Sonnet 146

Poor soul, trapped in the sinful body, why do you waste resources adorning a dying flesh-mansion that will feed worms?

Original
Modern
1 Poor soul the centre of my sinful earth,
opening lament: 'Poor soul'
Poor soul, the center of this sinful flesh
2 My sinful earth these rebel powers array,
This sinful flesh arrays these rebellious powers
3 Why dost thou pine within and suffer dearth
Why do you waste away inside and starve
4 Painting thy outward walls so costly gay?
While painting your outer walls so expensively beautiful
5 Why so large cost having so short a lease,
Why spend so much when you only lease life for so short
6 Dost thou upon thy fading mansion spend?
Do you spend on this fading dwelling
Wordplay: “mansion”

The body as a temporary dwelling; the soul is its long-term resident but the flesh is temporary.

7 Shall worms inheritors of this excess
Will worms become the heirs to all this excess
8 Eat up thy charge? is this thy body’s end?
Consume what you paid for? Is this your body's purpose
Volta The volta pivots from lamentation and rhetorical questions (lines 1–8) to prescriptive action (lines 9–14): the soul must invert its priorities, starving flesh and feeding spirit.
9 Then soul live thou upon thy servant’s loss,
Then soul, live on while your body deteriorates
10 And let that pine to aggravate thy store;
And let that body waste away to increase your wealth
11 Buy terms divine in selling hours of dross;
Buy eternity by selling the worthless hours
12 Within be fed, without be rich no more,
Be nourished within, no longer be rich without
13 So shall thou feed on death, that feeds on men,
Then you will consume death itself, which consumes all people
14 And death once dead, there’s no more dying then.
And once death itself is dead, there is no more dying
Platonic Soul-Body Dualism

This sonnet is the most explicitly Platonic in the sequence, drawing on the ancient debate between spirit and flesh. The soul is 'poor' and imprisoned; the body is a 'sinful earth' and 'fading mansion.' Yet the soul can rebel by reversing economies—'buying' divine grace by 'selling' hours of 'dross' (base matter). This is the only sonnet that treats the beloved not as the problem but the body's desires generally.

Death Defeating Death

The paradoxical final couplet—'feed on death, that feeds on men, / And death once dead, there's no more dying then'—suggests spiritual immortality. By accepting death (mortifying the flesh), the soul transcends mortality itself. This was a commonplace Christian idea but is unusually explicit here. It offers the only genuine consolation in the sequence.

If this happened today

Like someone spending lavishly on appearance and status symbols while neglecting their health and peace of mind—or investing all their energy in external validation while their inner life deteriorates.