So, lie thou there. Die thou, and die our fear,
For Warwick was a bug that feared us all.
Now, Montague, sit fast; I seek for thee,
That Warwick’s bones may keep thine company.
So, lie you there. Die you, and die our fear, For Warwick was a bug that feared us all. Now, Montague, sit fast; I seek for you, That Warwick’s bones may keep your company.
So, lie you there. Die you, and die our fear, For Warwick was a bug that feared us all. Now, Montague, sit fast; I seek for you, That Warwick’s bones may keep your company.
yeah brutal
Ah, who is nigh? Come to me, friend or foe,
And tell me who is victor, York or Warwick?
Why ask I that? My mangled body shows,
My blood, my want of strength, my sick heart shows
That I must yield my body to the earth
And, by my fall, the conquest to my foe.
Thus yields the cedar to the axe’s edge,
Whose arms gave shelter to the princely eagle,
Under whose shade the ramping lion slept,
Whose top branch overpeered Jove’s spreading tree,
And kept low shrubs from winter’s pow’rful wind.
These eyes, that now are dimmed with death’s black veil,
Have been as piercing as the midday sun,
To search the secret treasons of the world;
The wrinkles in my brows, now filled with blood,
Were likened oft to kingly sepulchres,
For who lived King but I could dig his grave?
And who durst smile when Warwick bent his brow?
Lo, now my glory smeared in dust and blood!
My parks, my walks, my manors that I had,
Even now forsake me; and of all my lands
Is nothing left me but my body’s length.
Why, what is pomp, rule, reign, but earth and dust?
And live we how we can, yet die we must.
Ah, who is nigh? Come to me, friend or foe, And tell me who is victor, York or Warwick? Why ask I that? My mangled body shows, My blood, my want of strength, my sick heart shows That I must yield my body to the earth And, by my fall, the conquest to my foe. Thus yields the cedar to the axe’s edge, Whose arms gave shelter to the princely eagle, Under whose shade the ramping lion slept, Whose top branch overpeered Jove’s spreading tree, And kept low shrubs from winter’s pow’rful wind. These eyes, that now are dimmed with death’s black veil, Have been as piercing as the midday sun, To search the secret treasons of the world; The wrinkles in my brows, now filled with blood, Were likened oft to kingly sepulchres, For who lived King but I could dig his grave? And who durst smile when Warwick bent his brow? Lo, now my glory smeared in dust and blood! My parks, my walks, my manors that I had, Even now forsake me; and of all my lands Is nothing left me but my body’s length. Why, what is pomp, rule, reign, but earth and dust? And live we how we can, yet die we must.
Ah, who is nigh? Come to me, friend or foe, And tell me who is victor, York or Warwick? Why ask I that? My mangled body shows, My blood, my want of strength, my sick heart shows That I must yield my body to the earth And, by my fall, the conquest to my foe. Thus yields the cedar to the axe’s edge, Whose arms gave shelter to the princely eagle, Under whose shade the ramping lion slept, Whose top branch overpeered Jove’s spreading tree, And kept low shrubs from winter’s pow’rful wind. These eyes, that now are dimmed with death’s black veil, 've been as piercing as the midday sun, To search the secret treasons of the world; The wrinkles in my brows, now filled with blood, Were likened oft to kingly sepulchres, For who lived King but I could dig his grave? And who durst smile when Warwick bent his brow? Lo, now my glory smeared in dust and blood! My parks, my walks, my manors that I had, Even now forsake me; and of all my lands Is nothing left me but my body’s length. Why, what is pomp, rule, reign, but earth and dust? And live we how we can, yet die we must.
they are dead look at the blood proof right here how did that even happen
Warwick's dying speech is the play's most sustained meditation on what power actually consists of. He begins with the cosmic cedar metaphor — sheltering eagles and lions, towering over Jove's own oak — and then lands brutally on 'my parks, my walks, my manors.' The grandeur collapses into property. The Kingmaker's empire was not an idea; it was land and buildings and the ability to feed six hundred men a day. And all of it is already leaving him as he lies dying. Shakespeare is making a point about the nature of aristocratic power: it was ultimately material, local, personal. The kingdom is an abstraction; the parks are real. When the parks are gone, the kingdom was never yours.
'Why, what is pomp, rule, reign, but earth and dust?' is the Wars of the Roses in a sentence. Every character in this play has killed or schemed for something that is, in the end, made of the same stuff as the ground they're dying on.
Ah, Warwick, Warwick, wert thou as we are,
We might recover all our loss again.
The Queen from France hath brought a puissant power;
Even now we heard the news. Ah, couldst thou fly!
Ah, Warwick, Warwick, were you as we are, We might recover all our loss again. The Queen from France has brought a puissant power; Even now we heard the news. Ah, could you fly!
Ah, Warwick, Warwick, were you as we are, We might recover all our loss again. The Queen from France has brought a puissant power; Even now we heard the news. Ah, could you fly!
yeah brutal
Why, then I would not fly. Ah, Montague!
If thou be there, sweet brother, take my hand
And with thy lips keep in my soul awhile.
Thou lov’st me not; for, brother, if thou didst,
Thy tears would wash this cold congealed blood
That glues my lips and will not let me speak.
Come quickly, Montague, or I am dead.
Why, then I would not fly. Ah, Montague! If you be there, sweet brother, take my hand And with your lips keep in my soul awhile. you lov’st me not; for, brother, if you did, your tears would wash this cold congealed blood That glues my lips and will not let me speak. Come quickly, Montague, or I am dead.
Why, then I wouldn't fly. Ah, Montague! If you be there, sweet brother, take my hand And with your lips keep in my soul awhile. you lov’st me not; for, brother, if you did, your tears would wash this cold congealed blood That glues my lips and won't let me speak. Come quickly, Montague, or I am dead.
proof right here
Ah, Warwick, Montague hath breathed his last,
And to the latest gasp cried out for Warwick,
And said “Commend me to my valiant brother.”
And more he would have said, and more he spoke,
Which sounded like a cannon in a vault,
That mought not be distinguished; but at last
I well might hear, delivered with a groan,
“O farewell, Warwick!”
Ah, Warwick, Montague has breathed his last, And to the latest gasp cried out for Warwick, And said “Commend me to my valiant brother.” And more he would have said, and more he spoke, Which sounded like a cannon in a vault, That mought not be distinguished; but at last I well might hear, delivered with a groan, “O farewell, Warwick!”
Ah, Warwick, Montague has breathed his last, And to the latest gasp cried out for Warwick, And said “Commend me to my valiant brother.” And more he would have said, and more he spoke, Which sounded like a cannon in a vault, That mought not be distinguished; but at last I well might hear, delivered with a groan, “O farewell, Warwick!”
war blood death everything is chaos
Sweet rest his soul! Fly, lords, and save yourselves,
For Warwick bids you all farewell, to meet in heaven.
Sweet rest his soul! Fly, lords, and save yourselves, For Warwick bids you all farewell, to meet in heaven.
Sweet rest his soul! Fly, lords, and save yourselves, For Warwick bids you all farewell, to meet in heaven.
hm
Away, away, to meet the Queen’s great power!
Away, away, to meet the Queen’s great power!
Away, away, to meet the Queen’s great power!
hm
The Reckoning
Warwick dies alone on the battlefield after Edward leaves him to pursue Montague — which is itself a kind of final insult. His death speech is extraordinary: he catalogs what he's losing not in terms of power or politics but in terms of parks and walks and manors. The grandeur collapses into the personal. 'Why, what is pomp, rule, reign, but earth and dust?' And then he asks for his brother, who is already dead.
If this happened today…
The activist investor who brought down two CEOs is found in a hospital corridor after a failed hostile takeover — the deal collapsed at the vote, the SEC is investigating, the partner firm pulled out. His assistant tells him the co-lead is dead. He lies there listing the things he's about to lose: the Hamptons house, the art collection, the family office. He says: 'What is power, in the end, but dust?' And then he closes his eyes.