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Act 4, Scene 3 — Alexandria. Before the Palace.
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The argument The night before battle, soldiers on watch hear strange music beneath the ground — and interpret it as Hercules, Antony's divine patron, abandoning him.
Enter a Company of Soldiers.
FIRST SOLDIER FIRST SOLDIER speaks

Brother, good night. Tomorrow is the day.

Brother, good night. Tomorrow is the day.

Brother, good night. Tomorrow is the day.

brother, good night. tomorrow is the day.

SECOND SOLDIER ≋ verse SECOND SOLDIER speaks

It will determine one way. Fare you well.

Heard you of nothing strange about the streets?

It will determine one way. Fare you well. Heard you of nothing strange about the streets?

It will determine one way. Fare you well. Heard you of nothing strange about the streets?

it will determine one way. fare you well. heard you of nothing strange about the streets?

FIRST SOLDIER FIRST SOLDIER speaks

Nothing. What news?

Nothing. What news?

Nothing. What news?

nothing. what news?

SECOND SOLDIER SECOND SOLDIER speaks

Belike ’tis but a rumour. Good night to you.

Belike ’tis but a rumour. Good night to you.

Belike ’tis but a rumour. Good night to you.

belike ’tis but a rumour. good night to you.

FIRST SOLDIER FIRST SOLDIER speaks

Well, sir, good night.

Well, sir, good night.

Well, sir, good night.

well, sir, good night.

Enter two other Soldiers.
SECOND SOLDIER SECOND SOLDIER speaks

Soldiers, have careful watch.

Soldiers, have careful watch.

Soldiers, have careful watch.

soldiers, have careful watch.

THIRD SOLDIER THIRD SOLDIER speaks

And you. Good night, good night.

And you. Good night, good night.

And you. Good night, good night.

and you. good night, good night.

[_They place themselves in every corner of the stage._]
SECOND SOLDIER ≋ verse SECOND SOLDIER speaks

Here we. And if tomorrow

Our navy thrive, I have an absolute hope

Our landmen will stand up.

Here we. And if tomorrow Our navy thrive, I have an absolute hope Our landmen will stand up.

Here we. And if tomorrow Our navy thrive, I have an absolute hope Our landmen will stand up.

here we. and if tomorrow our navy thrive, i have an absolute hope our landmen will stand up.

FIRST SOLDIER FIRST SOLDIER speaks

’Tis a brave army, and full of purpose.

’Tis a brave army, and full of purpose.

’Tis a brave army, and full of purpose.

’tis a brave army, and full of purpose.

[_Music of the hautboys under the stage._]
SECOND SOLDIER SECOND SOLDIER speaks

Peace, what noise?

Peace, what noise?

Peace, what noise?

peace, what noise?

FIRST SOLDIER FIRST SOLDIER speaks

List, list!

List, list!

List, list!

list, list!

SECOND SOLDIER SECOND SOLDIER speaks

Hark!

Hark!

Hark!

hark!

Music i’ th’ air.
THIRD SOLDIER THIRD SOLDIER speaks

Under the earth.

Under the earth.

Under the earth.

under the earth.

FOURTH SOLDIER FOURTH SOLDIER speaks

It signs well, does it not?

It signs well, does it not?

It signs well, does it not?

it signs well, does it not?

THIRD SOLDIER THIRD SOLDIER speaks

No.

No.

No.

no.

FIRST SOLDIER FIRST SOLDIER speaks

Peace, I say! What should this mean?

Peace, I say! What should this mean?

Peace, I say! What should this mean?

peace, i say! what should this mean?

SECOND SOLDIER ≋ verse SECOND SOLDIER speaks

’Tis the god Hercules, whom Antony loved,

Now leaves him.

’Tis the god Hercules, whom Antony loved, Now leaves him.

’Tis the god Hercules, whom Antony loved, Now leaves him.

’tis the god hercules, whom antony loved, now leaves him.

Why it matters The soldier's identification of the music as Hercules departing is the play's most explicit supernatural omen — Antony is losing not just his army but his divine sponsor.
FIRST SOLDIER ≋ verse FIRST SOLDIER speaks

Walk. Let’s see if other watchmen

Do hear what we do.

Walk. Let’s see if other watchmen Do hear what we do.

Walk. Let’s see if other watchmen Do hear what we do.

walk. let’s see if other watchmen do hear what we do.

[_They advance to another post._]
SECOND SOLDIER SECOND SOLDIER speaks

How now, masters!

How now, masters!

How now, masters!

how now, masters!

ALL ALL speaks

How now! How now! Do you hear this?

How now! How now! Do you hear this?

How now! How now! Do you hear this?

how now! how now! do you hear this?

FIRST SOLDIER FIRST SOLDIER speaks

Ay. Is’t not strange?

Ay. Is’t not strange?

Ay. Is’t not strange?

ay. is’t not strange?

THIRD SOLDIER THIRD SOLDIER speaks

Do you hear, masters? Do you hear?

Do you hear, masters? Do you hear?

Do you hear, masters? Do you hear?

do you hear, masters? do you hear?

FIRST SOLDIER ≋ verse FIRST SOLDIER speaks

Follow the noise so far as we have quarter.

Let’s see how it will give off.

Follow the noise so far as we have quarter. Let’s see how it will give off.

Follow the noise so far as we have quarter. Let’s see how it will give off.

follow the noise so far as we have quarter. let’s see how it will give off.

ALL ALL speaks

Content. ’Tis strange.

Content. ’Tis strange.

Content. ’Tis strange.

content. ’tis strange.

[_Exeunt._]

The Reckoning

A scene of pure theatrical magic and dread. The soldiers hear music no one can explain — floating in the air, then seeming to come from underground. One soldier names what everyone feels: it is Hercules leaving. The god who was Antony's patron, whose strength Antony claimed, is walking away the night before the final battle. Shakespeare stages the supernatural without ever quite committing to it: it might be imagination, might be fact. The effect is the same either way.

If this happened today…

Soldiers stationed overnight before a major offensive hear something they can't identify — music, or something like it, from beneath the street. They all hear it. They look at each other. One of them says quietly: 'That's bad.' They don't explain what they mean. They don't have to.

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