Sonnet 97

Absence from the beloved felt like eternal winter, though the season was actually summer and autumn; without the beloved, plenty becomes desolation.

Original
Modern
1 How like a winter hath my absence been
How like a winter hath my absence been
My being away from you has been exactly like a harsh winter
2 From thee, the pleasure of the fleeting year!
Away from you, who bring joy to every passing season
Wordplay: “pleasure of the fleeting year”

The beloved is summer—fleeting, seasonal, temporary. Love of something temporary is love of something always disappearing.

3 What freezings have I felt, what dark days seen!
I experienced such bitter chill, such bleak and gloomy days
4 What old December’s bareness everywhere!
Everywhere I looked, everything was bare and dead like December
5 And yet this time removed was summer’s time,
And yet this time removed was summer's time
Yet the actual season during my absence was summer
6 The teeming autumn big with rich increase,
A summer teeming with life, heavy with abundant growth and fertility
Wordplay: “teeming autumn / wanton burden of the prime”

Autumn is heavy with ripeness, but 'wanton' suggests uncontrolled fertility, burden rather than blessing without the beloved to receive it.

7 Bearing the wanton burden of the prime,
Carrying the rich, luxuriant overflow of summer's peak season
8 Like widowed wombs after their lords’ decease:
Like the empty wombs of women whose husbands have died
Volta Acknowledges that the calendar says abundance, but inverts it: the speaker's winter was their actual reality despite summer's external plenty.
9 Yet this abundant issue seemed to me
Yet all this abundant fruit and growth appeared to me
10 But hope of orphans, and unfathered fruit,
Like the miserable hope of orphans, and fruit without a father
11 For summer and his pleasures wait on thee,
Because summer and all its delights depend on you
12 And thou away, the very birds are mute.
And with you gone, even the birds stop singing
13 Or if they sing, ’tis with so dull a cheer,
Or if they do sing, it's with such a joyless, depressed voice
14 That leaves look pale, dreading the winter’s near.
So mournful that even the leaves turn pale, afraid of winter's approach
Winter of the Soul in Summer's Plenty

Sonnet 97 presents one of Shakespeare's most profound paradoxes: external abundance and internal desolation. The calendar promised summer and autumn fertility; the speaker experienced December barrenness. This inversion isn't metaphorical only—the speaker's perception actually rewrites the season. Time itself becomes subject to emotional state. The beloved is so central to the speaker's experience of time that without them, the entire seasonal cycle collapses. Nature's profusion becomes orphaned, motherless, meaningless.

Orphaned Fertility and Widowed Wombs

The image of 'widowed wombs after their lords' decease' is extraordinarily bleak: fertility without purpose, pregnancy without paternity. The earth brings forth abundance but for no one—all increase is fatherless hope. This image transfers the speaker's abandonment onto nature itself. The beloved is the father of all pleasure and joy; absent the beloved, even natural generation becomes grief. Plenty becomes evidence of loss rather than fulfillment. Every sign of life announces the beloved's absence.

If this happened today

During a long-distance phase, everyone says 'at least it's summer, get outside, travel.' But you can't enjoy the beach, festivals, warm nights—they all remind you of them. The abundance of good weather feels like deprivation. You're frozen while the world blooms.