Epilogues in Elizabethan and Jacobean drama often ask for applause — it was a convention, a known formula. But this one, placed after a play about desire and its costs, has an odd resonance. The speaker appeals to men who have 'loved a young handsome wench' — asking them not to hiss out of sentiment for the play's romantic theme. After a play in which the love of a beautiful young woman cost Arcite his life, cost Palamon his best friend, and cost the Jailer's Daughter her mind, the epilogue asks the audience to be tender because love is nice. It's either a sharp irony (the play just showed you what love costs, and now we're asking you to be sentimental about it) or a completely innocent piece of theatrical convention. Either way, it's a striking way to step back from what just happened.
The epilogue's central image — 'as it is with schoolboys, cannot say' — positions the speaker as someone too anxious about the reception to ask the question directly. This was a conventional piece of self-deprecating theater, but it functions interestingly as a coda to a play about uncertainty. Palamon couldn't say which god would answer him. Emilia couldn't say which man she preferred. Arcite couldn't say whether his horse would hold. And now the speaker can't say whether the play worked. The play ends in the same state it ran through: someone who wants something, afraid to ask whether they'll get it.
The Reckoning
After the weight of 5-4 — Arcite's death, Palamon's paradox, Theseus's bewildered closing — the epilogue arrives like a performer stepping outside the fourth wall to exhale. It's brief, charming, self-deprecating, and ends with a direct appeal to male sentiment: if you've ever loved a beautiful woman, don't hiss. It works by deflating everything that came before — not undermining it, but releasing the audience from the grip of tragedy into the normal world. The play is over. Did you like it? We're not sure you did.
If this happened today…
A director steps out after the curtain call, microphone in hand, visibly nervous. 'I'd ask you how you liked the film, but — like a student after an exam — I find I can't. Look: if anyone in this room has ever loved a beautiful woman, please don't walk out talking it down. We meant well. We'll make more. Goodnight.'