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Act 3, Scene 13 — Alexandria. A Room in the Palace.
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The argument Antony returns defeated to Cleopatra's court; Caesar's agent Thidias attempts to win Cleopatra over with promises; Antony catches Thidias kissing Cleopatra's hand and has him whipped; Antony and Cleopatra quarrel bitterly and then reconcile, resolving to feast and fight again — while Enobarbus watches, decides Antony is finished, and resolves to leave.
Enter Cleopatra, Enobarbus, Charmian and Iras.
CLEOPATRA CLEOPATRA speaks

What shall we do, Enobarbus?

What shall we do, Enobarbus?

What shall we do, Enobarbus?

what shall we do, enobarbus?

ENOBARBUS ENOBARBUS speaks

Think, and die.

Think, and die.

Think, and die.

think, and die.

CLEOPATRA CLEOPATRA speaks

Is Antony or we in fault for this?

Is Antony or we in fault for this?

Is Antony or we in fault for this?

is antony or we in fault for this?

ENOBARBUS ≋ verse ENOBARBUS speaks

Antony only, that would make his will

Lord of his reason. What though you fled

From that great face of war, whose several ranges

Frighted each other? Why should he follow?

The itch of his affection should not then

Have nicked his captainship, at such a point,

When half to half the world opposed, he being

The mered question. ’Twas a shame no less

Than was his loss, to course your flying flags

And leave his navy gazing.

Antony only, that would make his will Lord of his reason. What though you fled From that great face of war, whose several ranges Frighted each other? Why should he follow? The itch of his affection should not then Have nicked his captainship, at such a point, When half to half the world opposed, he ...

Antony only, that would make his will Lord of his reason. What though you fled From that great face of war, whose several ranges Frighted each other? Why should he follow? The itch of his affection should not then Have nicked his captainship, at such a point, When half to half the world opposed, he ...

antony only, that would make his will lord of his reason. what though you fled from that great face of war, whose several ranges frighted each other?

CLEOPATRA CLEOPATRA speaks

Prithee, peace.

Prithee, peace.

Prithee, peace.

prithee, peace.

Enter the Ambassador with Antony.
ANTONY ANTONY speaks

Is that his answer?

Is that his answer?

Is that his answer?

is that his answer?

AMBASSADOR AMBASSADOR speaks

Ay, my lord.

Ay, my lord.

Ay, my lord.

ay, my lord.

ANTONY ≋ verse ANTONY speaks

The Queen shall then have courtesy, so she

Will yield us up.

The Queen shall then have courtesy, so she Will yield us up.

The Queen shall then have courtesy, so she Will yield us up.

the queen shall then have courtesy, so she will yield us up.

AMBASSADOR AMBASSADOR speaks

He says so.

He says so.

He says so.

he says so.

ANTONY ≋ verse ANTONY speaks

Let her know’t.—

To the boy Caesar send this grizzled head,

And he will fill thy wishes to the brim

With principalities.

Let her know’t.— To the boy Caesar send this grizzled head, And he will fill thy wishes to the brim With principalities.

Let her know’t.— To the boy Caesar send this grizzled head, And he will fill thy wishes to the brim With principalities.

let her know’t.— to the boy caesar send this grizzled head, and he will fill thy wishes to the brim with principalities.

CLEOPATRA CLEOPATRA speaks

That head, my lord?

That head, my lord?

That head, my lord?

that head, my lord?

ANTONY ≋ verse ANTONY speaks

To him again. Tell him he wears the rose

Of youth upon him, from which the world should note

Something particular: his coin, ships, legions,

May be a coward’s; whose ministers would prevail

Under the service of a child as soon

As i’ th’ command of Caesar. I dare him therefore

To lay his gay comparisons apart,

And answer me declined, sword against sword,

Ourselves alone. I’ll write it. Follow me.

To him again. Tell him he wears the rose Of youth upon him, from which the world should note Something particular: his coin, ships, legions, May be a coward’s; whose ministers would prevail Under the service of a child as soon As i’ th’ command of Caesar. I dare him therefore To lay his gay comparis...

To him again. Tell him he wears the rose Of youth upon him, from which the world should note Something particular: his coin, ships, legions, May be a coward’s; whose ministers would prevail Under the service of a child as soon As i’ th’ command of Caesar. I dare him therefore To lay his gay comparis...

to him again. tell him he wears the rose of youth upon him, from which the world should note something particular: his coin, ships, legions, may be a

[_Exeunt Antony and Ambassador._]
ENOBARBUS ≋ verse ENOBARBUS speaks

Yes, like enough high-battled Caesar will

Unstate his happiness, and be staged to th’ show

Against a sworder! I see men’s judgments are

A parcel of their fortunes, and things outward

Do draw the inward quality after them

To suffer all alike. That he should dream,

Knowing all measures, the full Caesar will

Answer his emptiness! Caesar, thou hast subdued

His judgment too.

Yes, like enough high-battled Caesar will Unstate his happiness, and be staged to th’ show Against a sworder! I see men’s judgments are A parcel of their fortunes, and things outward Do draw the inward quality after them To suffer all alike. That he should dream, Knowing all measures, the full Caesa...

Yes, like enough high-battled Caesar will Unstate his happiness, and be staged to th’ show Against a sworder! I see men’s judgments are A parcel of their fortunes, and things outward Do draw the inward quality after them To suffer all alike. That he should dream, Knowing all measures, the full Caesa...

yes, like enough high-battled caesar will unstate his happiness, and be staged to th’ show against a sworder! i see men’s judgments are a parcel of th

Why it matters Enobarbus's aside is the play's most clinical judgment of Antony: 'When valour preys on reason, / It eats the sword it fights with.' He is diagnosing the fatal dynamic in real time.
Enter a Servant.
SERVANT SERVANT speaks

A messenger from Caesar.

A messenger from Caesar.

A messenger from Caesar.

a messenger from caesar.

CLEOPATRA ≋ verse CLEOPATRA speaks

What, no more ceremony? See, my women,

Against the blown rose may they stop their nose

That kneeled unto the buds. Admit him, sir.

What, no more ceremony? See, my women, Against the blown rose may they stop their nose That kneeled unto the buds. Admit him, sir.

What, no more ceremony? See, my women, Against the blown rose may they stop their nose That kneeled unto the buds. Admit him, sir.

what, no more ceremony? see, my women, against the blown rose may they stop their nose that kneeled unto the buds. admit him, sir.

[_Exit Servant._]
[_Aside_.] Mine honesty and I begin to square.
ENOBARBUS ≋ verse ENOBARBUS speaks

The loyalty well held to fools does make

Our faith mere folly. Yet he that can endure

To follow with allegiance a fallen lord

Does conquer him that did his master conquer,

And earns a place i’ th’ story.

The loyalty well held to fools does make Our faith mere folly. Yet he that can endure To follow with allegiance a fallen lord Does conquer him that did his master conquer, And earns a place i’ th’ story.

The loyalty well held to fools does make Our faith mere folly. Yet he that can endure To follow with allegiance a fallen lord Does conquer him that did his master conquer, And earns a place i’ th’ story.

the loyalty well held to fools does make our faith mere folly. yet he that can endure to follow with allegiance a fallen lord does conquer him that di

Enter Thidias.
CLEOPATRA CLEOPATRA speaks

Caesar’s will?

Caesar’s will?

Caesar’s will?

caesar’s will?

THIDIAS THIDIAS speaks

Hear it apart.

Hear it apart.

Hear it apart.

hear it apart.

CLEOPATRA CLEOPATRA speaks

None but friends. Say boldly.

None but friends. Say boldly.

None but friends. Say boldly.

none but friends. say boldly.

THIDIAS THIDIAS speaks

So haply are they friends to Antony.

So haply are they friends to Antony.

So haply are they friends to Antony.

so haply are they friends to antony.

ENOBARBUS ≋ verse ENOBARBUS speaks

He needs as many, sir, as Caesar has,

Or needs not us. If Caesar please, our master

Will leap to be his friend. For us, you know

Whose he is we are, and that is Caesar’s.

He needs as many, sir, as Caesar has, Or needs not us. If Caesar please, our master Will leap to be his friend. For us, you know Whose he is we are, and that is Caesar’s.

He needs as many, sir, as Caesar has, Or needs not us. If Caesar please, our master Will leap to be his friend. For us, you know Whose he is we are, and that is Caesar’s.

he needs as many, sir, as caesar has, or needs not us. if caesar please, our master will leap to be his friend. for us, you know whose he is we are, a

THIDIAS ≋ verse THIDIAS speaks

So.—

Thus then, thou most renowned: Caesar entreats

Not to consider in what case thou stand’st

Further than he is Caesar.

So.— Thus then, thou most renowned: Caesar entreats Not to consider in what case thou stand’st Further than he is Caesar.

So.— Thus then, thou most renowned: Caesar entreats Not to consider in what case thou stand’st Further than he is Caesar.

so.— thus then, thou most renowned: caesar entreats not to consider in what case thou stand’st further than he is caesar.

CLEOPATRA CLEOPATRA speaks

Go on; right royal.

Go on; right royal.

Go on; right royal.

go on; right royal.

THIDIAS ≋ verse THIDIAS speaks

He knows that you embrace not Antony

As you did love, but as you feared him.

He knows that you embrace not Antony As you did love, but as you feared him.

He knows that you embrace not Antony As you did love, but as you feared him.

he knows that you embrace not antony as you did love, but as you feared him.

CLEOPATRA CLEOPATRA speaks

O!

O!

O!

o!

THIDIAS ≋ verse THIDIAS speaks

The scars upon your honour, therefore, he

Does pity as constrained blemishes,

Not as deserved.

The scars upon your honour, therefore, he Does pity as constrained blemishes, Not as deserved.

The scars upon your honour, therefore, he Does pity as constrained blemishes, Not as deserved.

the scars upon your honour, therefore, he does pity as constrained blemishes, not as deserved.

CLEOPATRA ≋ verse CLEOPATRA speaks

He is a god and knows

What is most right. Mine honour was not yielded,

But conquered merely.

He is a god and knows What is most right. Mine honour was not yielded, But conquered merely.

He is a god and knows What is most right. Mine honour was not yielded, But conquered merely.

he is a god and knows what is most right. mine honour was not yielded, but conquered merely.

[_Aside_.] To be sure of that,
ENOBARBUS ≋ verse ENOBARBUS speaks

I will ask Antony. Sir, sir, thou art so leaky

That we must leave thee to thy sinking, for

Thy dearest quit thee.

I will ask Antony. Sir, sir, thou art so leaky That we must leave thee to thy sinking, for Thy dearest quit thee.

I will ask Antony. Sir, sir, thou art so leaky That we must leave thee to thy sinking, for Thy dearest quit thee.

i will ask antony. sir, sir, thou art so leaky that we must leave thee to thy sinking, for thy dearest quit thee.

[_Exit Enobarbus._]
THIDIAS ≋ verse THIDIAS speaks

Shall I say to Caesar

What you require of him? For he partly begs

To be desired to give. It much would please him

That of his fortunes you should make a staff

To lean upon. But it would warm his spirits

To hear from me you had left Antony,

And put yourself under his shroud,

The universal landlord.

Shall I say to Caesar What you require of him? For he partly begs To be desired to give. It much would please him That of his fortunes you should make a staff To lean upon. But it would warm his spirits To hear from me you had left Antony, And put yourself under his shroud, The universal landlord.

Shall I say to Caesar What you require of him? For he partly begs To be desired to give. It much would please him That of his fortunes you should make a staff To lean upon. But it would warm his spirits To hear from me you had left Antony, And put yourself under his shroud, The universal landlord.

shall i say to caesar what you require of him? for he partly begs to be desired to give. it much would please him that of his fortunes you should make

CLEOPATRA CLEOPATRA speaks

What’s your name?

What’s your name?

What’s your name?

what’s your name?

THIDIAS THIDIAS speaks

My name is Thidias.

My name is Thidias.

My name is Thidias.

my name is thidias.

CLEOPATRA ≋ verse CLEOPATRA speaks

Most kind messenger,

Say to great Caesar this in deputation:

I kiss his conqu’ring hand. Tell him I am prompt

To lay my crown at’s feet, and there to kneel.

Tell him, from his all-obeying breath I hear

The doom of Egypt.

Most kind messenger, Say to great Caesar this in deputation: I kiss his conqu’ring hand. Tell him I am prompt To lay my crown at’s feet, and there to kneel. Tell him, from his all-obeying breath I hear The doom of Egypt.

Most kind messenger, Say to great Caesar this in deputation: I kiss his conqu’ring hand. Tell him I am prompt To lay my crown at’s feet, and there to kneel. Tell him, from his all-obeying breath I hear The doom of Egypt.

most kind messenger, say to great caesar this in deputation: i kiss his conqu’ring hand. tell him i am prompt to lay my crown at’s feet, and there to

🎭 Dramatic irony Cleopatra appears to surrender to Caesar's terms — 'I kiss his conquering hand' — and the audience doesn't know if this is diplomacy, genuine capitulation, or a performance for a negotiation she hasn't committed to. The play deliberately makes this ambiguous. Antony's fury assumes the worst.
THIDIAS ≋ verse THIDIAS speaks

’Tis your noblest course.

Wisdom and fortune combating together,

If that the former dare but what it can,

No chance may shake it. Give me grace to lay

My duty on your hand.

’Tis your noblest course. Wisdom and fortune combating together, If that the former dare but what it can, No chance may shake it. Give me grace to lay My duty on your hand.

’Tis your noblest course. Wisdom and fortune combating together, If that the former dare but what it can, No chance may shake it. Give me grace to lay My duty on your hand.

’tis your noblest course. wisdom and fortune combating together, if that the former dare but what it can, no chance may shake it. give me grace to lay

CLEOPATRA ≋ verse CLEOPATRA speaks

Your Caesar’s father oft,

When he hath mused of taking kingdoms in,

Bestowed his lips on that unworthy place

As it rained kisses.

Your Caesar’s father oft, When he hath mused of taking kingdoms in, Bestowed his lips on that unworthy place As it rained kisses.

Your Caesar’s father oft, When he hath mused of taking kingdoms in, Bestowed his lips on that unworthy place As it rained kisses.

your caesar’s father oft, when he hath mused of taking kingdoms in, bestowed his lips on that unworthy place as it rained kisses.

Enter Antony and Enobarbus.
ANTONY ≋ verse ANTONY speaks

Favours, by Jove that thunders!

What art thou, fellow?

Favours, by Jove that thunders! What art thou, fellow?

Favours, by Jove that thunders! What art thou, fellow?

favours, by jove that thunders! what art thou, fellow?

THIDIAS ≋ verse THIDIAS speaks

One that but performs

The bidding of the fullest man and worthiest

To have command obeyed.

One that but performs The bidding of the fullest man and worthiest To have command obeyed.

One that but performs The bidding of the fullest man and worthiest To have command obeyed.

one that but performs the bidding of the fullest man and worthiest to have command obeyed.

[_Aside_.] You will be whipped.
ANTONY ≋ verse ANTONY speaks

Approach there.—Ah, you kite!—Now, gods and devils,

Authority melts from me. Of late when I cried “Ho!”

Like boys unto a muss, kings would start forth

And cry “Your will?” Have you no ears? I am

Antony yet.

Approach there.—Ah, you kite!—Now, gods and devils, Authority melts from me. Of late when I cried “Ho!” Like boys unto a muss, kings would start forth And cry “Your will?” Have you no ears? I am Antony yet.

Approach there.—Ah, you kite!—Now, gods and devils, Authority melts from me. Of late when I cried “Ho!” Like boys unto a muss, kings would start forth And cry “Your will?” Have you no ears? I am Antony yet.

approach there.—ah, you kite!—now, gods and devils, authority melts from me. of late when i cried “ho!” like boys unto a muss, kings would start forth

Enter Servants.
Take hence this jack and whip him.
ENOBARBUS ≋ verse ENOBARBUS speaks

’Tis better playing with a lion’s whelp

Than with an old one dying.

’Tis better playing with a lion’s whelp Than with an old one dying.

’Tis better playing with a lion’s whelp Than with an old one dying.

’tis better playing with a lion’s whelp than with an old one dying.

ANTONY ≋ verse ANTONY speaks

Moon and stars!

Whip him. Were’t twenty of the greatest tributaries

That do acknowledge Caesar, should I find them

So saucy with the hand of she here—what’s her name

Since she was Cleopatra? Whip him, fellows,

Till like a boy you see him cringe his face

And whine aloud for mercy. Take him hence.

Moon and stars! Whip him. Were’t twenty of the greatest tributaries That do acknowledge Caesar, should I find them So saucy with the hand of she here—what’s her name Since she was Cleopatra? Whip him, fellows, Till like a boy you see him cringe his face And whine aloud for mercy. Take him hence.

Moon and stars! Whip him. Were’t twenty of the greatest tributaries That do acknowledge Caesar, should I find them So saucy with the hand of she here—what’s her name Since she was Cleopatra? Whip him, fellows, Till like a boy you see him cringe his face And whine aloud for mercy. Take him hence.

moon and stars! whip him. were’t twenty of the greatest tributaries that do acknowledge caesar, should i find them so saucy with the hand of she here—

THIDIAS THIDIAS speaks

Mark Antony—

Mark Antony—

Mark Antony—

mark antony—

ANTONY ≋ verse ANTONY speaks

Tug him away. Being whipp’d,

Bring him again. This jack of Caesar’s shall

Bear us an errand to him.

Tug him away. Being whipp’d, Bring him again. This jack of Caesar’s shall Bear us an errand to him.

Tug him away. Being whipp’d, Bring him again. This jack of Caesar’s shall Bear us an errand to him.

tug him away. being whipp’d, bring him again. this jack of caesar’s shall bear us an errand to him.

[_Exeunt Servants with Thidias._]
You were half blasted ere I knew you. Ha!
Have I my pillow left unpressed in Rome,
Forborne the getting of a lawful race,
And by a gem of women, to be abused
By one that looks on feeders?
CLEOPATRA CLEOPATRA speaks

Good my lord—

Good my lord—

Good my lord—

good my lord—

ANTONY ≋ verse ANTONY speaks

You have been a boggler ever.

But when we in our viciousness grow hard—

O misery on’t!—the wise gods seal our eyes,

In our own filth drop our clear judgments, make us

Adore our errors, laugh at’s while we strut

To our confusion.

You have been a boggler ever. But when we in our viciousness grow hard— O misery on’t!—the wise gods seal our eyes, In our own filth drop our clear judgments, make us Adore our errors, laugh at’s while we strut To our confusion.

You have been a boggler ever. But when we in our viciousness grow hard— O misery on’t!—the wise gods seal our eyes, In our own filth drop our clear judgments, make us Adore our errors, laugh at’s while we strut To our confusion.

you have been a boggler ever. but when we in our viciousness grow hard— o misery on’t!—the wise gods seal our eyes, in our own filth drop our clear ju

CLEOPATRA CLEOPATRA speaks

O, is’t come to this?

O, is’t come to this?

O, is’t come to this?

o, is’t come to this?

ANTONY ≋ verse ANTONY speaks

I found you as a morsel cold upon

Dead Caesar’s trencher; nay, you were a fragment

Of Gneius Pompey’s, besides what hotter hours,

Unregistered in vulgar fame, you have

Luxuriously pick’d out. For I am sure,

Though you can guess what temperance should be,

You know not what it is.

I found you as a morsel cold upon Dead Caesar’s trencher; nay, you were a fragment Of Gneius Pompey’s, besides what hotter hours, Unregistered in vulgar fame, you have Luxuriously pick’d out. For I am sure, Though you can guess what temperance should be, You know not what it is.

I found you as a morsel cold upon Dead Caesar’s trencher; nay, you were a fragment Of Gneius Pompey’s, besides what hotter hours, Unregistered in vulgar fame, you have Luxuriously pick’d out. For I am sure, Though you can guess what temperance should be, You know not what it is.

i found you as a morsel cold upon dead caesar’s trencher; nay, you were a fragment of gneius pompey’s, besides what hotter hours, unregistered in vulg

CLEOPATRA CLEOPATRA speaks

Wherefore is this?

Wherefore is this?

Wherefore is this?

wherefore is this?

ANTONY ≋ verse ANTONY speaks

To let a fellow that will take rewards

And say “God quit you!” be familiar with

My playfellow, your hand, this kingly seal

And plighter of high hearts! O that I were

Upon the hill of Basan, to outroar

The horned herd! For I have savage cause,

And to proclaim it civilly were like

A haltered neck which does the hangman thank

For being yare about him.

To let a fellow that will take rewards And say “God quit you!” be familiar with My playfellow, your hand, this kingly seal And plighter of high hearts! O that I were Upon the hill of Basan, to outroar The horned herd! For I have savage cause, And to proclaim it civilly were like A haltered neck whic...

To let a fellow that will take rewards And say “God quit you!” be familiar with My playfellow, your hand, this kingly seal And plighter of high hearts! O that I were Upon the hill of Basan, to outroar The horned herd! For I have savage cause, And to proclaim it civilly were like A haltered neck whic...

to let a fellow that will take rewards and say “god quit you!” be familiar with my playfellow, your hand, this kingly seal and plighter of high hearts

Enter a Servant with Thidias.
Is he whipped?
Soundly, my lord.
ANTONY ANTONY speaks

Cried he? And begged he pardon?

Cried he? And begged he pardon?

Cried he? And begged he pardon?

cried he? and begged he pardon?

SERVANT SERVANT speaks

He did ask favour.

He did ask favour.

He did ask favour.

he did ask favour.

ANTONY ≋ verse ANTONY speaks

If that thy father live, let him repent

Thou wast not made his daughter; and be thou sorry

To follow Caesar in his triumph, since

Thou hast been whipped for following him. Henceforth

The white hand of a lady fever thee;

Shake thou to look on’t. Get thee back to Caesar;

Tell him thy entertainment. Look thou say

He makes me angry with him; for he seems

Proud and disdainful, harping on what I am,

Not what he knew I was. He makes me angry,

And at this time most easy ’tis to do’t,

When my good stars that were my former guides

Have empty left their orbs and shot their fires

Into th’ abysm of hell. If he mislike

My speech and what is done, tell him he has

Hipparchus, my enfranched bondman, whom

He may at pleasure whip, or hang, or torture,

As he shall like, to quit me. Urge it thou.

Hence with thy stripes, be gone.

If that thy father live, let him repent Thou wast not made his daughter; and be thou sorry To follow Caesar in his triumph, since Thou hast been whipped for following him. Henceforth The white hand of a lady fever thee; Shake thou to look on’t. Get thee back to Caesar; Tell him thy entertainment. Lo...

If that thy father live, let him repent Thou wast not made his daughter; and be thou sorry To follow Caesar in his triumph, since Thou hast been whipped for following him. Henceforth The white hand of a lady fever thee; Shake thou to look on’t. Get thee back to Caesar; Tell him thy entertainment. Lo...

if that thy father live, let him repent thou wast not made his daughter; and be thou sorry to follow caesar in his triumph, since thou hast been whipp

[_Exit Thidias._]
CLEOPATRA CLEOPATRA speaks

Have you done yet?

Have you done yet?

Have you done yet?

have you done yet?

ANTONY ≋ verse ANTONY speaks

Alack, our terrene moon is now eclipsed,

And it portends alone the fall of Antony.

Alack, our terrene moon is now eclipsed, And it portends alone the fall of Antony.

Alack, our terrene moon is now eclipsed, And it portends alone the fall of Antony.

alack, our terrene moon is now eclipsed, and it portends alone the fall of antony.

CLEOPATRA CLEOPATRA speaks

I must stay his time.

I must stay his time.

I must stay his time.

i must stay his time.

ANTONY ≋ verse ANTONY speaks

To flatter Caesar, would you mingle eyes

With one that ties his points?

To flatter Caesar, would you mingle eyes With one that ties his points?

To flatter Caesar, would you mingle eyes With one that ties his points?

to flatter caesar, would you mingle eyes with one that ties his points?

CLEOPATRA CLEOPATRA speaks

Not know me yet?

Not know me yet?

Not know me yet?

not know me yet?

ANTONY ANTONY speaks

Cold-hearted toward me?

Cold-hearted toward me?

Cold-hearted toward me?

cold-hearted toward me?

CLEOPATRA ≋ verse CLEOPATRA speaks

Ah, dear, if I be so,

From my cold heart let heaven engender hail

And poison it in the source, and the first stone

Drop in my neck; as it determines, so

Dissolve my life! The next Caesarion smite,

Till, by degrees the memory of my womb,

Together with my brave Egyptians all,

By the discandying of this pelleted storm,

Lie graveless, till the flies and gnats of Nile

Have buried them for prey!

Ah, dear, if I be so, From my cold heart let heaven engender hail And poison it in the source, and the first stone Drop in my neck; as it determines, so Dissolve my life! The next Caesarion smite, Till, by degrees the memory of my womb, Together with my brave Egyptians all, By the discandying of thi...

Ah, dear, if I be so, From my cold heart let heaven engender hail And poison it in the source, and the first stone Drop in my neck; as it determines, so Dissolve my life! The next Caesarion smite, Till, by degrees the memory of my womb, Together with my brave Egyptians all, By the discandying of thi...

ah, dear, if i be so, from my cold heart let heaven engender hail and poison it in the source, and the first stone drop in my neck; as it determines,

Why it matters Cleopatra's oath is one of the most extreme expressions of love in all of Shakespeare — she calls down destruction on herself, her children, and all of Egypt as the price of being cold to Antony. It is both magnificent and terrifying.
ANTONY ≋ verse ANTONY speaks

I am satisfied.

Caesar sits down in Alexandria, where

I will oppose his fate. Our force by land

Hath nobly held; our severed navy too

Have knit again, and fleet, threat’ning most sea-like.

Where hast thou been, my heart? Dost thou hear, lady?

If from the field I shall return once more

To kiss these lips, I will appear in blood.

I and my sword will earn our chronicle.

There’s hope in’t yet.

I am satisfied. Caesar sits down in Alexandria, where I will oppose his fate. Our force by land Hath nobly held; our severed navy too Have knit again, and fleet, threat’ning most sea-like. Where hast thou been, my heart? Dost thou hear, lady? If from the field I shall return once more To kiss these ...

I am satisfied. Caesar sits down in Alexandria, where I will oppose his fate. Our force by land Hath nobly held; our severed navy too Have knit again, and fleet, threat’ning most sea-like. Where hast thou been, my heart? Dost thou hear, lady? If from the field I shall return once more To kiss these ...

i am satisfied. caesar sits down in alexandria, where i will oppose his fate. our force by land hath nobly held; our severed navy too have knit again,

CLEOPATRA CLEOPATRA speaks

That’s my brave lord!

That’s my brave lord!

That’s my brave lord!

that’s my brave lord!

ANTONY ≋ verse ANTONY speaks

I will be treble-sinewed, hearted, breathed,

And fight maliciously. For when mine hours

Were nice and lucky, men did ransom lives

Of me for jests. But now I’ll set my teeth

And send to darkness all that stop me. Come,

Let’s have one other gaudy night. Call to me

All my sad captains. Fill our bowls once more

Let’s mock the midnight bell.

I will be treble-sinewed, hearted, breathed, And fight maliciously. For when mine hours Were nice and lucky, men did ransom lives Of me for jests. But now I’ll set my teeth And send to darkness all that stop me. Come, Let’s have one other gaudy night. Call to me All my sad captains. Fill our bowls o...

I will be treble-sinewed, hearted, breathed, And fight maliciously. For when mine hours Were nice and lucky, men did ransom lives Of me for jests. But now I’ll set my teeth And send to darkness all that stop me. Come, Let’s have one other gaudy night. Call to me All my sad captains. Fill our bowls o...

i will be treble-sinewed, hearted, breathed, and fight maliciously. for when mine hours were nice and lucky, men did ransom lives of me for jests. but

CLEOPATRA ≋ verse CLEOPATRA speaks

It is my birthday.

I had thought t’have held it poor, but since my lord

Is Antony again, I will be Cleopatra.

It is my birthday. I had thought t’have held it poor, but since my lord Is Antony again, I will be Cleopatra.

It is my birthday. I had thought t’have held it poor, but since my lord Is Antony again, I will be Cleopatra.

it is my birthday. i had thought t’have held it poor, but since my lord is antony again, i will be cleopatra.

ANTONY ANTONY speaks

We will yet do well.

We will yet do well.

We will yet do well.

we will yet do well.

CLEOPATRA CLEOPATRA speaks

Call all his noble captains to my lord.

Call all his noble captains to my lord.

Call all his noble captains to my lord.

call all his noble captains to my lord.

ANTONY ≋ verse ANTONY speaks

Do so; we’ll speak to them; and tonight I’ll force

The wine peep through their scars. Come on, my queen,

There’s sap in’t yet. The next time I do fight

I’ll make Death love me, for I will contend

Even with his pestilent scythe.

Do so; we’ll speak to them; and tonight I’ll force The wine peep through their scars. Come on, my queen, There’s sap in’t yet. The next time I do fight I’ll make Death love me, for I will contend Even with his pestilent scythe.

Do so; we’ll speak to them; and tonight I’ll force The wine peep through their scars. Come on, my queen, There’s sap in’t yet. The next time I do fight I’ll make Death love me, for I will contend Even with his pestilent scythe.

do so; we’ll speak to them; and tonight i’ll force the wine peep through their scars. come on, my queen, there’s sap in’t yet. the next time i do figh

[_Exeunt all but Enobarbus._]
ENOBARBUS ≋ verse ENOBARBUS speaks

Now he’ll outstare the lightning. To be furious

Is to be frighted out of fear, and in that mood

The dove will peck the estridge; and I see still

A diminution in our captain’s brain

Restores his heart. When valour preys on reason,

It eats the sword it fights with. I will seek

Some way to leave him.

Now he’ll outstare the lightning. To be furious Is to be frighted out of fear, and in that mood The dove will peck the estridge; and I see still A diminution in our captain’s brain Restores his heart. When valour preys on reason, It eats the sword it fights with. I will seek Some way to leave him.

Now he’ll outstare the lightning. To be furious Is to be frighted out of fear, and in that mood The dove will peck the estridge; and I see still A diminution in our captain’s brain Restores his heart. When valour preys on reason, It eats the sword it fights with. I will seek Some way to leave him.

now he’ll outstare the lightning. to be furious is to be frighted out of fear, and in that mood the dove will peck the estridge; and i see still a dim

"When valour preys on reason, / It eats the sword it fights with" The most precise image of Antony's self-destruction: his courage, feeding on the ruin of his own judgment, destroys the very tool it needs to fight. Enobarbus is watching a great man consume himself.
Why it matters Enobarbus's final soliloquy is the play's turning point for the secondary plot: the most loyal of Antony's men is about to leave. His reason has finally won over his love.
[_Exit._]

The Reckoning

The longest scene in Act 3 is a tempest that moves through multiple emotional weather systems: Enobarbus's brutal private verdict on Antony, Cleopatra's dangerous diplomatic flirtation with Caesar's agent, Antony's explosion of jealousy and humiliated rage, his attack on Cleopatra with her full sexual history, Cleopatra's magnificent oath of self-cursing in her own defense, their reconciliation over wine and a last night of glory, and Enobarbus — watching all of it — finally deciding to leave. The scene ends with Antony burning bright and Enobarbus walking out.

If this happened today…

A disgraced CEO comes back to the office after a catastrophic public failure. He finds his assistant having a friendly meeting with a consultant sent by the competitor who just crushed them. He explodes, humiliates the consultant, and then turns on his assistant with every unflattering thing he's ever thought about her past. She calls down a curse on herself if any of it's true. He believes her. He orders champagne. 'One more night,' he says. 'One more fight.' She says: 'Then I'm Cleopatra again.' They go in. His most loyal deputy watches this from the hallway. He calls a headhunter.

Continue to 4.1 →