Sonnet 114

I'm uncertain whether my mind, drunk on your love, is flattering you into perfection, or whether your love has genuinely transformed my vision into alchemy.

Original
Modern
1 Or whether doth my mind being crowned with you
Or whether my mind, made a king by obsession with you,
2 Drink up the monarch’s plague this flattery?
Drinks up the monarch's plague of this flattery?
3 Or whether shall I say mine eye saith true,
Or whether shall I say my eye says true,
4 And that your love taught it this alchemy?
And your love has transformed my eye into this enchantment?
5 To make of monsters, and things indigest,
To make of monsters and things formless,
6 Such cherubins as your sweet self resemble,
Into cherubs as your sweet self resembles,
7 Creating every bad a perfect best
Creating every flaw as a perfect best
8 As fast as objects to his beams assemble:
As quickly as objects assemble to his rays:
Volta The volta admits 'tis flattery' and shifts focus from doubt to complicity: the mind actively participates in and enjoys the poisoned flattery.
9 O ’tis the first, ’tis flattery in my seeing,
'Tis flattery in my seeing
Oh, it is the first thing—it is flattery in my seeing,
10 And my great mind most kingly drinks it up,
And my powerful mind, acting like a monarch, consumes all of it,
Wordplay: “great mind most kingly drinks it up”

Kingly suggests both nobility and monarchical excess; drinks suggests both willing consumption and alcoholic intoxication.

11 Mine eye well knows what with his gust is ’greeing,
My eye well knows what with his taste is agreeing,
12 And to his palate doth prepare the cup.
And to his palate does prepare the cup.
13 If it be poisoned, ’tis the lesser sin,
If it is poisoned, it is the lesser sin,
14 That mine eye loves it and doth first begin.
That my eye loves it and begins it first.
Flattery as Alchemy and Addiction

The sonnet uses alchemy—the transmutation of base metals into gold—as its central metaphor for the mind's flattery. Objects are 'indigest' (formless, chaotic) until the mind 'shapes them' into cherubins. This isn't artistry but delusion. Yet the speaker's 'great mind most kingly drinks it up,' suggesting both royal dignity and compulsive addiction. Flattery becomes a substance consumed.

The Lesser Sin

The couplet claims it's 'the lesser sin' that the eye loves flattery and 'doth first begin.' This is a dark concession: the speaker is confessing that his perception is corrupted, but arguing the corruption originates in the beloved's love—you taught my eye this alchemy. Responsibility is deflected even as guilt is acknowledged.

If this happened today

You meet someone amazing and suddenly wonder: Am I in love or just drunk on the idea of them? Your friends say you're seeing them through rose-tinted glasses, and you can't tell if you're being validly devoted or pathologically deluded.