let him be sent for tomorrow at eight o'clock for compensation.

Yeah, let's do it. Have him come tomorrow at eight for his apology.

tomorrow 8am for apology

Enter Ford, Page, Caius and Sir Hugh Evans.
FORD [frustrated and deflated]

I cannot find him. Maybe the knave bragged of that he could not

compass.

I cannot find him. Maybe the rogue only bragged about what he couldn't actually accomplish.

I can't find him anywhere. Maybe the villain was just bragging about something he couldn't actually do.

can't find him musta been bragging about stuff he can't do

MISTRESS PAGE [suppressing gleeful laughter]

[_Aside to Mistress Ford_.] Heard you that?

Did you hear that?

Did you catch what he just said?

hear that?

MISTRESS FORD [sarcastically wounded, twisting the knife]

You use me well, Master Ford, do you?

Are you treating me well, Master Ford?

You treating me right, Master Ford?

you treating me right?

FORD [sheepishly conceding, caught out]

Ay, I do so.

Yes, I am.

Yeah, I am.

yes

MISTRESS FORD [piling on pointed sarcasm]

Heaven make you better than your thoughts!

May heaven make you better than your suspicious thoughts!

I hope you can think better than this!

be better than your thoughts

FORD [muttering a rueful, defeated amen]

Amen!

Amen!

amen!

amen!

MISTRESS PAGE [adding her own reproach]

You do yourself mighty wrong, Master Ford.

You're doing yourself a great injustice, Master Ford.

You're being way too hard on yourself, Master Ford.

too hard on yourself

FORD [resignedly accepting the scolding]

Ay, ay; I must bear it.

Yes, yes; I have to accept it.

I know, I know; I have to live with it.

i know i gotta deal with it

EVANS [piously invoking judgment while searching]

If there be anypody in the house, and in the chambers, and in the

coffers, and in the presses, heaven forgive my sins at the day of

judgment!

If there's anybody hiding in the house, in the bedrooms, in the chests, in the closets, may heaven forgive me for my sins on the day of judgment!

If there's anyone hiding anywhere in this house - bedrooms, chests, closets - may God forgive me!

if he's hidden anywhere forgive me god

CAIUS [confirming the search found nothing]

Be gar, nor I too; there is nobodies.

By God, me too; there's nobody here.

Me too - there's nobody here.

nobody here

PAGE [bluntly rebuking Ford's paranoia]

Fie, fie, Master Ford, are you not ashamed? What spirit, what devil

suggests this imagination? I would not ha’ your distemper in this kind

for the wealth of Windsor Castle.

Shame on you, Master Ford, aren't you ashamed? What evil spirit, what devil is putting these ideas in your head? I wouldn't have your jealous illness for all the wealth of Windsor Castle.

Come on, Master Ford, you should be embarrassed! What devil is making you think like this? I wouldn't want your jealousy for all the money in England.

shame on you what's wrong with you? this jealousy is wrong

FORD [chastened, owning his fault]

’Tis my fault, Master Page. I suffer for it.

It's my fault, Master Page. I'm suffering for it.

It's on me, Master Page. I'm dealing with it.

my fault i'm paying for it

EVANS [solemnly vouching for her honesty]

You suffer for a pad conscience. Your wife is as honest a ’omans as I

will desires among five thousand, and five hundred too.

You're suffering because of a guilty conscience. Your wife is as honest a woman as I would choose among five thousand, even five hundred more.

You're guilty, that's why you're suffering. Your wife is as good as any woman you could find.

guilty conscience your wife is honest best of all

CAIUS [grudgingly conceding she's honest]

By gar, I see ’tis an honest woman.

By God, I can see she's an honest woman.

Yeah, she's clearly a good woman.

honest woman

FORD [repeatedly, humbly apologizing]

Well, I promised you a dinner. Come, come, walk in the park. I pray you

pardon me; I will hereafter make known to you why I have done this.

Come, wife, come, Mistress Page, I pray you pardon me. Pray heartily,

pardon me.

Well, I promised you dinner. Come, come, let's walk in the park. Please forgive me; I'll explain later why I did this. Come, wife, come, Mistress Page, I'm asking you to forgive me. Please, forgive me.

Anyway, I promised you dinner. Let's go for a walk in the park. I'm sorry; I'll explain later why I acted crazy. Come on, everyone, I'm begging you to forgive me.

sorry i'll explain later can you forgive me?

PAGE [slyly plotting to keep mocking him]

Let’s go in, gentlemen; but, trust me, we’ll mock him. I do invite you

tomorrow morning to my house to breakfast; after, we’ll a-birding

together; I have a fine hawk for the bush. Shall it be so?

Let's go inside, gentlemen, but believe me, we're going to mock him. I'm inviting you to my house tomorrow morning for breakfast; after that, we'll go hunting with hawks together; I have an excellent bird for hunting in the bushes. Does that sound good?

Come on in, guys, but we're totally gonna make fun of him. I'm inviting you to breakfast tomorrow at my place; then we'll go hawking together. I've got a great hawk. You in?

come inside we'll mock him breakfast tomorrow go hawking shall we?

FORD [meekly agreeing to anything]

Anything.

Anything.

anything.

anything.

EVANS [cheerfully inviting himself along]

If there is one, I shall make two in the company.

If there's one of you, I'll make two in the group.

If there's one person, I'll be two to balance things out.

i'll make the numbers work

CAIUS [making a crude joke, unbothered]

If there be one or two, I shall make-a the turd.

If there are one or two, I'll make three in the party.

If there's one or two, I'll make it three.

i'll make three

FORD [still subdued, ushering them on]

Pray you go, Master Page.

Please go, Master Page.

Come on, let's go, Master Page.

let's go

[_Exeunt all but Evans and Caius._]
EVANS [reminding them of a score to settle]

I pray you now, remembrance tomorrow on the lousy knave, mine host.

I ask you, remember tomorrow to think about that lousy knave, the innkeeper.

Hey, remember tomorrow - that lousy innkeeper deserves a memory.

remember that lousy innkeeper tomorrow

CAIUS [enthusiastically endorsing the plan]

Dat is good, by gar, with all my heart.

That's good, by God, with all my heart.

That's good, I'm with you on that.

good i'm with you

EVANS [indignant at the host's mockery]

A lousy knave, to have his gibes and his mockeries!

That lousy knave, with his sneering jokes and his mockeries!

That lousy jerk and his mean jokes and insults!

lousy jerk with his mean jokes

[_Exeunt._]

The Reckoning

The scene is the mechanical heart of the Falstaff plot — farce at its purest. Two women orchestrate an elaborate humiliation while Falstaff, who has spent three acts convinced he is a seducer, becomes a piece of laundry. The comedy comes from the radical gap between his language (courtly, grandiose) and his fate (stuffed in a basket full of dirty washing). He is trapped not by a sword or a law, but by his own appetite and the women's precision.

If this happened today…

Imagine a con man shows up at the door certain he's going to seduce his mark — he's practiced his lines, he's perfected his charm — and the woman he's trying to con has already arranged with her friend to literally dump him in a laundry basket and throw him in a river. That's the gap between Falstaff's fantasy and his reality.

Continue to 3.4 →