Come, sit thee down upon this flowery bed,
While I thy amiable cheeks do coy,
And stick musk-roses in thy sleek smooth head,
And kiss thy fair large ears, my gentle joy.
Come, sit down on this bed of flowers, While I caress your pleasant cheeks, And put musk-roses in your smooth sleek head, And kiss your beautiful large ears, my gentle love.
Come on, sit down on this flower bed, While I stroke your lovely cheeks, And tuck musk-roses into your smooth hair, And kiss your beautiful big ears, my sweet love.
sit on this flower bed i'll caress your cheeks put roses in your hair and kiss your ears
Where’s Peaseblossom?
Where is Peaseblossom?
Where is Peaseblossom?
where's peaseblossom?
Ready.
Here.
Here.
here
Scratch my head, Peaseblossom. Where’s Monsieur Cobweb?
Scratch my head, Peaseblossom. Where is Monsieur Cobweb?
Scratch my head for me, Peaseblossom. Where's Monsieur Cobweb?
scratch my head where's cobweb?
Ready.
Here.
Here.
here
Monsieur Cobweb; good monsieur, get you your weapons in your hand and
kill me a red-hipped humble-bee on the top of a thistle; and, good
monsieur, bring me the honey-bag. Do not fret yourself too much in the
action, monsieur; and, good monsieur, have a care the honey-bag break
not; I would be loath to have you overflown with a honey-bag, signior.
Where’s Monsieur Mustardseed?
Monsieur Cobweb, good sir, take up your weapons and kill me a red-hipped bumblebee on top of a thistle; and, good monsieur, bring me the honey-bag. Don't get too worked up in the fight, monsieur; and, good monsieur, be careful that the honey-bag doesn't break; I'd hate for you to be covered with honey, sir. Where's Monsieur Mustardseed?
Monsieur Cobweb, listen, take your weapons and kill me a red-hipped bumblebee on top of a thistle; and, good sir, bring me back the honey. Don't work yourself too hard doing it, monsieur; and listen, make sure the honey-bag doesn't burst— I don't want you covered in honey, pal. Where's Monsieur Mustardseed?
cobweb, get me a red bumblebee from a thistle with the honey be careful with it where's mustardseed?
Ready.
Here.
Here.
here
Give me your neaf, Monsieur Mustardseed. Pray you, leave your courtesy,
good monsieur.
Give me your fist, Monsieur Mustardseed. Please, stop being polite, good monsieur.
Give me your hand, Monsieur Mustardseed. Come on, drop the fancy manners, pal.
give me your hand stop being so polite
What’s your will?
What do you want?
What do you need?
what do you want?
Nothing, good monsieur, but to help Cavalery Cobweb to scratch. I must
to the barber’s, monsieur, for methinks I am marvellous hairy about the
face; and I am such a tender ass, if my hair do but tickle me, I must
scratch.
Nothing, good monsieur, except to help Cavalier Cobweb with scratching. I need to go to the barber, monsieur, because I think I'm remarkably hairy on the face; and I'm such a sensitive creature that if my hair merely tickles me, I have to scratch.
Nothing, good monsieur, except I need Cavalier Cobweb to help me scratch. I really need to go to the barber, sir, because I'm incredibly hairy on my face; and I'm so sensitive that if my hair just itches a little, I can't help but scratch.
help cobweb scratch me i'm so hairy if it itches i gotta scratch
What, wilt thou hear some music, my sweet love?
What, will you hear some music, my sweet love?
Would you like to hear some music, my sweet love?
would you like music?
I have a reasonable good ear in music. Let us have the tongs and the
bones.
I have a fairly good ear for music. Let's have the metal tongs and bones.
I'm pretty good with music. Let's have some tongs and bones to play.
i'm good at music let's play tongs & bones
Or say, sweet love, what thou desirest to eat.
Or tell me, sweet love, what you want to eat.
Or tell me, my love, what you'd like to eat.
what do you want to eat?
Truly, a peck of provender; I could munch your good dry oats. Methinks
I have a great desire to a bottle of hay: good hay, sweet hay, hath no
fellow.
Honestly, a bushel of food; I could munch your good dry oats. I think I have a strong desire for a bundle of hay: good hay, sweet hay, has no equal.
Really, I'd love some food; I could eat your good dry oats. Actually, I'm really craving a bundle of hay: good hay, sweet hay, it's the best thing there is.
give me food oats are good hay is amazing
I have a venturous fairy that shall seek
The squirrel’s hoard, and fetch thee new nuts.
I have a daring fairy who will search The squirrel's storage, and bring you fresh nuts.
I have a brave fairy who will hunt For the squirrel's hidden stash and bring you fresh nuts.
i'll send a fairy to get you fresh nuts
I had rather have a handful or two of dried peas. But, I pray you, let
none of your people stir me; I have an exposition of sleep come upon
me.
I'd rather have a handful or two of dried peas. But, I beg you, don't let any of your people disturb me; I've fallen into a deep sleep.
I'd actually prefer a handful or two of dried peas. But please, don't let any of your people bother me; I'm getting sleepy.
dried peas are good don't let anyone bother me i'm falling asleep
Sleep thou, and I will wind thee in my arms.
Fairies, be gone, and be all ways away.
So doth the woodbine the sweet honeysuckle
Gently entwist, the female ivy so
Enrings the barky fingers of the elm.
O, how I love thee! How I dote on thee!
Sleep, and I will wrap myself around you in my arms. Fairies, leave, and go everywhere away. As the honeysuckle vine Gently wraps around the honeysuckle flower, As the female ivy Entwines the rough branches of the elm, Oh, how I love you! How I adore you!
Sleep, and I'll wrap my arms around you. Fairies, go away, all of you. Just like the woodbine vine Gently wraps around honeysuckle, And the female ivy Curls around the elm's rough bark, Oh, how I love you! How crazy I am about you!
sleep in my arms fairies go away i'm so in love with you
Oberon advances. Enter Puck.
Oberon enters. Puck comes on stage.
Oberon shows up. Here comes Puck.
oberon enters puck appears
Bottom's speech about his dream is a genuine philosophical moment disguised as bumbling. He reaches for 1 Corinthians — 'Eye hath not seen, nor ear heard' — and scrambles it: 'the eye of man hath not heard, the ear of man hath not seen.' The scrambling is not just comedy. It accurately describes an experience that cannot be processed through normal sensory categories. Bottom has been embraced by a fairy queen, waited on by supernatural creatures, and lived in an enchanted bower — and he cannot explain it because it genuinely exceeds the categories he has. His response to the inexplicable is to want to make it into art: 'Bottom's Dream,' a ballad. This is the healthiest and most creative response to the uncanny in the entire play. He doesn't try to explain it; he tries to make it into something that can be shared.
Welcome, good Robin. Seest thou this sweet sight?
Her dotage now I do begin to pity.
For, meeting her of late behind the wood,
Seeking sweet favours for this hateful fool,
I did upbraid her and fall out with her:
For she his hairy temples then had rounded
With coronet of fresh and fragrant flowers;
And that same dew, which sometime on the buds
Was wont to swell like round and orient pearls,
Stood now within the pretty flouriets’ eyes,
Like tears that did their own disgrace bewail.
When I had at my pleasure taunted her,
And she in mild terms begg’d my patience,
I then did ask of her her changeling child;
Which straight she gave me, and her fairy sent
To bear him to my bower in fairyland.
And now I have the boy, I will undo
This hateful imperfection of her eyes.
And, gentle Puck, take this transformèd scalp
From off the head of this Athenian swain,
That he awaking when the other do,
May all to Athens back again repair,
And think no more of this night’s accidents
But as the fierce vexation of a dream.
But first I will release the Fairy Queen.
Welcome, good Robin. Do you see this sweet sight? Her foolish affection now I begin to pity. For, meeting her recently behind the wood, Seeking beautiful gifts for this hateful fool, I scolded her and argued with her: For she had adorned his hairy temples With a crown of fresh and fragrant flowers; And that same dew, which sometimes on the buds Was used to swell like round and lustrous pearls, Now stood within the pretty flowers' eyes, Like tears that mourned their own shame. When I had taunted her at my pleasure, And she in gentle words begged my patience, I then asked her for her changeling child; Which at once she gave me, and sent her fairy To carry him to my palace in fairyland. And now I have the boy, I will undo This hateful imperfection of her eyes. And, gentle Puck, take this transformed head From off the head of this Athenian man, So that when he awakes with the others, They may all return to Athens again, And think nothing more of this night's events But as the fierce disturbance of a dream. But first I will release the Fairy Queen.
Welcome, Robin. You see what's happening here? I actually feel sorry for her foolishness now. Later, when I found her behind the forest, Searching for pretty things for this despicable guy, I yelled at her and we fought: She had crowned his hairy head With a wreath of fresh, sweet-smelling flowers; And the morning dew that normally sits on buds Like shiny, beautiful pearls, Was now in the flowers like tears That were ashamed of what they saw. When I'd finished mocking her, And she asked nicely for me to stop, I demanded her changeling child; She handed him over right away, and sent her fairy To bring him to my kingdom. Now that I have the boy, I'll fix This awful spell on her eyes. And Puck, remove that transformed head From that Athenian guy's shoulders, So when he wakes up with the others, They'll all go back to Athens, And only remember this night As a bad dream. But first I'll free the Fairy Queen from the spell.
see how she loves him? i made her fall for this guy but i got her kid now i'll break the spell fix his head too they'll think it's a dream
Be as thou wast wont to be;
See as thou was wont to see.
Dian’s bud o’er Cupid’s flower
Hath such force and blessed power.
Now, my Titania, wake you, my sweet queen.
Be as you were before; see again as you used to see. The flower of Diana over Cupid's flower has such force and blessed power. Now, my Titania, wake up, my sweet queen.
Go back to being yourself. See the world the way you used to. This magic flower—Diana's over Cupid's—is so powerful and blessed. Wake up now, Titania, my sweet queen.
be yourself again see clearly like before this magic is strong wake up my love
My Oberon, what visions have I seen!
Methought I was enamour’d of an ass.
My Oberon, what strange visions I've seen! I thought I was in love with a donkey.
My Oberon, what weird visions did I see! I thought I was madly in love with a donkey.
what visions did i see i was in love with a donkey??
There lies your love.
Your beloved is lying over there.
There's your sweetheart.
there he is
How came these things to pass?
O, how mine eyes do loathe his visage now!
How did these things happen? Oh, how my eyes now hate looking at him!
How did this happen? Oh my god, I can't stand looking at him now!
how did this happen? i hate the way he looks
Silence awhile.—Robin, take off this head.
Titania, music call; and strike more dead
Than common sleep, of all these five the sense.
Be quiet for a moment. Robin, remove that head. Titania, call for music; and put into An even deeper sleep than normal sleep, All the senses of these five.
Quiet for a minute. Robin, take off that head. Titania, get some music going; and put them all Into an even deeper sleep than usual.
quiet take off his head music please make them sleep deeply
Now when thou wak’st, with thine own fool’s eyes peep.
Now when you wake, you'll see with your own foolish eyes.
When you wake up, you'll see things with your own foolish eyes.
when you wake you'll see the truth
Come, my queen, take hands with me,
And rock the ground whereon these sleepers be.
Now thou and I are new in amity,
And will tomorrow midnight solemnly
Come, my queen, take my hands, And let's sway over the ground where these sleepers lie. Now you and I are newly reconciled, And will tomorrow midnight formally
Come on, my queen, hold my hands, And we'll sway over where these sleepers are. Now we're friends again, And tomorrow at midnight we'll
come hold my hands let's sway over them we're friends again tomorrow we'll
And bless it to all fair prosperity:
There shall the pairs of faithful lovers be
Wedded, with Theseus, all in jollity.
And bless it with complete good fortune: there the pairs of faithful lovers will be married, with Theseus, all in joy.
And I'll bless it so everything goes beautifully: the lovers will be married along with Theseus, and everyone will be celebrating happily.
bless all these lovers married with theseus everyone celebrating
Fairy king, attend and mark.
I do hear the morning lark.
Fairy king, listen and pay attention. I hear the morning lark singing.
Fairy king, listen up. I hear the morning lark.
listen the morning lark is singing
Then, my queen, in silence sad,
Trip we after night’s shade.
We the globe can compass soon,
Swifter than the wand’ring moon.
Then, my queen, in sad silence, Let us follow after the night. We can circle the earth quickly, Faster than the wandering moon.
Then, my queen, let's go quietly, Following the night away. We can travel around the world in no time, Faster than the moon.
let's go in silence follow the night we're faster than the moon
Come, my lord, and in our flight,
Tell me how it came this night
That I sleeping here was found
With these mortals on the ground.
Come, my lord, and as we fly, Tell me how it happened tonight That I was found sleeping here With these humans on the ground.
Come on, my lord, and as we go, Tell me what happened tonight That I ended up sleeping here With these people on the ground.
come with me tell me what happened why was i sleeping here?
Go, one of you, find out the forester;
For now our observation is perform’d;
And since we have the vaward of the day,
My love shall hear the music of my hounds.
Uncouple in the western valley; let them go.
Dispatch I say, and find the forester.
Go, someone find the forester; Because our ceremony is finished; And since we have the front part of the day, My love will hear the sound of my hunting dogs. Release them in the western valley; let them go. Hurry, I say, and find the forester.
Go, someone find the forester; Our ceremony is done; And since we've got the morning, My love will hear my hunting dogs. Let them loose in the western valley. Go on, find the forester.
find the forester ceremony's done let the dogs loose western valley
We will, fair queen, up to the mountain’s top,
And mark the musical confusion
Of hounds and echo in conjunction.
We will, fair queen, go up to the mountain's peak and listen to the beautiful confused sounds of the hounds and the echoes blending together.
We'll go up to the top of the mountain, my queen, and enjoy the wonderful sound of the hunting dogs and their echoes mixing together.
up to mountain top listen to hounds and echoing voices so beautiful
Act 4's resolution is swift and decisive — but if you look carefully, several things are quietly deleted. Egeus's legitimate legal claim is overridden without argument. Demetrius's love for Helena is the residue of a love potion that was never removed. Titania's memory of her passion for Bottom is gone, replaced by revulsion — she never gets to process or integrate the experience. The changeling boy, whose custody drove the central conflict, simply vanishes: he goes to Oberon and is never mentioned again. The play creates its happy ending by collectively agreeing not to examine what happened too closely. 'Let us recount our dreams' — but we never hear what they say. The forest experience is filed as dream, not reality, and everyone goes home. This is the comedy's contract with its audience: we accept the resolution's terms and agree not to look too hard at the price.
I was with Hercules and Cadmus once,
When in a wood of Crete they bay’d the bear
With hounds of Sparta. Never did I hear
Such gallant chiding; for, besides the groves,
The skies, the fountains, every region near
Seem’d all one mutual cry. I never heard
So musical a discord, such sweet thunder.
I was once with Hercules and Cadmus, When in a forest of Crete they hunted the bear With Spartan hounds. I never heard Such spirited barking; because, beyond the forests, The skies, the fountains, every area nearby Seemed like one unified sound. I never heard Such beautiful disorder, such sweet noise.
I was once with Hercules and Cadmus, When they hunted a bear in a Cretan forest With Spartan hunting dogs. I'd never heard Such energetic barking; the forests, The sky, the fountains, everything around Seemed to ring with one sound. I'd never heard Such musical confusion, such sweet noise.
i hunted a bear once with hercules & cadmus spartan hounds were amazing such a beautiful sound
My hounds are bred out of the Spartan kind,
So flew’d, so sanded; and their heads are hung
With ears that sweep away the morning dew;
Crook-knee’d and dewlap’d like Thessalian bulls;
Slow in pursuit, but match’d in mouth like bells,
Each under each. A cry more tuneable
Was never holla’d to, nor cheer’d with horn,
In Crete, in Sparta, nor in Thessaly.
Judge when you hear.—But, soft, what nymphs are these?
My hounds are bred from the Spartan breed, With large jowls and tan coats; and their heads hang With ears that sweep away the morning dew; Crook-legged and with loose skin like Thessalian bulls; Slow in the hunt, but matched in voice like bells, Each sounding below the other. A pack more melodious Was never called to, nor cheered with a horn, In Crete, in Sparta, nor in Thessaly. Judge when you hear them. But wait, who are these women?
My hounds are from Spartan stock, With big jowls and sandy coats; their heads have Ears that sweep the morning dew away; They're bow-legged and loose-skinned like Thessalian bulls; They're slow but their voices match like bells, Each one layered under the other. You'd never hear A better-sounding pack called to, or cheered with a horn, In Crete, Sparta, or Thessaly. Wait till you hear them. But who are these women?
my hounds are from sparta with perfect voices like bells they sound incredible who are these women?
My lord, this is my daughter here asleep,
And this Lysander; this Demetrius is;
This Helena, old Nedar’s Helena:
I wonder of their being here together.
My lord, here is my daughter asleep, And this is Lysander; this is Demetrius; This is Helena, old Nedar's Helena: I'm puzzled that they're here together.
My lord, that's my daughter sleeping there, And that's Lysander; and that's Demetrius; And that's Helena, the daughter of old Nedar: I have no idea why they're all together.
that's my daughter lysan & demetrius & helena why are they all here together?
No doubt they rose up early to observe
The rite of May; and, hearing our intent,
Came here in grace of our solemnity.
But speak, Egeus; is not this the day
That Hermia should give answer of her choice?
Surely they got up early to observe The May Day ceremony; and, hearing our plan, Came here as part of our celebration. But tell me, Egeus; isn't this the day When Hermia should announce her choice?
They probably woke up early to see The May Day celebration; and when they heard we were coming, They came to join us. But Egeus, isn't today the day When Hermia is supposed to announce her choice?
they came for may day and heard we were coming egeus, today's the day hermia has to choose
It is, my lord.
Precisely so, my lord.
Yes, that's right.
yes
Go, bid the huntsmen wake them with their horns.
Horns, and shout within. Demetrius, Lysander, Hermia and Helena wake
and start up.
Good morrow, friends. Saint Valentine is past.
Begin these wood-birds but to couple now?
Go, tell the hunters to wake them with their horns. Horns sound, and shouting is heard. Demetrius, Lysander, Hermia, and Helena wake and jump up. Good morning, friends. Saint Valentine's Day has passed. Are these forest birds only now beginning to pair up?
Go tell the hunters to wake them with horns. Horns sound, and shouting is heard. Demetrius, Lysander, Hermia, and Helena wake up and jump to their feet. Good morning, everyone. Valentine's Day is over. Are these forest birds just now starting to find their mates?
wake them with horns good morning valentine's day is over why are birds coupling now?
Pardon, my lord.
He and the rest kneel to Theseus.
Forgive me, my lord. He and the others kneel to Theseus.
I beg your pardon, my lord. He and the others kneel.
forgive me
I pray you all, stand up.
I know you two are rival enemies.
How comes this gentle concord in the world,
That hatred is so far from jealousy
To sleep by hate, and fear no enmity?
Please, all of you stand up. I know you two are bitter enemies. How has this peaceful agreement come about, That you can sleep next to your enemy Without fear or jealousy?
Please, everyone stand up. I know you two are sworn enemies. How did you suddenly become friends, That you can sleep next to the person you hated Without fear or jealousy?
stand up you're enemies how are you peaceful now? you're sleeping together?
My lord, I shall reply amazedly,
Half sleep, half waking; but as yet, I swear,
I cannot truly say how I came here.
But, as I think (for truly would I speak)
And now I do bethink me, so it is:
I came with Hermia hither. Our intent
Was to be gone from Athens, where we might be
Without the peril of the Athenian law.
My lord, I will answer in confusion, Half asleep, half awake; but so far, I swear, I cannot truly say how I got here. But, as I recall (and I want to be truthful) Now I remember, that's how it is: I came here with Hermia. We intended To leave Athens, where we could be Without the danger of Athenian law.
My lord, I'm confused and half-asleep, Half-awake; but honestly, I swear I can't really say how I ended up here. But now that I think about it (and I'm trying to be truthful), I remember: I came here with Hermia. We wanted To leave Athens, to somewhere we could be together Without the Athenian law getting in the way.
i'm confused half asleep i came with hermia we wanted to leave athens
Enough, enough, my lord; you have enough.
I beg the law, the law upon his head.
They would have stol’n away, they would, Demetrius,
Thereby to have defeated you and me:
You of your wife, and me of my consent,
Of my consent that she should be your wife.
Enough, enough, my lord; you've heard enough. I ask the law, the law against him. They would have run away, they would have, Demetrius, Thereby to have cheated you and me: You of your wife, and me of my approval, My approval that she should be your wife.
That's enough, my lord; you've heard enough. I want the law, the law to punish him. They would have sneaked off together, Demetrius, And that would have cheated both of us: You out of your wife, and me out of my say In whether she should marry you.
enough, my lord apply the law they wanted to run away and cheat us both
My lord, fair Helen told me of their stealth,
Of this their purpose hither to this wood;
And I in fury hither follow’d them,
Fair Helena in fancy following me.
But, my good lord, I wot not by what power,
(But by some power it is) my love to Hermia,
Melted as the snow, seems to me now
As the remembrance of an idle gaud
Which in my childhood I did dote upon;
And all the faith, the virtue of my heart,
The object and the pleasure of mine eye,
Is only Helena. To her, my lord,
Was I betroth’d ere I saw Hermia.
But like a sickness did I loathe this food.
But, as in health, come to my natural taste,
Now I do wish it, love it, long for it,
And will for evermore be true to it.
My lord, Helena told me of their secret plan, Of their intention to come to this forest; And I angrily followed them here, Fair Helena following me out of desire. But, my good lord, I don't know what power (But some power it was) made my love for Hermia Melt away like snow, and now it seems to me Like the memory of a worthless toy That I loved as a child; And all the devotion and goodness of my heart, Everything I want and desire, Is only Helena. I was engaged to her, my lord, Before I ever saw Hermia. But like a sickness, I hated it then. But now, as if I've recovered to health, I want it, love it, long for it, And I will be true to it forever.
My lord, Helena told me about their secret plan, That they were going to run away to the forest; And I got furious and chased them, With Helena chasing after me. But, my lord, I don't know what happened— Some kind of magic must have done it— But my love for Hermia just disappeared, Like it was snow melting away. Now it feels like A dumb toy I loved as a kid. All the love I have now, All I want and need, Is Helena. I was supposed to marry her anyway, my lord, Before I even met Hermia. But back then I hated the idea. But now it's like I got better from an illness, And I want her, I love her, I need her, And I'll be faithful to her forever.
helena told me about their plan i chased them in anger but something changed i stopped loving hermia all i want now is helena i was engaged to her anyway and i love her now
Fair lovers, you are fortunately met.
Of this discourse we more will hear anon.
Egeus, I will overbear your will;
For in the temple, by and by with us,
These couples shall eternally be knit.
And, for the morning now is something worn,
Our purpos’d hunting shall be set aside.
Away with us to Athens. Three and three,
We’ll hold a feast in great solemnity.
Come, Hippolyta.
Lucky lovers, you've met at the right time. We'll hear more about this later. Egeus, I'm overruling your wishes; For in the temple, very soon, These couples will be united forever. And, since the morning is getting on, Our planned hunting will be put off. Let's go to Athens. In groups of three, We'll hold a grand celebration. Come, Hippolyta.
What a lucky meeting for you lovers. We can talk more about this later. Egeus, I'm not going to listen to you; In the temple, very soon, These couples are getting married. And since it's getting late in the morning, We can skip the hunting. Let's go to Athens. We'll go in groups, And we'll throw a big celebration. Come on, Hippolyta.
lucky lovers i'm ignoring you egeus they're getting married in the temple no hunting today letsces celebrate in athens
These things seem small and undistinguishable,
Like far-off mountains turnèd into clouds.
These things seem small and indistinct, Like distant mountains turned into clouds.
Everything seems blurry and small, Like mountains far away that look like clouds.
everything's blurry like far-off mountains
Methinks I see these things with parted eye,
When everything seems double.
I think I see these things with unfocused eyes, When everything appears doubled.
I feel like I'm seeing everything with confused eyes, Like everything is double.
i see everything double like i'm unfocused
So methinks.
And I have found Demetrius like a jewel,
Mine own, and not mine own.
I think so too. And I've found Demetrius like a precious jewel, Mine, yet not really mine.
Me too. And I found Demetrius like a precious jewel, That's mine but also not mine.
me too demetrius is mine but also not mine
Are you sure
That we are awake? It seems to me
That yet we sleep, we dream. Do not you think
The Duke was here, and bid us follow him?
Are you sure That we're awake? It seems to me That we're still sleeping, we're dreaming. Don't you think The Duke was here, and told us to follow him?
Are you sure We're actually awake? It feels like We're still dreaming. Don't you think The Duke was here and asked us to follow him?
are we awake? this feels like a dream was the duke here?
Yea, and my father.
Yes, and my father.
And my father was here too.
and my father
And Hippolyta.
And Hippolyta.
And Hippolyta too.
and hippolyta
And he did bid us follow to the temple.
And he ordered us to follow him to the temple.
And he wants us all to meet him at the temple.
he told us to go to the temple
Why, then, we are awake: let’s follow him,
And by the way let us recount our dreams.
Well, then, we are awake: let's follow him, And on the way let's tell each other our dreams.
Well, then we're definitely awake: let's go with him, And on the way we can tell each other what we dreamed.
we're awake then let's follow him and talk about our dreams
[_Waking._] When my cue comes, call me, and I will answer. My next is
‘Most fair Pyramus.’ Heigh-ho! Peter Quince! Flute, the bellows-mender!
Snout, the tinker! Starveling! God’s my life! Stol’n hence, and left me
asleep! I have had a most rare vision. I have had a dream, past the wit
of man to say what dream it was. Man is but an ass if he go about to
expound this dream. Methought I was—there is no man can tell what.
Methought I was, and methought I had—but man is but a patched fool if
he will offer to say what methought I had. The eye of man hath not
heard, the ear of man hath not seen, man’s hand is not able to taste,
his tongue to conceive, nor his heart to report, what my dream was. I
will get Peter Quince to write a ballad of this dream: it shall be
called ‘Bottom’s Dream’, because it hath no bottom; and I will sing it
in the latter end of a play, before the Duke. Peradventure, to make it
the more gracious, I shall sing it at her death.
When my cue comes, call me, and I will answer. My next line is 'Most fair Pyramus.' Wow! Peter Quince! Flute, the bellows-mender! Snout, the tinker! Starveling! Oh, by god's life! They've stolen away and left me asleep! I have had a most remarkable experience. I have had a dream beyond anyone's ability to describe. A man is foolish if he tries to explain this dream. I thought I was—but no one can say what. I thought I was, and I thought I had—but a man is a silly fool if he tries to say what I thought I had. The eye of man has not heard, the ear of man has not seen, man's hand cannot taste, his tongue cannot conceive, nor his heart report what my dream was. I will get Peter Quince to write a ballad of this dream: it shall be called 'Bottom's Dream', because it has no bottom; and I will sing it at the end of a play, before the Duke. Perhaps, to make it more impressive, I shall sing it at her death.
When it's my turn, call me—I'll answer with my line. 'Most fair Pyramus'—that's next. Wait! Peter Quince! Flute! Snout! Starveling! They disappeared and left me here asleep! I just had the strangest dream. It's impossible to describe—you'd be an idiot to even try. I was... something... but I can't say what. My whole experience is scrambled—like my eyes couldn't hear and my ears couldn't see. It's way beyond words. I'm getting Peter Quince to write a song about it. We'll call it 'Bottom's Dream'—because it's bottomless and profound—and I'll sing it for the Duke. Maybe even at her funeral, to make it sound really special.
i had the wildest dream im not even gonna try explaining it its too weird and deep gonna get someone to write a song
The Reckoning
The turn. Everything has gone as wrong as it can go, and now the forest gives it back — corrected, restored, resolved. The Titania/Bottom sequence is the play's most tender comedy: she adorns him, he asks for oats and hay. Oberon's pity for his wife is the scene's most interesting moment — he has won (he has the boy), and in winning he sees the extent of what he has done. The restoration of Bottom is handled by the play with unusual gentleness: he wakes cheerfully, convinced he has had 'a most rare vision,' and his instinct is to make it into art. The four lovers' awakening is brisk — Shakespeare handles it quickly, as if the enchantment never needs to be fully explained, only ended. Egeus's objection is swept away by Theseus, who in one sentence overrides everything the first scene established. The play is choosing its happy ending and not quite pretending the law doesn't exist.
If this happened today…
You wake up from a very strange night. The most powerful woman you know has apparently been cuddling a man wearing a donkey costume. Both of them seem fine about it now. Four young people are asleep in a forest clearing where they shouldn't be, and they all seem to be correctly paired. Their parents show up. One parent is still furious. The duke just... overrules him. It's over.